Australian actor Damian Humbley's past work includes Merrily We Roll Along, The Woman in White and The Last 5 Years. He's currently starring in Spamilton, an affectionate spoof of the all-conquering Hamilton, at Menier Chocolate Factory.
An all-singing, all-dancing old school musical that will delight fans of all ages.
BWW chatted to Chris Walley from The Lieutenant of Inishmore about his time at RADA and how it feels to make his professional stage debut in the Michael Grandage directed play.
Earlier this week news broke that Glenda Jackson, fresh from her triumphant, Tony-winning run in Three Tall Women, will next don the crown as Shakespeare's tragic monarch King Lear. Broadway is making much ado about something and understandably so. New York stages haven't seen much gender-swapped or gender-blind casting of Shakespeare, but take a peek across the pond to find a revolution of sorts in the interpretation of the Bard's work.
I didn't know it was possible for a play this bloody to be so funny. Martin McDonagh's The Lieutenant of Inishmore is a dark comedy about terrorism and violence set in Ireland in 1993. When Irish National Liberation Army member Padraic finds out his beloved cat is poorly, he immediately heads home only to find the cat already dead and violence ensues. It's an enthusiastically gory piece that isn't for the faint of heart.
On a night of absolute destruction paranoia runs rife. The capital is in chaos and the public sit in their home watching the terror unfold. Helicopters circle overhead, police sirens wail and the news channels talks about a city under siege. There are 45 dead and counting.
As children, we are brought up on fairy tales set in far faraway lands. A boy-meets-girl story, typically helped by dancing animals or singing furniture.
Machinal, written by Sophie Treadwell, is based on the sensational 1927 trial of Ruth Snyder, a housewife who murdered her husband. It is a play largely about a woman attempting to find her own agency, with little success, despite the restraints of being a wife and mother. While the Almeida production boasts a wonderful set and the modern relevancy is clear, it ultimately falls short of its source material.
Nina Raine's Consent first premiered last year at the National Theatre, before the #MeToo movement happened and the change that it has brought about in society. The topic of consent is extremely relevant today and the production's transfer to the West End is timely, offering those who may have seen it at the National a whole new perspective.
Life is a Dream is Rambert's first full-length work is over 40 years. It's perhaps best left to seasoned dance-lovers and those who like a challenge, because choreographer Kim Brandstrup certainly doesn't make it an easy task for his audience.
Timothy Sheader and Liam Steel's production of J.M. Barrie's Peter Pan returns to Regent's Park Open Air Theatre, three years after it first captivated audiences - young and old.
The West End production of Nina Raine's Consent continues previews at the Harold Pinter Theatre with its opening night on 29 May 2018. Directed by Roger Michell and originally co-produced and commissioned by Out of Joint, this strictly limited 12-week run is booking through to 11 August 2018 following the 2017 critically acclaimed sell-out run at the National Theatre.
It's easy to imagine that a play that explores the meaning of art could become bogged down in artistic pretention. However, Josh Logan's Red escapes this as the physicality of the art itself gives it action to bolster its theoretical talk. Alfred Molina reprises his role as the artist Mark Rothko and Alfred Enoch gives a wonderful performance as his assistant, Ken. Once again under Michael Grandage's direction, the show manages to build many humorous moments despite its serious subject matter.
Based on the original Donmar Warehouse production, this new production of Red by John Logan is the first ever UK revival since Grandage originated the premiere at the Donmar in 2009. The production went on to win six Tony Awards including Best Play.
Producers Sonia Friedman Productions and Neal Street Productions have just announced initial casting for the Broadway engagement of Jez Butterworth's The Ferryman, which will feature most of the play's acclaimed London cast members on the Broadway stage.
The Almeida Theatre presents its revival of Sophie Treadwell's Machinal, directed by Natalie Abrahami.
The West End production of Nina Raine's Consent will begin previews next week at the Harold Pinter Theatre on 18 May with its opening night on 29 May 2018. Directed by Roger Michell and originally co-produced and commissioned by Out of Joint, this strictly limited 12-week run is booking through to 11 August 2018 following the 2017 critically acclaimed sell-out run at the National Theatre.
One of his most-loved productions, Sir Matthew's interpretation of the classic fairytale is set in London during the Second World War. A chance meeting results in a magical night for Cinderella and her dashing young RAF pilot, together just long enough to fall in love before being parted by the horrors of the Blitz. Sir Matthew's vivid storytelling has never been more heart-stopping and touching, and will take the audience into the heart of Prokofiev's magnificent score, and the sights and sounds of war-torn London.
Regent's Park Open Air Theatre's revival of their 2015 Olivier Award-nominated production, Peter Pan launches the 2018 season in the final year of the First World War Centenary Commemorations.
Liam Mower is currently playing the Angel in Matthew Bourne's Cinderella, after joining New Adventures in 2011. Liam made his West End debut at the age of 12 in Billy Elliot the Musical, as one of the original three Billys; together, they won an Olivier Award for Best Actor in a Musical.
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