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Review: BACKSTAIRS BILLY, Duke of York's Theatre

As the curtain rises, we’re met with a sea of pink – pink damask walls and heavy pink velvet curtains, with pink and white flowers adorning every available surface. This is the Garden Room at Clarence House (brilliantly designed by Christopher Oram), and the year is 1979.

Review: KING LEAR, Wyndham's Theatre

Alarm bells ring when a director stars in the play they are also directing. Even if that director is Sir Kenneth Branagh. Nine times out of ten the production falls flat and the audience are left wondering if ego is to blame. Branagh’s hotly anticipated stab at King Lear is, sadly, no exception.

Review: 2:22 A GHOST STORY, Theatre Royal Brighton

2:22 A Ghost Story has made a bit of a mark for itself in its regularly rotating cast – often well-established actors known more widely for their off-stage work. As the show sweeps into its Brighton leg of the tour, the cast du jour boasts Joe Absolom, Charlene Boyd, Nathaniel Curtis and Louisa Lytton.RY at Theatre Royal Brighton?

Haydn Gwynne Dies Aged 66

BroadwayWorld is very sad to report that actor Haydn Gwynne, who starred in Billy Elliot the Musical on stage, has died aged 66.

Feature: NA ECLATANT SUCCES IN VLAANDEREN LES MISERABLES TOCH NOG TWEE WEKEN NAAR NEDERLAND!

De iconische musical Les Misérables komt nog één keer naar Nederland. Na de succesvolle Vlaamse première in Antwerpen, afgelopen zondag, is de voorstelling van 1 tot en met 12 november 2023 in Theater Heerlen te zien. Tot nu toe zijn er 285.000 kaarten voor Les Misérables in Nederland en Vlaanderen verkocht. Voor de allerlaatste shows in Heerlen komen vanaf vandaag de laatste kaarten in verkoop.

Review: BLACK SABBATH - THE BALLET, Sadler's Wells

A stunning celebration of the music of Birmingham legends Black Sabbath performed by the Birmingham Royal Ballet. The combination of heavy metal music with ballet may not seem an obvious one but here we are thanks to the direction of Carlos Acosta, who had the vision to celebrate Birmingham’s most popular musical exports, Black Sabbath, in this three-act ballet from Birmingham Royal Ballet.

Interview: 'It's Like an Out-of-Body Experience': Shelly Berger, Manager of The Temptations, on AIN'T TOO PROUD and its Legacy

Recently, BroadwayWorld had the chance to sit down and talk with Shelly Berger, the current manager of The Temptations who has been with the group for over sixty years. We discussed what it has been like to see himself portrayed on stage, the journey of Ain’t Too Proud across the pond, and even Berry Gordy’s first reaction to the show!

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