BWW Review: Kenny Leon Directs MUCH ADO ABOUT NOTHING With Georgia Politics On His Mind
by Michael Dale
- Jun 12, 2019
If, when the smoke clears on the Democratic Party's selection process, their next nominee for President of the United States turns out to be recent Georgia gubernatorial candidate Stacey Abrams, history might point to director Kenny Leon's fun and stylish Shakespeare In The Park production of Much Ado About Nothing as the event that truly kick-started interest.
BWW Review: Semi-Sweet CHARLIE AND THE CHOCOLATE FACTORY Gets Sprinkled Into OC's Segerstrom Center
by Michael Quintos
- Jun 5, 2019
Despite its general pleasant nature, many cute moments, and a plethora of genuine talent on stage, this stage musical adaptation of CHARLIE AND THE CHOCOLATE FACTORY---Roald Dahl's beloved 1964 children's novel about a sweet, affable kid who wins a meet-and-greet (and more!) with an eccentric Candy Man named Willy Wonka--- comes off less magical and whimsical than one would hope it would be considering its source material. Is this national tour production---now continuing performances at Segerstrom Center for the Arts through June 9---joyful enough for kids and kids-at-heart to enjoy? Sure. But, overall, something about it feels just slightly under-baked, as if all the additional necessary ingredients that would have made this musical extraordinary didn't quite make it into the mix.
Review Roundup: What Did the Critics Think of DYING CITY?
by Julie Musbach
- Jun 4, 2019
Dying City explores the human fallout of global events, including the Iraq War and the terrorist attacks of 9/11, through the interwoven stories of three unforgettable characters in this 2008 Pulitzer finalist. Let's see what the critics had to say.
BWW Review: Mary Elizabeth Winstead and Colin Woodell in Christopher Shinn's DYING CITY
by Michael Dale
- Jun 4, 2019
Playwright Christopher Shinn, who directs Second Stage's new production of his 2008 Pulitzer finalist Dying City, places a large black void at the upstage wall as part of designer Dane Laffrey's otherwise realistic depiction of rather non-descript Manhattan apartment. Don't, like this reviewer did, spend any part of your time at this 90-minute drama waiting for some practical use of this seemingly out-of-place feature. Its purpose, perhaps, is to represent that emptiness that can be felt by both individually and collectively after.
BWW Feature: A BRONX TALE at the Broward Center for the Performing Arts, June 11-23, 2019
by Cristina Pla-Guzman
- Jun 1, 2019
I don't wanna be a snitch but I can tell you A BRONX TALE is based on the one-man show that inspired the now classic film, this streetwise musical takes audiences to the stoops of the Bronx in the 1960s-where a young man is caught between the father he loves and the mob boss he'd love to be. Featuring an original doo-wop score, this is a tale about respect, loyalty, love, and above all else: family. I have great news for you, mafiosos. Bronx Tale will play the Broward Center for the Performing Arts on June 11 through 23, 2019 and you don't need to wack anyone to see it!
BWW Review: FALSETTOS National Tour in Chicago
by Rachel Weinberg
- May 30, 2019
The national tour of the 2016 Broadway revival of FALSETTOS, once again helmed by director James Lapine, has landed in Chicago with a first-rate production and cast. The mighty touring ensemble of seven captures all the neuroses and emotional journeys of the musical's composite 'Tight-Knit Family.'
Photo Flash: First Look at DYING CITY
by Julie Musbach
- May 22, 2019
Get a first look at Second Stage Theater's DYING CITY. Written and directed by Christopher Shinn, DYING CITY stars Mary Elizabeth Winstead and Colin Woodell.
BWW REVIEW: “Oh, What a Night!” with JERSEY BOYS!
by Katie Becker
- May 22, 2019
JERSEY BOYS follows the true story of 1960s group The Four Seasons; Tommy DeVito (Corey Greenan), Bob Gaudio (Eric Chambliss), Nick Massie (Johnathan Cable), and Frankie Valli (Jonny Wexler). This jukebox musical, with music by Bob Gaudio and lyrics by Bob Crewe, utilizes some of the bands biggest hits to tell the rise and fall of the iconic group of boys from New Jersey; including "Big Girls Don't Cry," "Sherry," "December 1963 (Oh, What a Night)," and "Can't Take My Eyes Off You."
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