Jason Michael Evans News

Mercury Theater has revealed additional dates for the first built-in Chicago Production of Jersey Boys. Learn how to purchase tickets.

Mercury Theater Chicago has staged a “homegrown” production of JERSEY BOYS full of Chicago heart. The bio jukebox musical has graced Chicago tour stages over the years (in fact, I had a chuckle looking back at the review of the first national tour I wrote for my high school newspaper), but this is the first staging to showcase Chicago talent — and it definitely accomplishes that goal.

Mercury Theater has revealed the cast and creative team for the first built-in-Chicago production of Jersey Boys, the Tony Award winning story of Frankie Vallie and The Four Seasons.

Riverside Theatre presents the Tony, Grammy and Olivier Award-winning Best Musical, Jersey Boys. Don't miss this incredible show!

Chicago Shakespeare Theater has revealed the cast and creative team for the upcoming 75-minute family musical production Disney’s Beauty and the Beast, directed and choreographed by Amber Mak.

While the Maltz Jupiter Theatre technically opened its doors for two weeks in April 2022 after a two-year renovation, the largest LORT B+ regional theatre in the southeastern United States is thrilled to produce a full season starting this October.

The Arrow Rock Lyceum Theatre brings the phenomenal music, memorable characters, and great storytelling of Jersey Boys to its stage June 23-July 3.

Theatre Aspen announced today the complete casts and creative teams for the company’s 39th Season, which includes the Tony Award-winning musicals Gypsy and Jersey Boys on the mainstage, as well as the summer Cabaret Series at Hotel Jerome and additional programming and special events for the summer.

Portland Stage closes its 2021-2022 season with a new play with music that is really a chamber opera, SABINA, about the pioneer in psychoanalysis, the muse and lover of Carl Jung and colleague of Sigmund Freud, Sabina Spielrein. Sabina’s story from Jung’s catatonic patient to medical student and respected doctor in the turbulent years leading up to WWII is a fascinating one, filled with history and hope.

After a two-year pandemic delay, the new musical Sabina arrives on stage tonight at Portland Stage. The new musical features Stephanie Machado in the title role, with Philip Stoddard as Carl Jung and Bruce Sabath (Company, Fiddler on the Roof in Yiddish) as Sigmund Freud. The cast also includes Jason Michael Evans (Anastasia National Tour) and Sarah Anne Fernandez (Wicked National Tour). 

Sabina is a profoundly moving psychological mystery, the story of Sabina Spielrein, a catatonic 19-year-old Russian girl who is sent to the Burgholzli Institute by her parents as a last resort. She is found there by Carl Jung, who is looking for a patient on whom to try Freud’s not-yet-proven Talking Cure.

Jersey Boys, the story of Frankie Valli and The Four Seasons opened tonight at STAGES St. Louis for their final offering of the season. Winner of the 2006 Tony Award for Best Musical, 2009 Laurence Olivier Award for Best Musical, and the Grammy Award for Best Musical Show Album, Jersey Boys is among the most successful jukebox musicals ever produced. The STAGES St. Louis production runs through October 24, 2021 at the Ross Family Theater in the Kirkwood Performing Arts Center.

STAGES St. Louis has announced the casting for their upcoming production of JERSEY BOYS that will play September 24 – October 24, 2021 at The Ross Family Theater in the new Kirkwood Performing Arts Center. The cast will be headlined by Christopher Kale Jones who is best known for playing Frankie Valli in the 1st National Tour of JERSEY BOYS. With a book written by Marshall Brickman and Rick Elice, JERSEY BOYS takes an exhilarating journey into the cultural phenomenon that is Frankie Valli & The Four Seasons. The show features 30 show stopping performances of the hits that took the group all the way to the top of the charts, including: “Sherry,” “Big Girls Don’t Cry,” and “Can’t Take My Eyes Off of You.”

BroadwayWorld has learned that all remaining performances on the Anastasia tour have been cancelled through Summer 2020, due to the health crisis.

Meet Anastasia on tour's new Anya, Beth Stafford Laird, who rejoins the national tour of Broadway's Anastasia beginning April 7, 2020.

'ANASTASIA,' with music and lyrics by Stephen Flaherty and Lynn Ahrens, and a book by Terrence McNally, based on the 1997 film of the same name, is now on stage at the Connor Palace, as part of the Key Bank Broadway series.

When the movie ANASTASIA was released in 1996, somewhere someone was humming along with the score of the 20th Century Fox film and thought 'This might make a fantastic musical.' It took nearly 20 years but the faith in the concept is paying off.

Perfectly timed for the blistery cold Rochester weather we're all suffering through, the RBTL is currently presenting 'Anastasia', the stage adaptation of the 1997 animated movie in which audience members are whisked away to snowy St. Petersburg during the height of the Russian Revolution of the 1920's. This era of political upheaval is the backdrop, but the story focuses on a young woman and her journey through the past to find her family and her identity.

A mysterious girl, who may or may not be the long lost Princess Anastasia Romanov of Russia, a grandmother intent on finding her, and the desperate men willing to do whatever it takes to get out of Russia. These are at the center of the musical ANASTASIA which is now playing at The Bushnell in Hartford.

At first glance, the musical stage adaptation of ANASTASIA looks and feels like an appropriately grand, luxe affaira?"from its gorgeous costumes designed to the lush soundscapes created by the orchestra and the vocal talents that have been assembled for this tour. But the undeniable wow factor of the show is, of course, the stunning visual trifecta of its scenic design working in keen harmony with dazzling projections and stage lighting. The overall technical prowess of this stage musical is just jaw-droppinga?"and, I must say, is quite an adequate enough reason to experience the show. The adaptation's execution of the story itself, however, suffers slightly from its well-meaning intentionsa?"revealing a stage show that feels stilted by its own drama, and with an unsure footing of what it truly wants to be.