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BWW Review: IRVING BERLIN'S WHITE CHRISTMAS FLURRIES INTO TOBY'S IN COLUMBIA

In the tradition of ‘40s musicals, WHITE CHRISTMAS tugs heartstrings and brightens spirits. The timeless music of Irving Berlin combined with the dedication and talent of Toby’s yields a family-friendly show sure to give you cocoa-and-fireplace feelings no matter the weather

BWW Review: ELF - THE MUSICAL at Toby's Dinner Theater

Attending the musical ELF in July, (and August) in the air-conditioned comfort of Toby's, which is featuring reduced capacity pod seating until further notice, is a sweet novelty, and a community-supportive way to emerge from seventeen months of dormancy. You're in for holiday sweetness with heart and soul and singing and dancing and sparkle and jolly and a side of cheese. It's delicious food for the soul.

BWW Review: THE BODYGUARD Protects Toby's Superstar Reputation

There's much to like about this production of THE BODYGUARD, story aside. It's predictable, superficial and just barely passes the Bechdel-Wallace test. The script is measurably better than the story and the performance is even better than the script. Ross Scott Rawlings' accompanying mini-orchestra is flat-out terrific, and there are some extremely interesting tech things happening. Overall, a strong thumbs-up.

BWW Review: LEGALLY BLONDE at The Keegan Theatre

Few characters become so embedded in the fabric of pop culture that merely the mention of a color can elicit their memory. Such is the case, however, for Elle Woods, the golden-haired Malibu native at the center of Legally Blonde. Talk about the color pink for too long and someone in your circle is guaranteed to quote one of the now-iconic lines made immortal by Reese Witherspoon in the 2001 film. The 2007 Broadway musical burdened its star, Laura Bell Bundy, with the responsibility of carrying on Ms. Witherspoon's legacy while appearing in almost every scene and belting her lungs out. This hot pink explosion of female empowerment and sisterhood is a deceptively demanding production with a non-stop score by Laurence O'Keefe and Nell Benjamin. While the DC premiere at The Keegan Theatre is a fun evening, the overly-choreographed production feels like Elle Woods' first day at Harvard: its trying a little too hard.

LEGALLY BLONDE Announced At The Keegan Theatre

The Keegan Theatre closes out its 22nd season with the award-winning musical LEGALLY BLONDE, opening on August 3, 2019. Based on the hit movie, LEGALLY BLONDE is a fabulously fun and energetic musical, wrapped up with a snappy pink bow! It features music and lyrics by Laurence O'Keefe and Nell Benjamin and a book by Heather Hach. The DC premiere production at Keegan is directed by Ricky Drummond with music direction by Helen Hayes Award-winner Walter "Bobby" McCoy and choreography by Ashleigh King. 

BWW Review: Hear The Bells In Toby's HUNCHBACK OF NOTRE DAME

Victor Hugo's 1833 love letter to an old cathedral is set in 1482, and it's curious to note that in the nearly six hundred intervening years, there is much that is unchanged regarding social injustice, racial persecution and sexual abuse by religious leaders. Production values are high, while fancy choreography steps aside in service to imaginative vertical and distance movement sequences. The whole production relies on human-centric theatrical artifices THE HUNCHBACK OF NOTRE DAME plays at Toby's through May 19th, 2019

BWW Review: Take Time To Smell, See, And Especially Hear The Roses In GYPSY At Toby's In Columbia

Cathy Mundy as Momma Rose creates a faceted character with depth, backstory and motivation. The Ensemble is full of experienced leading men and women who blend beautifully and as Louise, MaryKate Brouillet manages to look about fourteen years old for most of the show before her Act II transformation. Full of catchy tunes, powerhouse vocalists, lively choreography and adorable children, Toby's Dinner Theatre in Columbia's production of GYPSY is an impressive crowd-pleaser.

BWW Review: New Leading Lady Narrates An Amazing Technicolor JOSEPH At Toby's In Columbia

In celebration of Columbia's 50th year, Toby Orenstein, Artistic Director of Toby's Dinner Theatre in Columbia, rotates one powerhouse leading lady per decade into the well-written Narrator role of JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT. Toby Orenstein and co-director Mark Minnick put together a fun, energetic production. Add new arrangements and musical direction by Ross Scott Rawlings, and the resulting show is engaging, sassy, funny, family-friendly and stuffed with talking points for the car ride home.

Photo Flash: First Look at CRY-BABY, Opening Tomorrow at Drama Learning Center

CRY-BABY follows the star-crossed teen romance between delinquent Wade 'Cry-Baby' Walker and the rich and square Allison Vernon-Williams in 1950's Baltimore. Performances begin tomorrow, June 16, and continue June 17, 22-24 at 7:30 PM and June 18 at 2 PM at Drama Learning Center. BroadwayWorld has a first look at the cast in action below!

MetroStage to Present BLACK PEARL SINGS! This Spring

Producing Artistic Director Carolyn Griffin is pleased to announce that MetroStage will present the award-winning play BLACK PEARL SINGS! by Frank Higgins April 21-May 29, 2016. Sandra L. Holloway will direct and William Hubbard will music direct this production.

MetroStage to Present BLACK PEARL SINGS! This Spring

Producing Artistic Director Carolyn Griffin is pleased to announce that MetroStage will present the award-winning play BLACK PEARL SINGS! by Frank Higgins April 21-May 29, 2016. Sandra L. Holloway will direct and William Hubbard will music direct this production.

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