Great Lakes Operetta announced the cast and creative team for its first fully staged production, ORPHEUS IN THE UNDERWORLD, to be performed at the Bramble Arts Loft in Chicago with two alternating casts.
Former CAPAB and Cape Town City Ballet principals Laura Bosenberg and Janet Lindup will make special guest appearances in Veronica Paeper's ORPHEUS IN THE UNDERWORLD at Artscape, performed live by the Cape Town Philharmonic Orchestra.
Toronto City Opera will present a fully staged production of Offenbach's ORPHEUS IN THE UNDERWORLD at Trinity-St. Paul's Centre, marking the company's first production to feature a full orchestra, provided by the North York Concert Orchestra.
Cape Town City Ballet will present ORPHEUS IN THE UNDERWORLD at the Artscape Opera House, featuring choreography by Veronica Paeper and a live performance by the Cape Town Philharmonic Orchestra.
Opening the 2026 lyric season at Theatro São Pedro, Orpheus in the Underworld (Orphée aux enfers) by Jacques Offenbach arrives in a vibrant new staging directed by Cibele Forjaz, with André Dos Santos leading the orchestra. Premiered in 1858, Offenbach’s groundbreaking operetta offers a witty, satirical twist on the Orpheus myth, transforming tragedy into irreverent comedy. With its mix of spoken dialogue, lively ensembles, and dance, the work helped define the operetta genre. Highlights include the iconic “Galop infernal,” forever linked to the can-can. Performances run April 17, 19, 22, 24, and 26, inviting audiences to experience a sparkling, subversive classic that remains as entertaining today as ever.
San Francisco Opera will present its second annual Pride Concert on June 26 at the War Memorial Opera House, hosted by Sapphira Cristál, with conductor Robert Mollicone leading soloists Melody Moore, Nikola Printz, and Reginald Smith, Jr.
The Plano Symphony Orchestra resumes its 2025/2026 season, Music That Matters, with a magical night of music in A Night in Paris! on Saturday, March 21, 2026, at 8:00 p.m. at St. Andrew Methodist Church.
What did our critic think of OPERA À LA CARTE'S PRODUCTION OF OFFENBACH'S ORPHEUS IN THE UNDERWORLD at St. Peter's Episcopal Church Of Del Mar? With even large companies struggling to survive, why did soprano and voice teacher Abla Hamza decide to found Opera À La Carte?
Her goals were laudable. As national opportunities continued to shrink, she wanted to provide new ones to local professional opera singers and attract San Diegoans new to opera with lower cost tickets and less intimidating venues.
But could she succeed during such a difficult period? Opera À La Carte began with vocal recitals at small venues, and last year graduated to its first full opera.
Opera Saratoga will present La Vie parisienne: composed by Jacques Offenbach, with a libretto by Henri Meilhac and Ludovic Halévy, and a new commissioned book by Tim Drucker. Learn more!
The Patrick G. and Shirley W. Ryan Opera Center, Lyric Opera of Chicago's renowned artist-development program, will present its annual Rising Stars in Concert. Learn more and see how to attend.
Ari Axelrod will release his new album A Place for Us: A Celebration of Jewish Broadway on Friday, January 17. We have your exclusive first listen to the track 'Migratory V', written by Adam Guettel for Myths & Hymns.
PS CLASSICS will release a new album from award-winning musical storyteller Ari Axelrod. A Place for Us: A Celebration of Jewish Broadway will be available on CD and digital formats. Learn more!
Un’unica notte magica nella quale un cast d’eccezione, accompagnato dalla FVG Orchestra diretta da Beatrice Venezi, interpreterà oltre trenta indimenticabili melodie tra cui la celebre “Let it Go” - dal musical Disney “Frozen”, e poi “Wicked”, “Mary Poppins”, “Mamma Mia!”, “Shrek”, “La famiglia Addams”, “Jekyll & Hyde”, “Funny Girl”, “Pretty Woman” e “The Greatest Showman”.
Orfeo en los infiernos es una opereta francesa compuesta por Jacques Offenbach, con libreto de Hector Crémieux y Ludovic Halévy. Se considera la primera opereta larga, ya que las obras anteriores de Offenbach eran de un solo acto. Orfeo no solo es más larga, sino que también presenta un enfoque musical más audaz.
A comic opera with music by Jacques Offenbach, directed by J.J. Polonski, the master of the Polish magical music scene (look at The Beaty and The Beast or Pippin!), which brings the opera feerie into a modern version. Laughter, wild metaphors, fabulous costumes, and a sprinkle of fairy tale magic are mixed like a smoothie made by a unicorn on a sugar high.
The Song of Fortunio and Mesdames de La Halle are part of the collection of satirical works by the German composer who became a reference in the creation of operettas. Recitals will be performed by the Opera Academy and the Youth Orchestra of Theatro Sao Pedro, with stage direction by Ines Bushatsky and musical direction by Andre Dos Santos.
There’s an awful lot of death in opera, Timothy O’Leary, the general director of Washington National Opera, lamented on a recent opening night. And those plentiful tragedies are also often further burdened with overbearing scores, turgid storylines, super-large casts and strident if not shrill performances.