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Review: THE MOUNTAINTOP, Edinburgh Lyceum

Katori Hall’s Olivier-winning play follows Martin Luther King Jr. on his final night on Earth in Room 306 of the Lorraine Motel, Memphis. He orders coffee—but what arrives is Camae, a maid with a secret mission. What unfolds is a blend of realism and surrealism that humanizes a mythologized figure and challenges us to see that greatness lies not in perfection, but in perseverance.

Review: EUGENE ONEGIN, Royal Ballet And Opera

Deservedly still Tchaikovsky’s most celebrated opera, Eugene Onegin astounds with angelic music that never ceases to amaze. This production by Ted Huffman, in his main stage Royal Opera debut, features a stellar cast with Kristina Mkhitaryan as Tatyana, Gordon Bintner as Onegin, and several choices that, while divisive, raise intriguing questions.

Review: MACHINAL, The Old Vic

Given the emotional investment required on stage and in the stalls, one feels somewhat shortchanged by a production that invites sympathy for a character with few redeeming features

Review: GIANT, Royal Opera House

Where does a body start and a human being end? The story of Charles Byrne, the so-called “Irish Giant” is the diving board off of which Composer Sarah Angliss’ debut opera leaps

London Premiere of Sophie Treadwell's MACHINAL Announced

The Old Vic and Ustinov Studio, Theatre Royal Bath have announced the London premiere of Sophie Treadwell’s Machinal, directed by Richard Jones (Endgame, The Hairy Ape) and starring The Stage 100 2024 Rising Star Rosie Sheehy (Oleanna, Romeo and Julie), in a limited run from 11 April-01 June 2024.

Review: MACHINAL, Theatre Royal Bath

With the AI (artificial intelligence) summit at Bletchley Park this week, Machinal at the Ustinov Studio, Theatre Royal Bath, couldn’t be more timely.

Photos: First Look at MACHINAL at Theatre Royal Bath

Five-time Olivier Award winning director Richard Jones brings Sophie Treadwell’s extraordinary epic masterpiece Machinal, based on the true story of the committal and execution of Ruth Snyder, to the Ustinov Studio.  Check out all new photos here!

Review: DIDO AND AENEAS, Theatre Royal Bath

It's a double first at Theatre Royal Bath with Henry Purcell's Dido and Aeneas. Regarded as England's first opera when initially performed around 1688, it's also the first opera to be performed in the intimate Ustinov Studio.

BWW Review: RICE, Orange Tree Theatre

As part of their new Recovery Season, the Orange Tree Theatre, in a co-production with Actors Touring Company now brings us Rice, a powerful, thought-provoking and funny play about cultural identity, class, race and power told through two very different women, who form an unlikely friendship. Set in Australia, Nisha is a young Indian-Australian and an ambitious executive on the cusp of securing a life-changing deal to sell rice to India. Yvette is an older Chinese-Australian who cleans Nisha’s office while she juggles with trying to revive a failing business and a daughter in trouble for environmental activism.

BWW Review: THE DUMB WAITER, Old Vic: In Camera

Harold Pinter's 1960 two-hander seems to be near-ubiquitous of late, having been revived on the West End early in 2019 as part of an all-Pinter season and then again separately late last year at the Hampstead, in a run that was truncated by the pandemic. 

Nominations for the 2020 Dora Mavor Moore Awards Announced

At an online media announcement - pre-taped in front of Meridian Hall with physically distanced protocols in place - streamed June 8 on the Dora Awards YouTube channel, the Toronto Alliance for the Performing Arts (TAPA) announced 243 nominations for the 41st annual Dora Mavor Moore Awards.

BWW Review: ORPHEUS ALIVE iS A Busy Piece That Takes The Classic Greek Myth In A Modern Direction

The National Ballet of Canada's ORPHEUS ALIVE is a ground-breaking theatrical production, with heavy focus on theatre. Choreographer Robert Binet has taken some huge chances with the incorporation of lengthy, text-driven components (writing, dramaturgy and text direction by Rosamund Small) that do a great job of explaining the narrative, but take away from what should be the main focus a?" dance.

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