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Photos: Inside Rehearsal For National Theatre's TROUBLE IN MIND

Rehearsal imagery for Trouble In Mind by Alice Childress is released today. Opening in the Dorfman on December 2 and running until the 19 January, the production is directed by Nancy Medina with Tanya Moodie performing the role of Wiletta.  

Guest Blog: Playwright Michele Lee on RICE at the Orange Tree Theatre

My observations at the time of writing and developing Rice was that stories about Asian and South Asian people, whether told through stage, screen or books, tended to focus on family narratives and also stories about the particular ethnic community the characters are from. This meant that if there were Chinese protagonists, then most of the other characters were probably Chinese, they were probably relatives.

BWW Review: RICE, Orange Tree Theatre

As part of their new Recovery Season, the Orange Tree Theatre, in a co-production with Actors Touring Company now brings us Rice, a powerful, thought-provoking and funny play about cultural identity, class, race and power told through two very different women, who form an unlikely friendship. Set in Australia, Nisha is a young Indian-Australian and an ambitious executive on the cusp of securing a life-changing deal to sell rice to India. Yvette is an older Chinese-Australian who cleans Nisha’s office while she juggles with trying to revive a failing business and a daughter in trouble for environmental activism.

BWW Review: HAMLET, Young Vic

At long last, the Young Vic has unveiled Cush Jumbo and Greg Hersov's hugely anticipated and much delayed collaboration on Hamlet. Jumbo, familiar to many from the US series The Good Fight, joins the ranks of female actors who have tackled the gargantuan role of the Danish Prince in Shakespeare's great tragedy. In Hersov's abstracted - and often unwieldy - Elsinore, she portrays with charming confidence an increasingly charismatic Hamlet whose masculine pronouns are retained, but whose gender identity is left richly ambiguous.

BWW Review: MYTHOSPHERE, Stone Nest

On Shaftesbury Avenue, right opposite The Palace Theatre with its Cursed Child, a venue which holds a mesmerising surprise lies between a Wing Stop and an educational centre. Stone Nest - an old Welsh Presbyterian church - is now home to an Anglo-Russian multimedia production with looks as luscious as its core subject is plain.

BWW Review: THE MEMORY OF WATER, Hampstead Theatre

Memories are fickle things. We rehearse them, we shape them, and we eventually forget the original events and end up making new ones, filling the gaps with our experience of them rather than the actual occurrences. It’s the core concept of Shelagh Stephenson’s multi-awarded play, The Memory of Water. Premiered in 1996 on the Hampstead Theatre stage, it went on to win an Olivier in 2000, debut in the States, tour internationally, and even landed on the big screen in 2002 titled Before You Go directed by Lewis Gilbert.

BWW Review: PINK LEMONADE, Bush Theatre

The 2019 Edinburgh Fringe hit comes to London with high-quality production values intact. Originally co-produced by HighTide, this run is in association with Queer House. Pink Lemonade is an autobiographical one-person show by Nottingham actor, writer, and performance artist Mika Onyx Johnson.

Photos: In Rehearsal With HAMLET Starring Cush Jumbo and Adrian Dunbar

The Young Vic today releases rehearsal images for their much anticipated production of Hamlet, with Cush Jumbo (The Good Wife, The Good Fight) making her YV debut as a new kind of Hamlet. She reunites with her long-time collaborator Greg Hersov, to bring us this tale of power, politics and desire.  

BWW Review: LAVA, Bush Theatre

Ronkẹ Adékoluẹjo is sensational in Benedict Lombe’s full-length debut currently running at The Bush Theatre. Directed by Anthony Simpson-Pike, the piece is an explosive and complex exploration of identity, belonging and self-love. Moving through tumultuous Congo, post-Apartheid South Africa, and hostile Ireland and England, we watch a woman find herself, through exploring her and the world’s history.

BWW Review: ANNA X, Harold Pinter Theatre

What sells better than sex? In Anna X, the answer is clear: exclusivity. Inspired by the true story of the socialite scammer Anna Sorokin, Joseph Charlton’s play marks the conclusion of Sonia Friedman’s Re:Emerge season at the Harold Pinter Theatre with a boy-meets-girl tale on steroids. In Daniel Raggett’s hip, snappy staging, Emma Corrin and Nabhaan Rizwan — breakout stars of the TV hits The Crown and Industry, respectively — weave a contemporary romance of false façades and murky motives.

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