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Photo Flash: Inside Rehearsal For WE ANCHOR IN HOPE at The Bunker

From the award-winning Anna Jordan (Killing Eve, Sid Gentle Films Ltd; Succession, HBO), We Anchor in Hope brings a comedic tale of pub culture and economic uncertainty to The Bunker theatre. Chaos is in the air, and yet life goes on. For three weeks, the space will transform into The Anchor - a functioning pub with post-show events including pub quizzes, karaoke nights and music.

BWW Review: AMSTERDAM, Orange Tree Theatre

In our turbulent modern times, the issue of intolerance for foreigners, immigrants and being 'the other' is a much-debated and controversial topic. In this way, Amsterdam, Maya Arad Yasur's thought-provoking, yet disjointed new play, could not be more prescient.

BWW Interview: Shane Richie Talks THE ENTERTAINER

Known to audiences as Alfie Moon from EastEnders, Shane Richie recently playing Hugo/Loco Chanelle in the West End's Everybody's Talking About Jamie, and can currently be found touring the UK as Archie Rice in John Osborne's The Entertainer.

Photo Flash: Inside Rehearsal For CHIAROSCURO at Bush Theatre

Chiaroscuro by Jackie Kay, Director Lynette Linton's first production as Artistic Director of the Bush Theatre will preview from 31 August with a press night at 7pm on 6 September. The cast is Shiloh Coke (Misty at the Bush Theatre and Trafalgar Studios, Emila at The Globe Theatre), Preeya Kalidas (Eastenders, BBC Asian Radio, Bend It Like Beckham), singer-songwriter Anoushka Lucas(Jesus Christ Superstar at Regents Park Open Air Theatre and whose debut album Dark Soul was recently released) and Gloria Onitiri (whose recent productions include Napoli, Brooklyn, on national tour and Hadestown at the National Theatre).

BWW Review: SEVEN METHODS OF KILLING KYLIE JENNER, Royal Court Theatre

Kylie Jenner, member of the American royal family of the Kardashian-Jenners and princess of lip-kits, was named the youngest self-made billionaire ever by Forbes magazine. Being born into clan, the publication was much criticised for overlooking the simple fact that her net worth is undeniably linked to growing up in one of the most popular and richest families in the USA.

BWW Interview: Clare Perkins Talks SWEAT at Gielgud Theatre

Sweat, by Lynn Nottage, is based on interviews with steelworkers' of a small town in Pennsylvania. The play has transferred to the West End Gielgud Theatre after a sold-out, critically acclaimed run at Donmar Warehouse. We chat to Clare Perkins, who plays Cynthia.

BWW Review: RUST, Bush Theatre

Nadia and Daniel are beginning a life together. They have lives with their own families, too, but this relationship is different: meeting in the evening at their new studio flat, they follow the 11 commandments, 'one better than God', which have been printed, are in bold and underlined in Times New Roman font. Clearly, this is special.

Photo Flash: First Look at Orange Tree's WHILE THE SUN SHINES

Orange Tree Artistic Director Paul Miller directs the first major London production in a generation of Terence Rattigan's Blitz-era comedy While the Sun Shines. It follows Miller's acclaimed production of Rattigan's French Without Tears, which played two sold out runs at the Orange Tree Theatre before embarking on a UK tour.

Photo Flash: In Rehearsal with Orange Tree Theatre's WHILE THE SUN SHINES

Orange Tree Artistic Director Paul Miller directs the first major London production in a generation of Terence Rattigan's Blitz-era comedy While the Sun Shines. It follows Miller's acclaimed production of Rattigan's French Without Tears, which played two sold out runs at the Orange Tree Theatre before embarking on a UK tour.

BWW Review: BRONX GOTHIC, Young Vic

A theatrical experience of dance, movement and spoken word. Performer Okwui Okpokwasili tells the story of her childhood experience of growing up in the Bronx.

BWW Review: THE MERRY WIVES OF WINDSOR, Shakespeare's Globe

There's something magical about watching Shakespeare at the Globe theatre, especially on a sunny summer evening. The Merry Wives of Windsor is an intricate play with various subplots and a multitude of characters and in this production, director Elle While places a 1930s spin on things.

BWW Review: CLASS, Bush Theatre

Iseult Golden and David Horan's story speaks of family struggle, adolescent development and the complexities of the education system. Looking also at class division and culture, it asks questions about the duty of care of a child when two parents are separated.

BWW Review: THE CRUCIBLE, Yard Theatre

Over recent years The Yard has developed a reputation for staging bold and pretty out there productions, usually boding well with audiences and generating a definite buzz about the space.

BWW Review: WOLFIE, Theatre503

Wolfie glows with the energy and hope of youth, even as it paints a grim picture of a world stacked against it by the alienating forces of a society retreating from its obligations to its children.

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