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A.R.T. Unveils Associated Programming For DIARY OF A TAP DANCER

American Repertory Theater has revealed programming associated with its upcoming production of Diary of a Tap Dancer including film screenings, on-site engagement, and a post-show conversation with acclaimed dancer Dianne Walker. Learn more!

19 Theater Books for Your Winter 2025 Reading List

From theatre biographies to theatre fiction; theatre books for kids to theater history; check out our collection of 19 new Broadway books for every theatre lover's winter reading list.

Meet the Cast of GYPSY, Now on Broadway

GYPSY is coming back to Broadway, starring Audra McDonald! The production begins previews at Broadway’s newly renovated Majestic Theatre. Meet the cast of GYPSY here!

Lynne Jassem Brings TAP DANCING WITH MY PRONOUNS to BRAVA!

It’s a boy! It’s a girl! No, it’s the award winning Lynne Jassem in “Tap Dancing with my Pronouns: The He/She Life of Richard Greene” at San Francisco’s acclaimed BRAVA! For Women in the Arts (2781 24th Street in SF’s Mission District).

Bucks County Playhouse Announces Fall Educational Offerings

Bucks County Playhouse has announced the lineup of education programs being offered this fall. Classes will take place in Lambertville Hall, 57 Bridge Street, Lambertville, NJ with the exception of the Acting for Adults:

32 Theater Books for Your Fall 2024 Reading List

We're falling into fall with a great Broadway read! This season, Broadway's best have put pen to paper to turn out theatre page-turners of every kind. From theatre biographies to theatre fiction; theatre books for kids to theatre history; check out our collection of 32 new Broadway books for every theatre lover's Fall 2024 reading list.

Review: TAP DANCE IN MODERN EUROPE

It’s either an activity associated with an image of an old granny, an old school activity like in France, connected with Irish routs like in the UK or Ireland. There is also a third possibility, a young, vibrant, bringing together people from different backgrounds with a fresh but great respect for tradition.

Review: JELLY'S LAST JAM at Pasadena Playhouse

Director Kent Gash’s production in Pasadena serves up equal parts heat and cool, a slick and sweaty celebration of a man who was as vibrant and dangerous as his music. Under the musical direction of Darryl Archibald and choreography of Dell Howlett – both of which are first-rate – the evening cooks.

Interview: CHOREOGRAPHERS ELLENORE SCOTT & AYODELE CASEL GIVE FUNNY GIRL'S SAGA FLAIR, FUN & FINESSE

VJM: Thank you both for giving of your time to answer my questions.  I don’t think I’ve ever heard of two Choreographers being hired for the same Broadway show, not even a revival, that I can think of.  How did that come about for both of you? Ellenore Scott:  Funny Girl was my Broadway debut as a choreographer. I was so happy when I got a call from Michael Mayer (the director) asking me to work on this revival with him. He knew I was NOT a tap dancer and was aware of the multiple tap routines in the show and asked if I would be down to share the billing with Ayodele Casel. Ayo is an extraordinary artist so I was thrilled to be by her side as she made her Broadway debut as well. Michael first met me initially at Head Over Heels on Broadway where I was an associate choreographer to Spencer Liff. In 2019, he asked if I would choreograph the Off-Broadway revival of Little Shop of Horrors and we opened the show October 17th, 2019. I have loved working with Michael and feel as though he keeps his people close and I’m grateful he thought of me for this historic revival. Ayodele Casel:  I met Michael Mayer in 2016 when he directed a New York City Center Encores! show I performed in.  Later that fall he invited me to perform that piece in a Broadway for Hillary fundraiser he was also directing. We'd kept in touch over the years and in 2019, after seeing a show I’d premiered at The Joyce Theater, he asked if I would be interested in providing the Tap choreography for a revival he was working on. Like Ellenore shared, Michael wanted to work with us both to deliver the full choreographic vision of the show. I believe it was a very progressive vision on his part and I’m really thankful that I was able to make my Broadway debut with this team.

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