The work of Kate Hamill, one of the most-produced playwrights in the country, returns to Portland Center Stage in the new year, bringing another innovative, feminist lens to a literary favorite.
My family and I have been avid fans of the AUNTY MERLE musicals since the first of the three productions graced the Baxter stage in 2017. When AUNTY MERLE: IT’S A GIRL came out in 2019, my brother and I adored it so much that we saw it twice. So, when I heard that there was a third instalment in this musical series, I just about danced my way to
A beautifully constructed piece of children's theatre, filled with puppetry and song.
Peppa Pig and friends come to London's West End, offering toddlers the chance to experience live theatre in a fun and friendly environment. Not much in it for the adults but a hit with Peppa's young devotees.
Critics are weighing in on Mike Birbiglia's acclaimed new solo play The Old Man and The Pool, directed by Seth Barish, which opened on Broadway Sunday, November 13, 2022, at the Vivian Beaumont Theater at Lincoln Center.
Lianne Marie Dobbs returns to the nightclub stage with her acclaimed show for the first time since pre-pandemic, and she has some wise words to go with her great music.
Amy Jo Jackson has been garnering praise for THE BRASS MENAGERIE for two years and this writer has finally arrived at the party.
The Improv Centre (TIC) on Granville Island has announced its programming for the holiday season, which begins on November 17 and closes on December 31, 2022.
Robert Peterpaul, in association with the Broadway Podcast Network, welcomed Tony-winning Broadway star Gavin Creel (Into the Woods) to the hit podcast The Art of Kindness with Robert Peterpaul. Listen here!
PrideArts’ holiday show will be the US Premiere of JACK OFF THE BEANSTALK written by Tom Whalley, arguably the leading panto artist of Great Britain. The show is recommended for ages 18 +. Press opening is Thursday, December 1 at 7:30 pm, following previews November 28-30.
Usually on the stage in the solos spot, Seth Sikes and Nicolas King are trying their hands at a duo show and they are bringing all their brassy, belty boy best to the stage.
Philip Barry's 1928 classic is a romantic comedy, as advertised, but its layers of bittersweet emotional valence come through in this handsome production, directed by Anita Maynard-Losh.
For an upbeat, kid-friendly show with heaps of heart, make a beeline for the world premier of 'Arthur & Friends Make a Musical' at Milwaukee's First Stage.
Polka Theatre returns with a Christmas season tailored for younger audiences and their families. The season will include the return of their heart-warming show Grandad, Me and Teddy Too in their Adventure Theatre, a magical story that celebrates the importance of family, even at long-distances – a treat for audiences aged two to five (and their adults).
Dracula: A Comedy of Terrors, a lightning-fast, 90-minute gender-bending, quick-change magical romp will open at Capital Repertory Theatre for previews Friday, September 30. The production will run through Sunday, October 23. The show is co-authored by Steve Rosen and theREP Associate Artist Gordon Greenberg, who also directs.
Albert Einstein meets Pablo Picasso (as well as some surprise guests) in this hilarious but sometimes forced comedy.
The screen lights up and you're instantly transported to a magical place where colors are brighter, faces are friendlier, music is happier and the whole world is bigger and better than you ever imagined it could be. And, best of all, your host in this wondrous new destination is so instantly likable and trustworthy, you're ready to follow her wherever her imagination – and yours – will take you.
Kids in the Rotunda, Madison's favorite family-friendly Saturday arts performance series, kicks off its 2022/23 season on Overture Center's Rotunda stage next month, starting with a returning favorite, Black Star Drum Line, on Saturday, Oct. 1.
The Segal Centre for Performing Arts launches their 2022-2023 Theatre season featuring four hot new shows that promise to take audiences through a full range of emotions and supports regrowth of the local theatre community by highlighting the very best that Montreal has to offer.
As is often the case the BTG production is a high-quality production where seemingly everyone involved has played their role and done their work well. There is, however, one aspect I certainly did not expect. Laughter. At several points throughout the three acts in 2-hours, audience members responded with giggles, which I found rather confusing
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