In a new interview with Deadline, Tony Award-winner Ben Platt has revealed updates on a few of his many upcoming projects, including his 'hankering' to return to Broadway following the pandemic.
Mint Theater Company's Summer Stock Streaming Festival, featuring archival recordings of three past productions, begins today, Monday July 6th. All three productions will be available through July 19th only from the Mint website.
Looking for something new to read while stuck inside, but still need your Broadway fix? We've rounded up 10 MORE of our favorite theatrical biographies to fill the void!
It was just announced by Pulitzer Prize Administrator Dana Canedy that Michael R. Jackson's A Strange Loop has officially won the 2020 Pulitzer Prize for Drama. This year's finalists included: Will Arbery's Heroes of the Fourth Turning and David Henry Hwang and Jeanine Tesori's Soft Power.
The Pulitzer Prize Board today will present the 2020 award winners' (originally scheduled for Monday, April 20) for Prizes in Journalism, Books, Drama and Music. Who will win this year? Tune in right here at 3pm to watch the announcement live!
Actor's Express announces its 33rd Season of gripping, entertaining work, including two Atlanta Premieres and one World Premiere. The season opens Summer 2020 with the rock musical Lizzie, which explores the murderous legend of Lizzie Borden.
PlayMakers Repertory Company has announced its 2020/21 Season, All Too Human: The Art of Comedy. The season features nine productions that explore the gamut of human experience showcased in comedies both classic and new. The PlayMakers Mainstage season will feature a tribe of loving, zany Southern belles, a buddy-cop adventure that crackles with hope and humor amidst the fall of the Soviet Union, a George S. Kaufman and Moss Hart Pulitzer Prize-winning classic, a story of one woman's drastic fall down the social ladder and her fabulous self-reinvention, the Bard's most famous pastoral comedy, and the heartwarming tale of a young girl and the community of family, teachers, and friends who help her achieve her heart's desire. Our PRC2 Kenan Stage also brings three uniquely distinct, fresh perspectives on the comedic form, chosen to continue pushing the boundaries of what we believe 'theatre' to be.
A sold out crowd at Bucks County Playhouse in New Hope, PA enjoyed a benefit reading of George S. Kaufman and Moss Hart's “The Man Who Came to Dinner,” this past Wednesday, February 5. Marsha Mason directed the reading. A reception with the cast was held at The Deck Restaurant and Bar at the Playhouse.
There must be something in the air, with a couple of New York's small opera companies transporting 19th-century German Romantic operas by Weber and Wagner to Texas within a couple of months, in search of ways to attract new audiences. The first was Weber's DIE FREISCHUTZ from Heartbeat Opera, now On Site Opera's new production of Jim Luigs' and Scott Warrender's DAS BARBECU, complete with all the fixin's at Hill Country Barbecue Market on West 26th Street in Manhattan.
A star-studded cast led by Tony-winner Walter Bobbie and Broadway and Hollywood star Brooke Shields are featured in a benefit reading of George S. Kaufman and Moss Hart's iconic comedy, a?oeThe Man Who Came to Dinnera?? directed by Marsha Mason for Bucks County Playhouse. Performances will be held at Bucks County Playhouse in New Hope on Wednesday, February 5 at 7 pm, followed by a reading in New York at the WP Theater, 2162 Broadway at 76th Street, on Monday, February 10 at 7 p.m. Tickets are $25.
As it readies for its return to Broadway, Company's original Sarah, Tony Award and Academy Award nominee Barbara Barrie, sits down for an in-depth conversation with Broadway's podcast The Fabulous Invalid, whose co-hosts include Jamie Du Mont, Rob Russo, and Tony nominee Jennifer Simard, who plays the role of Sarah in the Company revival this season.
Opening the 2020 season at Conejo Players Theatre is the hilarious play, You Can't Take It with You, running January 10, 2020 through February 1, 2020.
Actor/director/author Bruce Kimmel is best known to audiences for his tremendous work with Kritzerland, his own company that produces updated albums of classic musicals as well as recordings of new ones like his A Carol Christmas, produced last year at Group Rep and currently nominated for several BroadwayWorld Awards. Kimmel is about to open The Man Who Came to Dinner at Group Rep on December 6. In our convesation he talks about his fondness for the play and gives us his vision for a successful production of it.
How do you envision The Man Who Came to Dinner onstage?
BK: Fast. Funny. I love the play, have played Banjo twice, so it's really fun to come back to it as a director. The comedy is as funny as it's always been and it's also great to be able to bring whatever we can bring to it. But, for me, pace is key - the play can run long, but I'm making sure that doesn't happen here.
Why do you think it has endured all these years even though it's a period piece with the mention of many, many names people today do not recognize?
BK: The central situation is so relatable - someone takes over your house and your life, and disrupts everything, but, in the end, ends up being helpful to people. Add to that, the assortment of crazies who populate Sheridan Whiteside's wo
Ben Platt was a guest on Tuesday's episode of Live with Kelly and Ryan. During the interview, Platt talks about getting cast in Richard Linklater's adaptation of 'Merrily We Roll Along' which will be filmed over the next 18 years.
MasterVoices begins its 2019-20 season on Thursday, November 21 at Carnegie Hall with the concert staging of George and Ira Gershwins' 1933 musical Let 'Em Eat Cake, with a book by George S. Kaufman and Morrie Ryskind, a comic satire about a populist U.S. President who is voted out of office and stages a coup to regain power. Artistic Director Ted Sperling will direct and conduct MasterVoices, soloists, and Orchestra of St. Luke's in this timely musical which has not been heard in New York since 1987. Updated casting details are included below.
MasterVoices will begin its 2019-20 season on Thursday, November 21 at Carnegie Hall with the concert staging of George and Ira Gershwins' 1933 musical Let 'Em Eat Cake, with a book by George S. Kaufman and Morrie Ryskind, a comic satire about a populist U.S. President who is voted out of office and stages a coup to regain power.
From their first auditions to memorable experiences in the rehearsal room and in performance, Mimi Quillin, Jane Lanier, Chet Walker, and John Rubenstein-along with Betty Buckley and Donna McKechnie-pull back the curtain to reveal the Bob and Gwen they knew. This podcast offers a unique look at one of the most famous, successful, and fascinating show-business duos in history.