In its 114 year life the Dutch Treat Club has had a membership that included, Jimmy Cagney, George S. Kaufman, Walter Cronkite, Richard Rodgers, Oscar Hammerstein ll, and Presidents Hoover, Eisenhower, Truman, and Ford. The great Broadway producer George Abbot was a member for 52 years when he died at the age of 107. But enough about the past. This year this historic New York City institution which was founded by and for creative people decided to honor someone young, creative and contemporary, so they chose...Marilyn Maye…an artist for every generation.
It was just announced by Pulitzer Prize Administrator Dana Canedy that Jackie Sibblies Drury's Fairview has officially won the 2019 Pulitzer Prize for Drama.
Today, April 15 (3pm EST), Pulitzer Prize Administrator Dana Canedy will announce the winners of the the 2019 Pulitzer Prizes, including the finalists and winners for the Pulitzer Prize for Drama. This announcement marks the 103rd year of the Prizes. For more information on this year's and all past years' winners and finalists, please visit http://www.Pulitzer.org.
The Man Who Came to Dinner, a classic American stage comedy, opens on the Lohrey Stage April 26 and runs through May 12, 2019. Written by Moss Hart and George S. Kaufman, this 1930's madcap play features as a well-known radio wit, Sheridan Whiteside, who falls while dining at the home of prominent socialites making him an unexpected guest for six weeks of recovery. The hosts, however, are most in need of recovery as Whiteside invites in what becomes a glamorous and odd three-ring circus of comic chaos which grows to include a luncheon for homicidal convicts and a complete children's choir.
First Stage is delighted to announce its upcoming 2019/20 season. The 33rd season includes a little something for every member of the family - including Madeleine L'Engle's beloved sci-fi/fantasy adventure A WRINKLE IN TIME; an epic musical battle royale in THE LEGEND OF ROCK, PAPER, SCISSORS; a cup overflowing with heart and inspiration in playwright/actor James DeVita's world premiere play ALEX AND THE AMAZING LEMONADE STAND; a huge dose of holiday cheer in ELF - The Musical, which leaps from the screen to Broadway and now to First Stage; the bilingual, world premiere play ON THE WINGS OF A MARIPOSA - and so much more! This upcoming season is bound to offer the best family experiences in Milwaukee and to those Milwaukee theatergoers who enjoy great theater.
Roundabout Theatre Company (Todd Haimes, Artistic Director/CEO) and Fiasco Theater's new production of MERRILY WE ROLL ALONG will play the final performance of an extended limited engagement on April 14, 2019.
'It was 1981, we were stoned out of our mind...' said Sondheim. For the first time, instead of being presented backward, the show will be re-worked to be staged in chronological order. Check out the video below for more information!
The new comedy musical, Tootsie begins performances on Broadway tonight, March 29th, with an opening night of Tuesday, April 23rd. Get to know the cast below as they begin Broadway performances!
Moon Theatre Company presents 'You Can't Take it With You' April 12 - 20 in Loveland. Performances are Friday and Saturday at 7:30 p.m.; Sunday, April 14 at 4:00 p.m. Tickets are $18 - $22 and are available online at www.rialtotheatercenter.org or by calling 970-962-2120. All performances are at the Rialto Theatre Center, 228 E. 4th St., Loveland, CO 80537.
Roundabout Theatre Company announces a one-week extension to the limited run of Fiasco Theater's new production of MERRILY WE ROLL ALONG through April 14, 2019.
Roundabout Theatre Company's Merrily We Roll Along, officially opens tonight! With a book by George Furth, music and lyrics by Stephen Sondheim, Fiasco's production is directed by Fiasco Co-Artistic Director Noah Brody. The show is based on and with additional material from the original play by George S. Kaufman and Moss Hart, and will feature Music Direction & Orchestrations by Alexander Gemignani and Choreography by Lorin Latarro.
Director Mark Giesser returns to Upstairs at the Gatehouse with George and Ira Gershwin's madcap musical hidden gem Strike Up The Band, written with George S. Kaufman in 1927. While the original script was rewritten by Morrie Ryskind in 1930, this production presents the original, with the dark satire on America's war-mongering over a trade deal re-established.
Get a first look below at the new production of MERRILY WE ROLL ALONG, featuring a book by George Furth, music and lyrics by Stephen Sondheim. Fiasco's production will be directed by Fiasco Co-Artistic Director Noah Brody, is based on the original play by George S. Kaufman and Moss Hart, and will feature Music Direction & Orchestrations by Alexander Gemignani and Choreography by Lorin Latarro.
The Group Rep's Co-Artistic Directors, Larry Eisenberg and Chris Winfield announce the Group Rep's 45th Season (2019) with six eclectic and unique plays: Laundry and Bourbon & Lone Star, two one-act comedies by James McLure, directed by Barbara Brownell (January 25 - March 3), The Secret of Chimneys, a long lost play by Agatha Christie, directed by Jules Aaron (March 29 - May 5), Avenue Q, the wry, Broadway musical written by Jeff Whitty, Music and Lyrics by Robert Lopez and Jeff Marx, directed by Patrick Burke (May 31 - July 7), Loose Knit, a modern comedy by Theresa Rebeck, directed by L. Flint Esquerra (August 2 - September 8), Night of the Living Dead, a gripping terror-filled drama based on the George Romero film, adapted by Gus Krieger directed by Drina Durazo (October 4 - November 10), and the beloved farce The Man Who Came to Dinner by Moss Hart and George S. Kaufman, directed by Bruce Kimmel (December 6, 2019 - January 12, 2020). The six shows will be performed on the Main Stage, first floor 90 Seat Theatre.
When the Broadway debut of Stephen Sondheim and George Furth's Merrily We Roll Along closed in 1981 after only 16 performances, few would have thought that the story of Merrily was only just beginning. In the coming decades, Merrily would continue to captivate audiences revival after revival, growing and evolving every step of the way. It is quite the testament to the enduring power of Sondheim that this musical, so many years after an initial failure, not only still captures imaginations, but continues to be shaped by them as well.
