Looking into the future, you'll find a number of new productions on tap for your entertainment pleasure, thanks to the efforts of theater companies all over Middle Tennessee. Here's our calendar for October 1, 2018, to help you plot your course through the end of the year...
Looking into the future, you'll find a number of new productions on tap for your entertainment pleasure, thanks to the efforts of theater companies all over Middle Tennessee. Here's our calendar to help you plot your course...
Ernie Nolan and his stellar crew of theatrical collaborators at Nashville Children's Theatre once again prove their mettle with a production worthy of adulation and acclaim, thanks to their world premiere of the TYA (theater for young audiences) version of the recent Broadway musical Tuck Everlasting. Based on Natalie Babbitt's 1975 novel - long considered one of the finest works ever written expressly for young readers - Tuck Everlasting is a thing of beauty, whether onstage or on the page, and audiences unfamiliar with either the book or the play are in for an emotional, thought-provoking journey that reverberates long after the final bows ring down the show's curtain.
In her welcoming note to audiences at the 2018 version of Nashville Shakespeare Festival's production of A Midsummer Night's Dream - the 30th anniversary of the company's annual Shakespeare in the Park festivities at Centennial Park (which now is without question the place to be on a midsummer's night in Music City, all other artistic offerings that abound notwithstanding) - executive artistic director Denice Hicks takes a fanciful look ahead to 2048, and suggests that she'll either be in the audience or, quite possibly, in the cast of whatever show happens to be onstage some 30 years hence. Let me just make this prediction by way of critical pronouncement: Denice Hicks, then 88, will once again be playing the ethereal Puck in NSF's then-current Midsummer and I, who will be a spry 91-year-old at the time (or possibly a critical hologram), will be in the audience once again to marvel at her ageless skills and timeless artistry.
Red Mountain Theatre Company's enchanting production of 'Disney's Beauty and the Beast' is uplifting for adults and children. The high quality of creativity took me by the hand and led me through the story as if it was my first time seeing it.
Who'd have thought that a play written in 2000 and based upon a work by Aeschylus from 463 BC (give or take a year or two) would prove to be so timely in the 21st Century? Yet that is exactly what Big Love, a play by Charles Mee, directed by Amanda Card and produced by Tamara Todres, Kristin McCalley and Clayton Landiss, has proven in six performances at a former Methodist Church in Inglewood, delivering a production that challenges preconceived notions about a myriad of issues, ranging from sexism, racism and any number of other "isms" that punctuate our current conversation.
Street Theatre Company, in its twelfth year in Nashville, announces three upcoming events to ring in the new year and stay cozy with friends this winter. The first, a soiree announcing the 2018 season, Street Theatre Company's Glitz Gala will feature live cabaret style performances by some of Nashville's best musical theatre artists.
First Night's Top Ten for 2018 - critic Jeffrey Ellis' annual review of the best in Tennessee theater were revealed last night during a live Facebook broadcast, with the hosts of Midwinter's First Night (Ashley Wolfe, J. Robert Lindsay, Tosha Pendergrast and Ben Pendergrast) announcing the productions and performances recognized among the best of 2017.
Offering a thoroughly delightful and completely entertaining story about welcoming new challenges and living life to its fullest, Mr. Popper's Penguins the charming musical onstage at Nashville Children's Theatre through December 3 also offers its young audiences an intriguing history lesson about life during the Great Depression.
What do you get when you introduce a daydreaming house painter to a dozen delightful penguins? A flipper-flapping musical tale that will make you believe in the power of ingenuity and determination, according to Nashville Children's Theatre's executive artistic director Ernie Nolan, who describes it as a show packed with puppetry, humor, and heart, Mr. Popper's Penguins is bound to put a smile on your face.
What do you get when you introduce a daydreaming house painter to a dozen delightful penguins? A flipper-flapping musical tale that will make you believe in the power of ingenuity and determination, according to Nashville Children's Theatre's executive artistic director Ernie Nolan, who describes it as a show packed with puppetry, humor, and heart, Mr. Popper's Penguins is bound to put a smile on your face.
If not for the fact that she is already one on Broadway, it could be said that Rachel Potter's performance in Mamma Mia! - which opened last night at Nashville's historic Chaffin's Barn Dinner Theatre - was, without doubt or without danger of fulsome exaggeration a "starmaking turn." With a glorious voice and stage presence to spare, Potter's Sophie seized control of the opening night audience from the very first moment she stepped onto the stage, never relinquishing control for one second, even when sharing the stage with the redoubtable Martha Wilkinson, the undisputed queen of musical theatre in Music City.
Here's an oft-proven truism, if not a fact, about theater in Nashville: If Martha Wilkinson is the star of a particular show - any show, whether it's Noises Off, Chicago, Little Shop of Horrors, Sister Act (well, you get my drift) - you can rest assured that she will (A) play the role to the hilt, (B) knock your socks off with her timing and delivery and (C) you'll believe that, no matter how many times you've seen a show, any show, it was as if you were seeing it for the first time.
In the coming days, leading up to opening night on Thursday, September 7, members of the cast take on our Mamma Mia 5 questions, to offer up some reasons for you to make sure you're in their audience through October 21. Today's edition features one of Nashville's most popular and in-demand actors, the talented Austin Olive.
Bradley Moore has always had a lot of theatrical projects going on since he settled in Music City a few years back. But ever since Norma Luther became the owner of Nashville's iconic Chaffin's Barn Dinner Theatre in early 2017 - and he became assistant artistic director - he's only gotten busier. With this summer's first musical hit (Sister Act) to his credit, his resume is growing yet again with the Barn's production of the ABBA megamusical Mamma Mia, which opens next Thursday at the eponymous red barn on Highway 100 in West Nashville.
In the coming days, leading up to opening night on Thursday, September 7, members of the cast take on our Mamma Mia 5 questions, to offer up some reasons for you to make sure you're in their audience through October 21. First up, today's edition features Jenna Pryor, Curtis Reed and Heather Hershow.
In the coming days, leading up to opening night on Thursday, September 7, members of the cast take on our Mamma Mia 5 questions, to offer up some reasons for you to make sure you're in their audience through October 21. First up, today's edition features Taylor Novak, Gracie McGraw and Anna Carroll.
Nashville Children's Theatre, the nation's oldest professional theatre for young audiences today announces full casting and creative teams for the 2017-2018 season, opening the theater's 87th season - its first with programming designed by new executive artistic director Ernie Nolan.
In the coming days, leading up to opening night on Thursday, September 7, members of the cast take on our Mamma Mia 5 questions, to offer up some reasons for you to make sure you're in their audience through October 21. First up, today's edition features David Arnold, Greg Frey and Sarah Zanotti.
GOOD MORNING, THEATERATI! It's May 17, 2017, and summer - or a reasonable facsimile thereof - has arrived in Nashville, with temperatures already climbing toward the 90s! When prompts the musical question: What's on your agenda for the summer of 2017? Anything we should know about and, more importantly, write about?
Videos
