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Review: ONE MAN MUSICAL, Underbelly Boulevard

If sacred cows make the best burgers, Underbelly Soho could soon become the most popular fast food joint around. One Man Musical’s latest outing is quickly becoming something of a word-of-mouth must-see and, while the marketing is understandably coy about who the “one man” is, it becomes clear early on that cabaret duo Flo & Joan have come not to praise Andrew Lloyd Webber but to hilariously bury him in his own faintly ridiculous history.

Celeste Returns with Brand-New Single 'This Is Who I Am'

Celeste makes her eagerly awaited return with the release of the new single “This Is Who I Am.' Celeste has held the song close for almost four years, and the track is now the title song for the new series The Day of the Jackal. Listen to it now!

Photos: First Look at LOVE NEVER DIES at Wolverhampton Grand Theatre

LOVE NEVER DIES, Andrew Lloyd Webber’s sequel to The Phantom of the Opera in a brand new production by West Bromwich Operatic Society, WBOS, is at Wolverhampton Grand Theatre from Wednesday 1 – Saturday 4 May. Check out all new photos here!

Review: LOVE NEVER DIES IN CONCERT, Theatre Royal Drury Lane

Over a decade has passed since Love Never Dies, Andrew Lloyd Webber’s sequel to The Phantom Of The Opera, was an undoubted flop during its first (and last) London run so this week’s revival in concert is a welcome retrospective. Was it a victim of its own hype or is it just a bad show?

Eddie Redmayne to Star In THE DAY OF THE JACKAL Series on Peacock

Academy, Tony and BAFTA award winning actor Eddie Redmayne (The Good Nurse, Trial of The Chicago Seven and The Theory of Everything) will star in the new original television series The Day of the Jackal in the lead role of the Jackal. Redmayne will also serve as executive producer on the project.

THE DAY OF THE JACKAL Series Ordered at Peacock

The series is inspired by Frederick Forsyth’s seminal thriller The Day of The Jackal and the award-winning 1973 film adaptation from Universal Pictures. The new series is a reimagining of the novel and film. The series will be written & showrun by Ronan Bennett (Top Boy, Public Enemies) and Brian Kirk (Game of Thrones, Luther) is set to direct.

BWW Review: LOVE NEVER DIES, Regent Theatre, The Shows Must Go On

Following on from last weekend's streaming of the 25th-anniversary performance of The Phantom of the Opera, Love Never Dies has been released worldwide via YouTube as part of Andrew Lloyd Webber's The Shows Must Go On lockdown series. Lloyd Webber has described the show as a a?oestand-alone piecea?? over simply a sequel to Phantom. It takes audiences on a second adventure with the characters on the other side of the Atlantic.

Andrew Lloyd Webber's LOVE NEVER DIES Announces First Ever UK Tour

David Ian and the Really Useful Group has announced the first ever UK tour of Andrew Lloyd Webber's LOVE NEVER DIES. Following on from the sell-out North American tour, the spellbinding sequel to The Phantom of the Opera will open at Leicester Curve on Saturday 26 September 2020 where it will play until Saturday 10 October 2020. The show will then play Manchester Opera House from Wednesday 14 a?" Saturday 24 October 2020, with further venues and casting to be announced soon. On sale details below. www.loveneverdies.com/uktour

Casting Announced For JEANNIE at the Finborough Theatre

A 1930s comedy for Christmas, Jeannie by rediscovered female playwright Aimee Stuart will open at the Finborough Theatre for a four-week limited season on Tuesday, 27 November 2018 (Press Nights: Thursday, 29 November and Friday, 30 November 2018 at 7.30pm).

BWW Review: New Horror and Grotesquerie as Phantom Moves to Coney for LOVE NEVER DIES

Your knees won't buckle when you enter Belk Theater to see LOVE NEVER DIES, Anthony Lloyd Webber's long-awaited sequel to The Phantom of the Opera. There's no gleaming chandelier looming ominously over ticketholders in the front rows, nor will you see any nooks or gargoyles spanning the stage proscenium. Until the curtain rose, about the only aspect of the new Lloyd Webber melodrama that reminded me of its predecessor on opening night was the size of the crowd who had come to see it. A near sellout - not too shabby for a musical that has never played on Broadway.

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