Frank Churchill News

ENSEMBLE THEATRE COMPANY (ETC) presents the third show of its 2019-20 Season, with a musical adaptation of the gloriously romantic comedy, JANE AUSTEN'S EMMA, book, music and lyrics by Paul Gordon (Daddy Long Legs, Jane Eyre), adapted from the novel by Jane Austen, musical direction by Brent Schindele, choreography by Jean Michelle Sayeg and directed by Andrew Barnicle.

Ensemble Theatre Company presents the third show of its 2019-20 Season, with a musical adaptation of the gloriously romantic comedy, JANE AUSTEN'S EMMA, book, music and lyrics by Paul Gordon (Daddy Long Legs, Jane Eyre), adapted from the novel by Jane Austen, musical direction by Brent Schindele, choreography by Jean Michelle Sayeg and directed by Andrew Barnicle. 

Chicago Shakespeare Theater announces the cast and creative team for the Theater's highly anticipated production of Emma-a musical adaptation of Jane Austen's beloved novel, with book, music, and lyrics by Tony Award-nominated composer Paul Gordon, whose world premiere production of Sense and Sensibility captivated Chicago Shakespeare audiences in 2015.

Jane Austen is one of the most beloved authors in classic literature, and her novels are frequently read, turned into movies, and retold in new ways. While Pride and Prejudice remains everyone's favorite Austen novel, Emma is a close second.

Vintage Theatre presents "Emma" July 12 through August 18 at Vintage Theatre, 1468 Dayton St., Aurora 80010. Performances are Fridays and Saturdays and Monday, July 29 at 7:30 p.m.; Sundays at 2:30 p.m. Tickets are $16 - $32 and available online at www.vintagetheatre.org or by calling 303-856-7830.

Vintage Theatre presents "Emma" July 12 through August 18 at Vintage Theatre, 1468 Dayton St., Aurora 80010.  Performances are Fridays and Saturdays and Monday, July 29 at 7:30 p.m.; Sundays at 2:30 p.m. Tickets are $16 - $32 and available online at www.vintagetheatre.org or by calling 303-856-7830.

'I am going to take a heroine whom no one but myself will much like.' So Jane Austen famously prefaced the vivacious Emma Woodhouse, whom she describes as 'handsome, clever, and rich' in the opening words of her 1815 novel. Indeed, Emma, the meddlesome, would-be matchmaker is arguably the most controversial among Austen's canon of beloved protagonists. Yet, love or hate the leading lady, EMMA features many of Austen's most amusing supporting characters, and here is where Lifeline Theatre's production of this romantic comedy thrives.

Leonard Maltin, curator of the DVD release of the Silly Symphony series, said "Walt Disney was a visionary.  He used his Silly Symphonies to expand the medium of animation to the limits of his imagination.  They are among Walt's greatest achievements and deserve to be seen and enjoyed by a new generation."

Actor/writer and 2018 Fred Ebb Award winner Will Reynolds makes his Birdland debut premiering all new songs, including selections from his musicals RADIOACTIVE and THE VIOLET HOUR (recently developed by MTC), written with collaborator Eric Price. Special guests include trumpeter and Birdland favorite Benny Benack III, Broadway stars Kirsten Anderson (MY FAIR LADY), Aisha Jackson (FROZEN), Adam Kaplan (A BRONX TALE), and soul singer-songwriter Chris Ams (FAVORITE STATES band).

It is a truth universally acknowledged that there can never be enough Jane Austen adaptations - at least not for Austenites like me. Coincidentally, the theatre world is newly home to not one, but two works based on Austen's masterpiece Emma: Paul Gordon's musical adaptation, a regional staple for years, has finally received a cast recording.

While watching Chance Theater's brand new OC-premiere of EMMA: THE MUSICAL--Paul Gordon's charm-filled 2007 stage musical adaptation of Jane Austen's beloved 1815 novel--I noticed a welcome sensation that took over me throughout most of the production… I could not stop smiling. Delightfully appealing and positively buoyant in a great many aspects, this wonderfully witty and quite beguiling production--directed with engaging gusto by Casey Long--continues performances at their Cripe Stage in Anaheim through December 23, 2018.

EMMA, now playing at the Chance Theater in Anaheim through December 23rd, is like a perfect tea time confection.  It's lovely, sweet, and has just enough tartness to keeping it all from getting too sticky to enjoy.

Chance Theater, Anaheim's official resident theater company, is delighted to introduce Jane Austen's Emma: The Musical to Orange County for the first time as part of our 2018 Holiday Literature Series! Book, lyrics, and music by Tony-nominated composer Paul Gordon, directed by Casey Long, and with music direction by Bill Strongin, Jane Austen's Emma: The Musical will preview from November 23rd through November 30th; regular performances will begin December 1st and continue through December 23rd on the Cripe Stage at Chance Theater @ Bette Aitken theater arts Center.

TheatreWorks Silicon Valley brings an enchanted bestseller to life for the holidays with the regional premiere of Tuck Everlasting. Set in the 1890s, free-spirited Winnie Foster searches for adventure, finding the Tucks, a close-knit family that has discovered the secret to everlasting life. Winnie faces the choice of a lifetime: return to everyday life, or join the Tucks on their infinite, irreversible voyage through time. Directed by TheatreWorks Founding Artistic Director Robert Kelley, Tuck Everlasting will be presented November 28 - December 30 at Lucie Stern Theatre, 1305 Middlefield Rd., Palo Alto.

TheatreWorks Silicon Valley brings an enchanted bestseller to life for the holidays with the regional premiere of Tuck Everlasting. Set in the 1890s, free-spirited Winnie Foster searches for adventure, finding the Tucks, a close-knit family that has discovered the secret to everlasting life.

Fall in Love Again with Paul Gordon's EMMA Now Streaming On-Demand. EMMA, a timeless love story from one of the most widely read writers of all time, is a musical that will entice modern audiences to fall in love again with one of Jane Austen's most adored heroines.

Of the many great parts of the Broadway community and the performing arts community at large, perhaps the greatest is its ability to come together and provide support for one another. BROADWAY BABY MAMAS, held at Feinstein's/54 Below on March 15 little more than a week after the unthinkable tragedy involving Ruthie Ann Miles, was an incredible example of just how deep that support runs.

From the minute BLAKE SINGS BARBRA: THE CONCERT began, Blake McIver truly tapped into-and never lost-the magic in Barbra Streisand's music.

From just about the moment Alexis Michelle walked into the workroom, the RUPAUL'S DRAG RACE contestant was clocked as a Broadway queen. While performing at Feinstein's/54 Below in IT TAKES A WOMAN with her rich, husky singing voice, that proved to be a well-earned title. But, as seen on TV, comedy seems to come a bit harder for Michelle. Well, don't blame it entirely on the edit, because that duality took center stage at the May 16 show, her solo debut at the venue.

Romance, scheming and mistaken intentions, Jane Austen's original romantic comedy Emma, brought to life in many on-screen adaptations, finds a new incarnation in a sparkling new stage adaptation by acclaimed writer Tim Luscombe (Northanger Abbey, Mansfield Park and Persuasion).