The Park Theatre's two-part production of The Forsyte Saga - based on John Galsworthy's Nobel-winning epic novels of love, ownership and the end of Empire - plays the Swan Theatre, Stratford-upon-Avon.
Following a critically acclaimed sell-out run at Park Theatre, Troupe’s world première production of The Forsyte Saga Parts 1 and 2, adapted by Shaun McKenna and Lin Coghlan from the novels by John Galsworthy, transfers to the RSC this winter.
The world premiere of The Forsyte Saga Parts 1 'Irene' and Part 2 'Fleur' has been devised by Ashley Cook for Troupe Theatre, in association with Park Theatre, featuring a superbly talented cast of nine in a genuinely epic and stylish period production. Read our review!
John Galsworthy’s classic story The Forsyte Saga has been newly dramatised for the stage in two parts for the Park Theatre, bringing the unheard female voices to the fore for the first time. Spanning 40 years from the last gasp of the Victorian age to the beginning of the roaring 1920s, this is an epic tale of sex, money and power.
Troupe, in association with Park Theatre, will present the world première of a new stage adaptation of John Galsworthy’s seminal work, The Forsyte Saga. Check out rehearsal photos here!
Troupe, in association with Park Theatre, has announced the full cast for the world première of a new stage adaptation of John Galsworthy’s seminal work, The Forsyte Saga.
Bruce Graham's new play reaches back 20 years to find an explanation (well, a partial explanation) for this new, unhappy, divided USA that has not gone away with the election of Joe Biden
For the United States, the collective grief generated by 9/11 had a profound impact on the nation's psyche. The Duration follows the story of a mother and daughter, both liberal American academics, who experienced a huge loss. It considers different responses to grief, in particular how this mother is radically changed by her bereavement – she buys a gun and heads for the hills.
Following an acclaimed digital debut at Southwark Playhouse, this thrilling, new musical, composed entirely from the real-life words of YouTube vloggers, Instagram influencers, Facebook’s tech giants, and everyday internet users now has its live world premiere in the West End.
The new musical ‘Public Domain’ has released the song and video ‘TIK TOK’ ahead of its live world premiere in the West End! You’re gonna get their honest, true selves… with some serious bass, obvs. Authentic, right? It’s like ‘Black Mirror’ but real and set to music.
Following an acclaimed digital debut at Southwark Playhouse, the new musical, composed entirely from the real-life words of YouTube vloggers, Instagram influencers, Facebook's tech giants, and everyday internet users now has its live world premiere in the West End.
Where would theatre be without literary adaptations? From The Woman in Black to Matilda The Musical, some of the best shows originate from books. At first glance, Sarah Waters' fourth novel, the 2006 hit The Night Watch, is ripe for adaptation for the stage. A tale of love and desire set during and after World War Two, it follows the stories of four Londoners in reverse. They manage to survive The Blitz, but are forever-changed by their experiences.
See photos from Sarah Waters's THE NIGHT WATCH, adapted by Hattie Naylor which opened at Devonshire Park Theatre, Eastbourne on 22 August and is touring the UK until 23 November 2019.
The Original Theatre Company and York Theatre Royal present, from the international number one best-selling author Sarah Waters, THE NIGHT WATCH, adapted by Hattie Naylor (Ivan And The Dogs, Going Dark, As the Crow Flies and Bluebeard). First performed in 2016 at Manchester's Royal Exchange, the first revival of THE NIGHT WATCH opens at Devonshire Park Theatre, Eastbourne on 22 August, touring the UK until 23 November 2019.
The Original Theatre Company and York Theatre Royal present, from the international number one best-selling author Sarah Waters, THE NIGHT WATCH, adapted by Hattie Naylor (Ivan And The Dogs, Going Dark, As the Crow Flies and Bluebeard). First performed in 2016 at Manchester's Royal Exchange, the first revival of THE NIGHT WATCH opens at Devonshire Park Theatre, Eastbourne on 22 August, touring the UK until 23 November 2019.
In choosing Jo Clifford's comic satire Losing Venice, Artistic Director Paul Miller has served up another unique offering at Richmond's Orange Tree Theatre. Delightfully bonkers, idiosyncratic and totally eccentric; it is an entertaining, if not slightly confusing evening.
New writing with a difference: it's all been overheard in London. Your commute will never be the same again. Returning after two sell-out shows, Overheard comes to the RADA Festival with brand new verbatim conversations recorded out and about in London. Not your private whisperings, but when it's impossible not to listen.
First seen in Vibrant A Festival of Finborough Playwrights, the world premiere of a first play by Cornish playwright Henry Darke, Booby's Bay opens at the Finborough Theatre for a four week limited season on Tuesday, 30 January 2018.
Like other young men, Jack, a 25-year-old with a learning disability, has needs and desires, and his parents don't want him to feel left out of significant life experiences, so they decide to hire a prostitute to arrange their son's first sexual encounter. Julia will slip into the cracks of a marriage on the verge of an invisible crisis, and in the end she will do a lot more than just help Jack.
Punts is a hilarious and moving new play by Sarah Page about a young man's sexual awakening and its effect on those who orchestrated it. Drawn from the playwright's interviews with sex workers, Punts - produced by Kuleshov Theatre (BU21, Cans) - explores love in all its complex and contradictory forms.
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