FUNNY GIRL is Coming to the Orpheum Theatre in April
by Chloe Rabinowitz
- Mar 14, 2024
The North American Tour of FUNNY GIRL is coming to BroadwaySF’s Orpheum Theatre for a limited four-week engagement this spring. See who is starring in the tour and learn how to purchase tickets.
Review: FUNNY GIRL at Cleveland's Connor Palace
by Roy Berko
- Feb 22, 2024
Fania Borch was one of early 20th century vaudeville’s greatest stars. Fania?? Oh, Fanny Brice, as she was known on the Ziegfeld Follies circuit, and is the nominal subject of FUNNY GIRL, now on stage at the Connor Palace as part of the Key Bank Broadway Series.
Interview: Bryan Charles Moore of FUNNY GIRL at Orpheum Theatre Minneapolis
by Jared Fessler
- Jan 19, 2024
Featuring one of the most iconic scores of all time by Jule Styne and Bob Merrill, an updated book from Harvey Fierstein based on the original classic by Isobel Lennart, tap choreography by Ayodele Casel, choreography by Ellenore Scott and direction from Michael Mayer, this love letter to the theatre has the whole shebang!
Review: FUNNY GIRL at Orpheum Theatre Minneapolis
by Jared Fessler
- Jan 17, 2024
What did our critic think of FUNNY GIRL at Orpheum Theatre Minneapolis? Featuring one of the most iconic scores of all time by Jule Styne and Bob Merrill, an updated book from Harvey Fierstein based on the original classic by Isobel Lennart, tap choreography by Ayodele Casel, choreography by Ellenore Scott and direction from Michael Mayer, this love letter to the theatre has the whole shebang!
Broadway at TPAC Opens 2024 Live Theater in Nashville With 'Startling, Stunning, Sexy' FUNNY GIRL
by Jeffrey Ellis
- Jan 3, 2024
What a way to open a brand-new year of live theater in Nashville: in Funny Girl, audiences may have found exactly what they were longing for as Tennessee Performing Arts Center’s touring presentation provides a portentous kick-off to 2024. In fact, we can’t recall a standing ovation more gratifyingly sincere and genuine in the 35+ years we’ve been reviewing shows at TPAC than the one with which the company was rewarded on opening night in Andrew Jackson Hall. It was appreciative and effusive – downright enthusiastic and straight from the heart – the thunderous and sustained reaction to two-and-a-half hours of gloriously exhilarating musical theatre straight out of the golden age.
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