Will Geer Theatricum Botanicum will present Waiting in the Wings, a vibrant, funny, humane comedy by Noël Coward. Waiting in the Wings will run in rotation every weekend with Romeo and Juliet, A Midsummer Night’s Dream and Treasure Island.
Treasure Island, the quintessential coming-of-age adventure story by Robert Louis Stevenson, is coming to the outdoor stage at Will Geer Theatricum Botanicum.
Cross the bridge from Topanga Canyon Boulevard to Will Geer Theatricum Botanicum and immerse yourself in live outdoor theater. Kicking off the summer repertory season are Shakespeare’s Romeo and Juliet and A Midsummer Night’s Dream.
This summer, Theatricum will present five mainstage plays in repertory, along with a rich slate of family-friendly and music-centered satellite events. Arrive early to explore the spectacular grounds.
Strife, a rarely produced play by Nobel Prize-winning writer and social activist John Galsworthy explores the complexities of labor relations, a theme that resonated with both Galsworthy and the Geer family of actors and theater directors. Here's my interview with Theatricum artistic director Ellen Geer about presenting it at Theatricum Botanicum.
Will Geer Theatricum Botanicum will present the world premiere of The Seagull: Malibu, an evocative retelling of Anton Chekhov’s timeless masterpiece as re-imagined by Theatricum artistic director Ellen Geer. Learn more.
Will Geer Theatricum Botanicum will present a new production of Strife by Nobel Prize-winning writer and social activist John Galsworthy. Learn more and see how to purchase tickets.
Every night is opening night for the Fountain Theatre’s production of White Rabbit Red Rabbit, with 25 performers — actors, writers, teachers, artistic directors, community and faith leaders —set to appear. Learn more!
The play that no one knows — not even the actors. The Fountain Theatre, in association with Nassim Soleimanpour Productions, will present the Los Angeles premiere of White Rabbit Red Rabbit. Learn more!
Now in its 11th year, Stage Raw will present its 2025 Stage Raw Awards Party on Monday, May 5, 2025 at Sassafras Saloon. Learn more about the awardees here!
Will Geer Theatricum Botanicum has revealed its 52nd annual season of theater, music and performance: the “2025 Season of Resilience.”
A 70th anniversary screening of SALT OF THE EARTH will take place on Oct 27, featuring a reunion of the children of the blacklisted, pro-union film's creators.
Bernardo Cubria's play THE HISPANIC/LATINO/LATINA/LATINX/LATINÉ VOTE explores election year themes with humor at Theatricum. Learn more about the play and see how to purchase tickets.
While WENDY’S PETER PAN would be better served by trimming the fat, focusing on more sharpened performances, and allowing its performers room to breathe, children, despite its evening start time, will likely appreciate the show more than adults who will take notice of its distracting bumps and peculiarities.
Will Geer Theatricum Botanicum will present a hilarious satire about greed, corruption and hypocrisy. In Tartuffe:Born Again, translator and adaptor Freyda Thomas puts a contemporary spin on the original French play, recasting Molière’s Tartuffe as a deposed televangelist who takes advantage of his naïve and gullible host to rook him and his family of their money.
Will Geer Theatricum Botanicum has transformed its uniquely beautiful outdoor amphitheater into the imaginary isle of Neverland for a magical production of Wendy’s Peter Pan. Theatricum artistic director Ellen Geer directs her “retelling” of the 1904 play by J.M. Barrie, with performances running June 22 through October 4.
Will Geer Theatricum Botanicum will open its 2024 summer repertory season with two productions by the Bard. Learn how to purchase tickets.
Theatricum Botanicum has revealed its 2024 summer season. Learn how to purchase tickets!
Ellen Geer’s new compilation of Shakespeare's best-known history plays does nothing to address the misogynistic, xenophobic views that have led to Margaret of Anjou’s historical presentation (or any other woman’s) as a stereotypical villain. But in other ways, it succeeds in illuminating Margaret as what she actually was - a force to be reckoned with.
The performance itself was a straightforward, text-driven version of Macbeth. Director Ellen Geer has not ignored a word of Shakespeare’s text and has crafted a production which seems obsessed with clarity, but doesn’t present any theatricality or inventiveness beyond relaying the narrative.
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