The First National Tour has officially begun for the history-making production of To Kill a Mockingbird, Academy Award winner Aaron Sorkin's new play, directed by Tony winner Bartlett Sher and based on Harper Lee's classic novel. Read the reviews here!
The National Tour of Ain't Too Proud officially kicked off at the Kennedy Center, after cancelling 15 performances due to COVID-19. Performances began on December 28 and continued through January 16.
Tickets are now available for J Stage Theatre's winter production of The Waverly Gallery. All performances will take place at the J Stage Theatre at the Maureen and Douglas Cohn Jewish Community Center, 13009 Community Campus Drive, Tampa. The show opens on Wednesday, January 26 at 7:00 PM and runs through Sunday, January 30.
These are the things that helped get us through a tough year.
The third year of the record-breaking North American Tour of Dear Evan Hansen relaunched on December 7, 2021 in Greensboro, North Carolina. The tour will stop by more than 30 cities across the US and Canada in the 2021/2022 season.
A top-notch cast brings Simon's words to life!
The National Tour of the 2019 Drama Desk Award winner for Outstanding Musical THE PROM began performances on November 2 at Playhouse Square in Cleveland. The tour stars Kaden Kearney (they/them) as 'Emma, High School Student, Banned from The Prom,' Kalyn West as 'Alyssa Greene, Head of Student Council with a Secret,' and more.
The North American tour of the 10-time Tony Award-winning Best Musical THE BAND'S VISIT, featuring music and lyrics by Tony and Drama Desk Award®-winner David Yazbek, has hit the road!
Read all the reviews for the National Tour of Pretty Woman, which is now on stage touring the country. See what the critics thought!
Hadestown, the 2019 Tony Award-winning Best Musical, officially opened its North American Tour on October 15, at The John F. Kennedy Center for the Performing Arts in Washington, D.C. Kicking off at the Peace Center in Greenville, SC, the tour will visit over 30 cities in its first year. Check out all the reviews...
The national tour of Frozen is back on the road! Find out what the critics thought of the stops so far...
One of the finest community theatre shows I've ever seen.
Once understands that not all love stories have a happy ending, some are simply meant to help us grow, connect, and move on. “The theme of the show is we pass each other, we join together emotionally, we get something and give something to each other, and then off we go. It’s about a connection that we had once,” said director Jason Tucker.
The acting is all over the place, hit and miss, in this production of an American classic.
An enjoyable show in less-than-ideal circumstances (thanks to the pandemic).
A traveling professional theatre company, Vivid Theatre Productions founder Drew Eberhard is excited to debut his second musical cabaret, a show called Fragmentation: Moving from Captivity to Liberation, a fundraiser for his first season. One night only, Sunday, January 26 at Villagio Cinemas, it features some of the best voices in Tampa Bay.
Director Drew Eberhard's presentation of Suzan Lori-Parks a?oeIn the Blood,a?? a modernized loose telling of a?oeThe Scarlett Letter,a?? holds up a mirror to society and dares us to look away at the injustice and sexual abuse Hester faces from everyone she encounters. But this is just a parable. When we shake the hands of the talented actors, leave the theatre, get into our cars, the safety of our homes, fill our bellies, destress to our Hulus and Netflixes, we can shake off that feeling of helplessness, hopelessness because it's not real.
Broadway World sits down with director Drew Eberhard, stage manager Athena Romanski, and the six-member cast of In the Blood, D'Devah Simpson, Jason Abreu, Sonali Balan, Keith Batchelor Jr., Jeffrey Holmes, and Lena Morrisseau to discuss the importance of this hard-hitting drama written by Suzan-Lori Parks. In the Blood tells the story of a mother, Hester, raising her five children, with the father not around. Living in poverty, she is trying to make her children's lives better. It is a tale of exploitation. Each person who interacts with Hester abuses her in their own way.
Though I was fighting back the tears, the unexpected closure of the first act triggered wracking sobs from an audience member. That is how relatable, believable, and compelling the performance of Sonia Flew at Powerstories was on opening night.
Their first production is a damn good one!
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