Maulik Pancholy, Natasha Lyonne, Zoe Kazan and More to Appear on The New Group's WHY WE DO IT Series
by Chloe Rabinowitz
- May 27, 2020
The New Group continues its newly-launched live online conversation series, 'Why We Do It,' announcing a new slate of guests including Zoe Kazan (June 17), Nico Santos (June 24), Natasha Lyonne (July 1), Nat Wolff (July 8), Suzanne Vega (July 15), Clint Ramos (July 22) and Maulik Pancholy (July 29).
Breaking News: Drama League Announces 2020 Nominations
by Robert Diamond
- May 1, 2020
a??a??a??a??a??a??a??The Drama League has announced the 2020 Drama League Awards Nominees for Outstanding Production of a Play, Outstanding Revival of a Play, Outstanding Production of a Musical, Outstanding Revival of a Musical, and the much- coveted Distinguished Performance Award.
Northlight Announces 2020-2021 Season
by Stephi Wild
- Mar 12, 2020
Northlight Theatre, under the direction of Artistic Director BJ Jones and Executive Director Timothy J. Evans, announces its 46th season, opening with The Lifespan of a Fact by Jeremy Kareken & David Murrell and Gordon Farrell, directed by Halena Kays.
MCC Theater's ALL THE NATALIE PORTMANS Has Been Extended
by Chloe Rabinowitz
- Feb 20, 2020
MCC Theater (Bob LuPone, Bernie Telsey, Will Cantler, Artistic Directors; Blake West, Executive Director) has announced the extension of the New York premiere of All the Natalie Portmans by C.A Johnson (MCC Theater's 2019/20 Tow Playwright in Residence) with direction by Kate Whoriskey. Previously scheduled for a limited run through March 15, All the Natalie Portmans will now play through Sunday, March 29 at the Susan & Ronald Frankel Theater at The Robert W. Wilson MCC Theater Space (511 West 52nd Street).
The Playwrights Realm Will Present 2020 INK'D Festival of New Plays
by Chloe Rabinowitz
- Feb 3, 2020
The Playwrights Realm (Founding Artistic Director Katherine Kovner and Producing Director Roberta Pereira) will presents the 2020 INK'D Festival of New Plays, showcasing new works by this year's Realm Writing Fellows Tanya Everett, Maya Macdonald, Tasha Gordon-Solmon, and Christopher Reyes (February 24-27). The festival's plays offer vast tonal and stylistic variation while cohering around complex contemplations of structural issues. INK'D has proven to be an indispensable launching pad for the voices driving the future of playwriting. This year's powerful slate continues to introduce audiences to a diversity of fresh perspectives, thereby underscoring theater's potential to expand the possibilities of dramatic storytelling and engage with the world around it.
BWW Review: Stirring Drama FIREFLIES Explodes at OC's South Coast Repertory
by Michael Quintos
- Jan 21, 2020
In their continued and laudable feat of presenting diverse voices in theater, Orange County's South Coast Repertory is currently staging another stirring new drama, this time from playwright Donja R. Love entitled FIREFLIES, which continues performances through January 26, 2020 in Costa Mesa under the admirable direction of Lou Bellamy. At times heartbreaking and devastating, but ultimately empowering and (slightly) hopeful for future generations, FIREFLIES is a must-watch drama with searing emotions and real-world importance, highlighted by powerful performances from its two talented leads.
Maxamoo Theater and Performance Podcast's Best & Worst of 2019, Part I
by Maxamoo
- Jan 14, 2020
All 9 of our regular contributors have gathered: Aurin, Ben, David, Jack, Jose, Liz, Nicole, Patty, and PennyMaria! We're back together for our year-end spectacular, our annual episode in which we discuss the best and worst theater of the year.
BWW Review: Donja R. Love's Absurdist Drama one in two Demands Attention For Black Gay Male HIV+ Realities
by Michael Dale
- Dec 29, 2019
When you consider that the two best-known plays by American authors dealing with the AIDS epidemic, Larry Kramer's THE NORMAL HEART and Tony Kushner's ANGELS IN AMERICA, are both decades old and set in the 1980s, it's no wonder if playgoers tend to think of the crisis as something of the past which is now primarily under control. Even Matthew Lopez's current, THE INHERITANCE, though set in the 21st Century, focuses on the loss of gay men of that preceding generation.
|
|