Right now, with political divisions seeming to slice through every aspect of our lives, Bekah Brunstetter's 2017 play THE CAKE arrives at triangle productions with uncomfortable timeliness. This show is a funny and insightful exploration of what happens when our convictions collide with our hearts.
Lauren Yee's SAMSARA will make you laugh, cringe, and think about its implications long after you leave the theatre. If you like challenging, conversation-starting theatre, this show is absolutely not to be missed.
Northwest Children’s Theater has announced plans to leave their historic home at the NW Neighborhood Cultural Center and move to downtown Portland, converting the fourplex movie theater located at 1000 SW Broadway into a multi-venue arts center for youth.
From the writers of the smash hit Red Hot Patriot: The Kick-Ass Wit of Molly Ivins comes a comic look at one of our country’s most beloved voices, who captured the frustrations of her generation by asking, “If life is a bowl of cherries, what am I doing in the pits?”
The French Revolution and comedy don't typically go together, but Lauren Gunderson upends many conventions in THE REVOLUTIONISTS, a fast-paced, feminist comedy set during France's 1793 Reign of Terror, now playing at ARTISTS REP.
Great theatre takes you out of yourself. It gives you empathy for people who are different from you and helps you understand the world from a perspective that's not your own. That's exactly what WOLF PLAY does.
A DOLL'S HOUSE, PART 2, now playing at Artists Rep, is smart funny, and raises questions worth grappling with as we work toward gender equality in personal relationships, politics, and society in general.
This holiday season, Artists Repertory Theatre presents Joe Landry's It's a Wonderful Life: A Live Radio Play, directed by Beth Harper. The limited engagement of It's a Wonderful Life: A Live Radio Play is from December 6 through December 30 at Northwest Children's Theater and School.
Lisa Kron's IN THE WAKE draws parallels between the personal and the political to suggest that even the most unimaginable outcomes aren't really that out there -- it's just that we're really bad at seeing past the end of our own nose.