Opera Philadelphia is proud to present Giuseppe Verdi's Requiem this winter, not only as part of a season celebrating the 20th anniversary of the company debut of Jack Mulroney Music Director Corrado Rovaris, but also in memory of Jack Mulroney himself, who was instrumental in bringing Rovaris a?" already well-established at leading houses and festivals in his native Italy a?" to Philadelphia.
General Director and CEO Deborah Sandler today announced that an innovative new work celebrating the 100th anniversary of the ratification of the Nineteenth Amendment to the U.S. Constitution, and a cabaret-style favorite that returns by popular demand comprise the 2020 Explorations series. The series leads audiences on a delightful journey of musical discovery through eclectic works performed in Lyric Opera's Michael and Ginger Frost Production Arts Building in the Crossroads District.
Opera Philadelphia will present Giuseppe Verdi's Requiem this winter, not only as part of a season celebrating the 20th anniversary of the company debut of Jack Mulroney Music Director Corrado Rovaris, but also in memory of Jack Mulroney himself, who was instrumental in bringing Rovaris - already well-established at leading houses and festivals in his native Italy - to Philadelphia.
Joseph Mechavich conducts The Barber of Seville at Minnesota Opera November 9 - 17.
Semele recently opened at Opera Philadelphia and critics were in attendance. Find out what they had to say!
Kansas City Lyric Opera's 2018-2019 season continues with a production of Mozart's comic opera.
With over 20 companies presenting more than 25 events throughout the city, the Fest will once again prove how opera can be fresh, vital, and relevant, exploring contemporary themes of gender roles, LGBTQ rights, toxic masculinity, political satire, global warming, and more.
Lyric Opera of Kansas City continues its 2018-2019 season with Mozart's sophisticated comedy Cosi fan tutte March 16, 20, 22 and 24 at the Kauffman Center for the Performing Arts. The production will be sung in Italian with English subtitles.
Palm Beach Opera revealed the 2019-2020 season at its annual season reveal event on Feb. 4, announcing three mainstage operas and an added production starring the company's artists in residence to be performed in Delray Beach.
San Francisco Opera General Director Matthew Shilvock today announced repertory and casting for the Company's 97th Season, opening Friday, September 6, 2019, with a gala performance of Charles Gounod's Romeo and Juliet (Rom o et Juliette) starring tenor Bryan Hymel and soprano Nadine Sierra in Op ra de Monte-Carlo Director Jean-Louis Grinda's production. In keeping with the Company's time-honored tradition, the new season will be inaugurated with San Francisco Opera Guild's elegant, signature benefit and celebration, Opera Ball 2019.
Tenor Javier Camarena--who completes his run as Nadir, the love-struck tenor lead in Bizet's LES PECHEURS DE PERLES (THE PEARL FISHERS) this Saturday--isn't finished wow-ing Met audiences for the season. Not by a long shot. He's back in February to throw off those nine High Cs in “Ah, mes amis!” the show-stopping aria--that toast to love and camaraderie--in Donizetti's LA FILLE DU REGIMENT (DAUGHTER OF THE REGIMENT) that Luciano Pavarotti made famous for modern opera audiences.
On Saturday, January 12, 2019, the National YoungArts Foundation (YoungArts) will honor prolific choreographer and bold visionary Camille A. Brown (1997 YoungArts Winner in Dance & U.S. Presidential Scholar in the Arts), and singular interdisciplinary designers Simon and Nikolai Haas of The Haas Brothers, with the 2019 Arison Alumni Award and Arison Award, respectively.
San Francisco Opera Center Director Sheri Greenawald today announced the 12 recipients of the 2019 Adler Fellowship. Selected from participants of the Merola Opera Program, the ten singers and two pianist/apprentice coaches begin their fellowships in January 2019. The multi-year performance-oriented residency offers advanced young artists intensive individual training, coaching and professional seminars, as well as a wide range of performance opportunities. Since its inception in 1977, the prestigious fellowship has nurtured the development of more than 180 young artists, introducing many budding stars to the international opera stage and launching active careers throughout the world as performers, production artists, arts professionals and educators.
Daniela Mack is Isabella, an Italian pilot, who makes an emergency landing in Algiers and is captured by its ruler, the Bey. He wants an Italian girl for a wife but she loves Lindoro, the Bey's Italian slave. L'ITALIANA has lots of good bel canto singing and plenty of comedy to keep you smiling all evening. There are three more performances, Aug 3, 9 and 17.
On the heels of its tremendously successful twelve-day immersive O17 festival last fall, as well as a stunning production of George Benjamin's phenomenal critical sensation Written on Skin earlier this spring, Opera Philadelphia closes out its season with one of the world's most popular operas, Bizet's masterpiece, Carmen. In the title role is mezzo-soprano Daniela Mack, who opened Opera Philadelphia's 2017-2018 season with a "vocally formidable" (Philadelphia Inquirer) and "brilliant" performance (Opera News) in the title role of the world premiere of Elizabeth Cree. Directed by Paul Curran, who led 2015's acclaimed La traviata, this new production of Carmen will enliven the Academy of Music for five performances, April 27-May 6.
Michigan Opera Theatre CEO and President Wayne S. Brown and Principal Conductor Stephen Lord today announced the company's 2018-19 opera season. MOT's 48th opera season will be the second under Lord's artistic leadership and celebrates masterworks of literature turned opera, with "Eugene Onegin" (Pyotr Tchaikovsky), "Candide" (Leonard Bernstein) and "The Grapes of Wrath" (Ricky Ian Gordon/Michael Korie). The season also includes a staple of the opera repertoire, "The Barber of Seville" (Gioachino Rossini) and a fairytale opera, "Hansel and Gretel" (Engelbert Humperdinck). The season begins Sept. 29 with a gala concert featuring opera superstar Renee Fleming.
Mezzo-soprano Daniela Mack, who opened Opera Philadelphia's 2017-2018 season with a "vocally formidable" (The Philadelphia Inquirer) and "brilliant" performance (Opera News) in the title role of the new opera Elizabeth Cree, returns this spring to close out the season in the title role of one of the world's most popular operas, Bizet's masterpiece, Carmen. Directed by Paul Curran, who led 2015's acclaimed La traviata, this new production of Carmen will enliven the Academy of Music for five performances, April 27-May 6.
Seattle Opera teams up with both ACT Theatre and Seattle Symphony for the first time to celebrate Shakespeare in a brand-new production of Berlioz's Beatrice and Benedict. The story, based on Shakespeare's Much Ado about Nothing, delights in the "skirmish of wits" between fiery Beatrice and bombastic Benedict and their failed resolution to avoid falling in love with each other. Their merry-war-turned-love-story has proven catnip to Hollywood-there are two film versions, one directed by Buffy the Vampire Slayer writer Joss Whedon, and the other directed by Kenneth Branagh and also starring Emma Thompson, Denzel Washington, Keanu Reeves, and Michael Keaton. Now the story is ready for the Seattle Opera treatment.
It's just about time to wish you all a happy 2018--but I'm not quite ready to put 2017 to rest. Though it won't go into the annals as one of the best years ever, there were quite enough performances and performers that made this year a winner for me, operatically speaking at least, in my corner of the world.
Jamie Bernstein, daughter of composer and conductor Leonard Bernstein, will serve as the Tucson Desert Song Festival's (TDSF) Artist-in-Residence for 2018. Ms. Bernstein, a narrator, writer and broadcaster, will share insights and memories of her father and his work and will provide context to help understand the complex life and career of Leonard Bernstein.
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