Composer Rene Orth's award-winning opera 10 Days in a Madhouse will receive its Canadian premiere at the Luminato Festival, co-presented by Tapestry Opera and the Canadian Opera Company.
Lyric Opera of Chicago has released a first look video of EL ÚLTIMO SUEÑO DE FRIDA Y DIEGO, running March 21 through April 4, 2026. Check out the all-new video!
Lyric Opera of Chicago will present El último sueño de Frida y Diego (The Last Dream of Frida and Diego) from March 21 through April 4, 2026. Composed by Gabriela Lena Frank with a libretto by Nilo Cruz, the opera unfolds on the Day of the Dead.
Lyric Opera of Chicago will Gabriela Lena Frank and Nilo Cruz’s El último sueño de Frida y Diego. What unfolds is a dreamlike journey through memory, passion, and everything they created together — both on canvas and in life.
The full lineup of titles and artists has been revealed for Seattle Opera's 2026/27 season. An exploration of love in all its facets, the company's 63rd season features two classic operas returning to Seattle for the first time in a quarter century.
Check out photos of the San Francisco Opera's one-night-only concert of music by Manuel de Falla and Ludwig van Beethoven on Saturday, November 1 at 7:30 p.m. at the War Memorial Opera House.
One week after she conducts the opening of San Francisco Opera’s new production of Wagner’s Parsifal, Caroline H. Hume Music Director Eun Sun Kim leads the San Francisco Opera Orchestra and mezzo-soprano Daniela Mack in a one-night-only concert.
San Francisco Opera’s 2025–26 season, the tenth under the leadership of Tad and Dianne Taube General Director Matthew Shilvock, kicks off in September. Learn more about the season!
San Francisco Opera is performing Wolfgang Amadeus Mozart’s Idomeneo from June 14–25 as part of its 2025 Summer Season at the War Memorial Opera House. See the photos here!
The Merola Opera Program has appointed internationally renowned tenor, director, and 2007 Merola alum Alek Shrader as its new Director of Membership & Engagement.
San Francisco Opera will present Wolfgang Amadeus Mozart's Idomeneo from June 14–25 as part of its 2025 Summer Season at the War Memorial Opera House. Caroline H. Hume Music Director Eun Sun Kim leads these performances of the composer's early masterpiece, which premiered in 1781 when Mozart was just 25, in a new-to-San Francisco Opera staging by Australian director Lindy Hume. Company Chorus Director John Keene prepares the artists of the San Francisco Opera Chorus for the opera's choral scenes.
Missy Mazzoli and Royce Vavrek’s The Listeners will the Lyric Opera of Chicago stage beginning Sunday, March 30 for a limited run of five performances.
Throughout the 2025-26 season, HGO will be celebrating its beloved artistic and music director, Patrick Summers, who in May 2026 will transition to a new role. Learn more here!
Houston Grand Opera (HGO) has announced its 2025-26 season, featuring the American opera that launched HGO as a trailblazer, the Gershwins’ Porgy and Bess.
Lyric Opera of Chicago has revealed the company’s 2025/26 Season, its first complete season featuring Medea, Salome and more. See full programming and learn how to purchase tickets.
San Francisco Opera has announced details for the Company's 2025–26 Season. The Company's 103rd season, which marks Shilvock's tenth as general director, kicks off September 5.
It's music's biggest night! Sabrina Carpenter, Beyoncé, Kendrick Lamar, Chappell Roan, Lady Gaga & Bruno Mars, and more took home awards at The 67th Annual GRAMMYs, now available to rewatch on Paramount+. Check out the full list of GRAMMY winners here!
The San Francisco Opera Center has announced the 2025 Adler Fellows, highlighting emerging artists in opera.
Aaron Lazar, Barbra Streisand, Ariana Grande more were nominated for GRAMMYS. Check out the full list of nominations now! The Outsiders, Suffs and more were nominated in the Best Musical Theatre Album category.
Osvaldo Golijov’s AINADAMAR, which made its Met debut this week, with a libretto translated by the composer from the English original by David Henry Hwang, isn’t the first Spanish language opera at the Met, but it’s certainly the first to sound that way. Read the review.
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