The Hermitage Artist Retreat, in collaboration with the Greenfield Foundation, has selected New York-based artist Jennifer Packer as the winner of the 2020 Greenfield Prize, given this year in the field of visual art. Packer will receive a six-week residency at the Hermitage and a $30,000 commission for a new work, which will premiere in Sarasota in 2022 with the Hermitage's presenting partner, The John & Mable Ringling Museum of Art.
Arena Stage has announced its 2020/21 Season, which is set to include five world premieres, four plays and three musicals, including a Corbin Bleu-led Catch Me If You Can.
A third evolution of the American classic AN AMERICAN IN PARIS took the stage at Yardley Hall inside the Carlsen Center at Johnson County (KS) Community College to an almost full audience of 1500 souls.
AN AMERICAN IN PARIS has been reborn as an ambitious piece of modern musical theater. It first opened in Paris n 2014, then in New York, before journeying across the pond for engagements in London's west end. This particular production is the second iteration of a road company. This one is a Non-Equity tour produced by BIG LEAGUE productions.
a?oeHow can you feel liberated when your city's been crushed?a?? In the post-WWII setting of AN AMERICAN IN PARIS, this is the dilemma faced by the people who call the City of Light home--through birth, choice, or the displacement of war. For the young protagonists, healing comes through art, friendship, and love.
The musical Amélie, first produced in 2015, is based on the 2001 film of the same name. The musical, by Daniel Messé, Nathan Tysen, and Craig Lucas, is charming and whimsical. It tells the tale of a French waitress, Amélie Poulain, who, inspired by Princess Diana's death and her own imagination, decides to make it her mission to help others. This contemporary fairytale can be enjoyed at Open Stage of Harrisburg under the direction of Stuart Landon February 1-March 8. At Open Stage, audiences will meet an unique cast of characters in an intimate setting. Gabriella DeCarli tackles the title role of Amélie Poulain in this production, and she took a few moments to share her experience with this extraordinary musical.
Amélie, a quirky and charming musical set in Paris surrounds Amélie Poulain, a lonely but imaginative young waitress. Bored from her quiet life and inspired by Princess Diana's death, Amélie makes it her mission to bring joy to the people around her, and helping them to find hope, love, and even closure. Step into the magical, fantasy-filled world of Amélie, an imaginative dreamer who finds her voice, discovers the power of connection, and sees possibility around every corner.
The Dramatists Guild Opera Committee's Librettist Initiative premieres the short film a?oeCredit the Librettist: Conversations with Today's Opera Makersa?? at Opera America's New Works Forum on Thursday, January 16 at 10am at the National Opera Center, 330 7th Avenue, 7th Floor, New York.
It may surprise you to learn that Stephen King didn't write 'The Shining' and Sister Helen Prejean didn't write 'Dead Man Walking.' Even more, you may be startled to learn that Herman Melville didn't write 'Moby Dick' and Louisa May Alcott didn't have a hand in 'Little Women.' Well, of course they did--except when it came to turning the works into operas. Then, respectively, Mark Campbell and Terrence McNally took over, as did Gene Scheer and Mark Adamo.
Lincoln Center Theater (under the direction of André Bishop) has announced casting for its upcoming production of Intimate Apparel, a new opera with music by Ricky Ian Gordon and a libretto by Lynn Nottage, based on her play. The opera, which will be directed by Bartlett Sher, will begin previews Thursday, February 27 and open on Monday, March 23 at the Mitzi E. Newhouse Theater (150 West 65 Street).
I admit this is an absolutely personal, totally one-sided view of what gave one man opera thrills last year and what I will look back on with delight. Some are old works, some are new, some are individual performers, some are ensembles, some are complete productions, some are merely the highlight of an evening, most are domestic, a few are foreign. In any case, as the new decade begins, I recall that these are the vocal highlights that made my heart beat a little faster and made me look forward to the year ahead.
Opera America will feature a public discussion with The Dramatists Guild's Opera Committee's Librettist Initiative at their New Works Forum on Thursday, January 16 at 10am at the National Opera Center, 330 7th Avenue, 7th Floor, New York.
Arena Stage at the Mead Center for American Theater announces four additional commissioned playwrights as a part of Power Plays, an ambitious initiative commissioning and developing 25 new plays and musicals from a diverse mix of writers, composers and lyricists over the course of 10 years. Playwrights Lauren Yee, Zack Zadek, Emily Feldman and Karen Zacarías join previously commissioned playwrights with projects underway, including Eduardo Machado, whose Power Play Celia and Fidel, a perceptive and authentic look at Fidel Castro's most trusted confidant and political partner, Celia Sánchez, enjoys its world premiere in Arena's Arlene and Robert Kogod Cradle, February 28 through April 12, 2020.
Drury Lane Theatre has announced casting for the final show in its 2019/2020 season, the Regional Premiere of the beautifully captivating Gershwin musical An American in Paris. Leading the cast are Josh Drake as American GI Jerry Mulligan and Leigh-Ann Esty as Lise Dassin. Drake can currently be seen on Broadway in Disney's Aladdin, and Esty returns to An American in Paris after playing the role of Lise on the show's national tour. This Tony Award-winning musical features music and lyrics by George Gershwin and Ira Gershwin with book by Craig Lucas and is directed and choreographed by Lynne Kurdziel-Formato. An American in Paris runs January 31 a?" March 29, 2020, at Drury Lane Theatre, 100 Drury Lane in Oakbrook Terrace. The press opening is scheduled for Thursday, February 6, 2020, at 8:00 p.m.
The Public Theater (Artistic Director, Oskar Eustis; Executive Director, Patrick Willingham) announced complete casting today for the New York premiere of THE VAGRANT TRILOGY, a Public Theater commission, written by Emerging Writers Group Alumna Mona Mansour. Directed by Mark Wing-Davey, THE VAGRANT TRILOGY begins performances in the LuEsther Hall on Tuesday, March 17 with a Joseph Papp Free Preview performance, and will run through Sunday, April 26 with an official press opening on Wednesday, April 1.
Lyric Opera's special holiday engagement of Adam Guettel's THE LIGHT IN THE PIAZZA, one of the few contemporary musicals written in a style that harkens back to the Golden Age, is beautifully sung with the composer's complicated and melodious score performed by a superb orchestra. The musical focuses on Margaret Johnson and her daughter Clara, who take a vacation to Florence, Italy in the summer of 1953a?'and find their lives forever changed after Clara has a chance encounter with Fabrizio Nacarelli, a young Italian man. It should come as little surprise that Renèe Fleming has a radiant turn as Margaret. Vocally, Fleming's take on the role is pristine, but she also plays out the tension between Margaret's fiercely protective instincts when it comes to her child and her yearning to empower Clara to lead her own life as a young adult. While I wish to avoid spoilers, it's key to share that the musical has a twist that includes a revelation about Clara that shines light on precisely why Margaret feels so compelled to keep watch over her daughter.
Get ready because BroadwayWorld is giving you the chance to win tickets to see Solea Pfeiffer, Renee Fleming, and more in The Light in the Piazza at Chicago's Lyric Opera House! The winner will receive two tickets to the production's December 27th performance. The contest will run now through December 22rd, at 11:59 PM EST. Be sure to enter for your chance to win TODAY!
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