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Meet the Current Cast of THE PHANTOM OF THE OPERA on Broadway!

Earlier this year, on April 22, The Phantom of the Opera, reached a milestone that no other Broadway show has even come near. Phantom, the longest-running show in Broadway history, became the first Broadway show EVER to reach #13,000 performances. This is just one of many incredible achievements made by the show since it opened on Broadway over three decades ago.

TV Exclusive: Konversations with Keeme: A Chat with Tony & Maria!

Fourteen year old Ajibola Tajudeen, better known as Keeme, is the host of New Paradigm Theatre's web series now in it's third season here on BroadwayWorld. 'Konversations with Keeme' is show where Keeme interviews seasoned television and film professionals like Tamara Tunie of Law and Order: Special Victims Unit and Renee Lawless of Tyler Perry's The Have and the Have Nots, as well as Broadway veterans such as Emmy and Grammy winner, Paul Bogaev, and Broadway pros Christine Dwyer, Kelly Grant, Juwan Crawley and more.

Final Chance to Vote for the BWW Charlotte Awards!

It's the last week to vote for the 2018 BroadwayWorld Charlotte Awards, brought to you by BroadwayHD! Readers are already setting records as they vote for their favorites. Regional productions, touring shows, and more are all included in the awards, honoring productions which opened between October 1, 2017 through September 30, 2018. Our local editors set the categories, our readers submitted their nominees, and now you get to vote for your favorites! Voting will continue through December 31st, 2018.

Just Two Weeks Left To Vote for the 2018 BWW Charlotte Awards!

There's just two weeks left to vote for the 2018 BroadwayWorld Charlotte Awards, brought to you by BroadwayHD! Readers are already setting records as they vote for their favorites. Regional productions, touring shows, and more are all included in the awards, honoring productions which opened between October 1, 2017 through September 30, 2018. Our local editors set the categories, our readers submitted their nominees, and now you get to vote for your favorites! Voting will continue through December 31st, 2018.

Three Weeks Left To Vote For the BWW Charlotte Awards!

There's just two weeks left to vote for the 2018 BroadwayWorld Charlotte Awards, brought to you by BroadwayHD! Readers are already setting records as they vote for their favorites. Regional productions, touring shows, and more are all included in the awards, honoring productions which opened between October 1, 2017 through September 30, 2018. Our local editors set the categories, our readers submitted their nominees, and now you get to vote for your favorites! Voting will continue through December 31st, 2018.

Vote For The 2018 BWW Charlotte Awards; SPRING AWAKENING Leads Best Musical!

There's just one month left to vote for the 2018 BroadwayWorld Charlotte Awards, brought to you by BroadwayHD! Readers are already setting records as they vote for their favorites. Regional productions, touring shows, and more are all included in the awards, honoring productions which opened between October 1, 2017 through September 30, 2018. Our local editors set the categories, our readers submitted their nominees, and now you get to vote for your favorites! Voting will continue through December 31st, 2018.

Vote For The 2018 BroadwayWorld Charlotte Award; PETER AND THE STARCATCHER Leads Best Play!

There's just one month left to vote for the 2018 BroadwayWorld Charlotte Awards, brought to you by BroadwayHD! Nominations were reader-submitted and now our readers are already setting records as they vote for their favorites. Regional productions, touring shows, and more are all included in the awards, honoring productions which opened between October 1, 2017 through September 30, 2018. Our local editors set the categories, our readers submitted their nominees, and now you get to vote for your favorites! Voting will continue through December 31st, 2018.

BWW Review: LOVE NEVER DIES at Robinson Performance Hall

Many people will be giving thanks this week with the arrival of Andrew Lloyd Webber's' Love Never Dies' to Little Rock's Robinson Performance Hall. The extravagant sequel to the Phantom Of The Opera is a musical and visual holiday treat. The book was written by Ben Elton with music by Andrew Lloyd Webber and lyrics by Glenn Slater. Though it is a sequel, it's not a sequel because you can enjoy this musical without ever having seen the original. However, the majority of the crowd were obviously Phans, Phantom of the Opera fans.

BWW Review: LOVE NEVER DIES (Or Does It?) at DCPA

It's no secret that entertainment culture has an obsession with sequels and beyond. Movie trilogies become sagas and soon enough Jude Law is playing young Albus Dumbledore. This desire to expand the story; to pick up where you left off is prevalent even on the stage, although perhaps not as regularly. In Andrew Llyod Webber's Love Never Dies, the story isn't over just yet for Christine Daae, The Phantom, and many other important players from it's predecessor, The Phantom of the Opera. 

BWW Review: New Horror and Grotesquerie as Phantom Moves to Coney for LOVE NEVER DIES

Your knees won't buckle when you enter Belk Theater to see LOVE NEVER DIES, Anthony Lloyd Webber's long-awaited sequel to The Phantom of the Opera. There's no gleaming chandelier looming ominously over ticketholders in the front rows, nor will you see any nooks or gargoyles spanning the stage proscenium. Until the curtain rose, about the only aspect of the new Lloyd Webber melodrama that reminded me of its predecessor on opening night was the size of the crowd who had come to see it. A near sellout - not too shabby for a musical that has never played on Broadway.

BWW Review: LOVE NEVER DIES at The Orpheum

As Memphis theatergoers pile into the Orpheum to kick off a record-breaking 2018-2019 season for ticket sales at the much beloved venue, they are confronted with a familiar, albeit masked face. Indeed, while Andrew Lloyd Webber's The Phantom of the Opera continues its remarkable 30-year run as Broadway's most enduring production, its sequel, Love Never Dies, has opened in the bluff city. Like all other sequels, Love Never Dies faces the initial challenge of justifying its mere existence. That challenge is further amplified when the first installment is, like The Phantom of the Opera, so woven into the fabric of our cultural iconography. Grumbling devotees of the original Phantom will no doubt ask why the story necessitates a sequel at all, let alone one in which the Phantom is transplanted from the Paris Opera House to (gasp) the underbelly of New York's Coney Island. To those skeptics in the audience (of which this reviewer was one), rest assured that Troika Entertainment's magically beautiful production of Love Never Dies, with direction by Simon Phillips, answers that question rather quickly. Why does The Phantom of the Opera require a sequel? Well, why not? That is particularly the case when the sequel is such an eye catching showcase for its talented cast of performers.

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