Getty Villa presents Memnon Read by The Classical Theatre of Harlem, an online live play-reading taking place via Zoom on Monday, October 24, 2022, at 5:00 pm PT. Founded in 1999, The Classical Theatre of Harlem creates theater anchored in the context of the African Diaspora.
59E59 Theaters and New Light Theater Project have announce casting for Ink’dWell by Erin E. Adams (Snow Globe) and directed by Tabatha Gayle (Tragic Fragments). Ink’dWell begins previews September 29, 2022, in Theater C and opens October 5 for a run through October 16, 2022.
Broadway Black presents The 2nd Annual Antonyo Awards, which honors Black theatre artists during the 2021-2022 season. The live, in-person ceremony will be held on Monday, October 10 at the legendary Apollo Theater in Harlem (253 West 125th Street). Awards in 29 competitive categories and five honorary categories will be presented along with performances and guest appearances.
The Hudson Valley Shakespeare Festival announced today performance dates and casting for its 2022 Summer Season, the first season at its new home. The season will begin on July 7, 2022 with Romeo and Juliet by William Shakespeare and directed by Gaye Taylor Upchurch, which will conclude on September 18.
Read all the reviews for the The York Theatre Company world premiere of Penelope, or How the Odyssey Was Really Written, a new musical comedy with book & lyrics by Peter Kellogg, and music by Stephen Weiner.
The York Theatre Company will present the world premiere of Penelope, or How the Odyssey Was Really Written, a new musical comedy. Find out more about the production, cast and creative team plus how to get tickets.
Production photos for The York Theatre Company world premiere presentation of Penelope, or How the Odyssey Was Really Written, a new musical comedy, with book & lyrics by Peter Kellogg (York’s Desperate Measures), music by Stephen Weiner (The Rivals), directed and choreographed by Emily Maltby (York’s Lolita, My Love), with music direction and orchestrations by David Hancock Turner (York’s Cheek to Cheek, Desperate Measures) and vocal arrangements by David Hancock Turner, Steve Delehanty, and Stephen Weiner.
Performances for Penelope resume TOMORROW, Saturday afternoon, April 2 at 2:30PM. The limited engagement will continue through Sunday afternoon, April 24, 2022 at 2:30PM at The York’s temporary home, The Theatre at St. Jeans (150 East 76th Street, between Lexington and Third Avenues). Opening Night is Thursday evening, April 7, 2022 at 7:00PM.
The York Theatre Company, out of an abundance of caution and safety due to a recent COVID outbreak, has POSTPONED performances of the world premiere presentation of Penelope, or How the Odyssey Was Really Written.
The York Theatre Company will present the world premiere of Penelope, or How the Odyssey Was Really Written, a new musical comedy with book & lyrics by Peter Kellogg (York’s Desperate Measures), and music by Stephen Weiner (The Rivals), directed and choreographed by Emily Maltby (York’s Lolita, My Love).
The York Theatre Company will present the world premiere of Penelope, or How the Odyssey Was Really Written, a new musical comedy with book & lyrics by Peter Kellogg (York’s Desperate Measures), and music by Stephen Weiner (The Rivals), directed and choreographed by Emily Maltby (York’s Lolita, My Love), with music direction and orchestrations by David Hancock Turner.
The York Theatre Company will present the world premiere of Penelope, or How the Odyssey Was Really Written, a new musical comedy with book & lyrics by Peter Kellogg and music by Stephen Weiner, directed and choreographed by Emily Maltby.
Seattle Theater Writers Seattle's theater reviewers circle announces the Winners of Excellence in Seattle theatrical productions. Spanning dozens of theater companies and productions, from large and prominent to small and humble, the Gypsy Rose Lee Awards honor the excellence found across the area.
Seattle's critics' circle announces nominees for the 2020 Gypsy Rose Lee awards celebrating excellence in Seattle theatrical productions.
Dear Readers, when seeing the west coast premiere of Christina Ham's "Nina Simone: Four Women", currently at the Seattle Rep, if you're expecting a light, jukebox musical about the works of Nina Simone then you may be disappointed and you probably don't know much about Nina Simone in the first place as you couldn't really call her style "light". But what you are in for is a searing look at how Simone branched out from American Songbook covers to her own distinct style of songs that spurred the civil rights movement.
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