Review: 4.48 PSYCHOSIS, Royal Ballet & Opera
The idea that “art is not a mirror but a hammer” has been attributed to Bertolt Brecht, deployed by Leon Trotsky and could serve as the epitaph for Sarah Kane’s repertoire, not least her final work.
Date of Birth: February 10, 1898
Date of Death: August 14, 1956 (58)
Birth Place: Augsburg, GERMANY
The idea that “art is not a mirror but a hammer” has been attributed to Bertolt Brecht, deployed by Leon Trotsky and could serve as the epitaph for Sarah Kane’s repertoire, not least her final work.
Alan Cumming's second season as artistic director will feature the world premiere of SUPERNOVA starring Cumming and Ewan McGregor, plus new productions of ABSENT FRIENDS and 9 TO 5, and two new plays in the studio.
Non poteva avere un inizio migliore la nuova stagione 2026/27 del Teatrosophia.
A surreal and beautifully acted adaptation of Blindboyboatclub's short stories at the Abbey Theatre that shines with theatrical ambition despite a taxing runtime.
Four of New York State's leading opera organizations—The Glimmerglass Festival, Opera Saratoga, Finger Lakes Opera, and Seagle Festival—will present their collaborative production of the Kurt Weill jazz musical in Manhattan at Kaufman Music Center.
Brokentalkers and Andy Smith present a live, immersive gallery installation that resists standard theatrical classification at Dublin Theatre Festival.
Douglas Goodhart and Raymond Bokhour star in the world premiere of a new musical comedy about revolution and fame, adapted from a 1928 Soviet-era play and directed by John Christian Plummer.
Singer and composer Ute Lemper released the multilingual peace project MOTHERS, featuring one original song performed across 17 languages and cultures in recognition of International Day of Peace.
Artemisia LeFay performs Weimar-era cabaret with double bassist Clayton Thompson and pianist Renée Guerrero, exploring how artists responded to 1920s and 1930s political upheaval through works by Brecht, Weill, and others.
Coque Malla se convierte en Mackie Navaja en LA ÓPERA DE LOS TRES CENTAVOS, la obra de Bertolt Brecht y Kurt Weill que combina música, humor negro y crítica social y podrá verse en el Teatro Infanta Isabel hasta el 1 de noviembre.
Leonard Bernstein and Kurt Weill write great tunes and tell terrific stories in brilliant debut twin productions by Opera Prelude
NYU Skirball has revealed its 2026-27 season.
Kaatsbaan Cultural Park will present Playwrights' Platform, a live anthology of new short plays, on its outdoor Meadow Stage and in the Black Box Theater as part of its Annual Festival.
Drama professor, historian, director, and writer Amnon Kabatchnik has penned a new book in his reference series, Bloody Broadway: Plays of Menace, Murder, and Mystery, Volume II.
Luna Stage and Richard Jordan Productions bring MRS.
Jermyn Street Theatre and Glass Mask Theatre announced full casting for the UK premiere of Simon Stephens' A SLOW FIRE, with Ross Gaynor, Fionn Ó Loingsigh, and Ian Toner reprising their roles from the Dublin production.
Katherine McIndoe will star in a double bill of one-woman operas at Charing Cross Theatre, performing Kurt Weill's SEVEN DEADLY SINS and Poulenc's THE HUMAN VOICE in a limited 10-performance run.
The American Composers Orchestra (ACO) will release its next album, America in Weimar: On the Margins.
Kaatsbaan Cultural Park announced its 2026 Annual Festival in Tivoli, NY, featuring three consecutive Saturdays of dance, music, and storytelling curated by Michèle Steinwald, with performers including Valerie June, Calpulli Danza Mexicana, and EVIDENCE.
Artemisia LeFay's new show, IT'S ALL A SWINDLE, plays 6/16 at Don't Tell Mama and 10/8 at the Laurie Beechman in NYC.