At the 78th Annual Tony Awards, Justin Peck and Patricia Delgado took home a Tony Award for 'Best Choreography' for their outstanding work on Buena Vista Social Club. After leaving the stage at Radio City Music Hall, they checked in with BroadwayWorld's Richard Ridge to share their initial reaction!
Oakland Ballet Company has announced the program for its fourth Dancing Moons Festival, an annual celebration of Asian American and Pacific Islander artists.
American Repertory Ballet presents Classic Beauty: An All-Tchaikovsky Program featuring excerpts from Swan Lake and The Sleeping Beauty at the New Brunswick Performing Arts Center, March 8-10, 2024. Experience timeless ballet masterpieces with renowned music and expressive characterizations.
The American Dance Guild Festival returns to Ailey Citigroup Theater from Feb. 22-25, featuring works by 30 contemporary choreographers and honoring Joan Miller, Ron K. Brown/Evidence, and Celia Ipiotis/Eye on Dance. Don't miss this celebration of modern dance innovation.
Philadelphia Ballet has announced the addition of two new leading dance educators to the School of Philadelphia Ballet: Jessica Kilpatrick and Andrea Long. Kilpatrick, formerly Principal of Children's and Adult Programs at the School, re-joins the faculty as Principal, Lower School & Adult Programs.
The Fellowship Cultural Arts Center in Basking Ridge welcomes New Jersey Ballet to the stage for a Mixed Repertory featuring Pas de Deux by George Balanchine and Christopher Wheeldon. The show will run May 14 and 15 for an evening and matinee performance.
Texas Ballet Theater has announced the appointment of Elise and Rhodes Elliott, retired Houston Ballet dancers, to faculty and staff positions within Texas Ballet Theater School. Elise Elliott will join TBT as School Business Manager and Rhodes Elliott will be the new Advanced and Professional Training Division Instructor.
NEXT WEEK, Nov. 30 through Dec. 6, the 2020 ADG Virtual Festival will stream WEEK EIGHT, a tribute to Garth Fagan, Martha Myers and the Thunderbird American Indian Dancers/Louis Mofsie, honorees at American Dance Guild Festival 2017 - 'Celebrating Diversity.'
Chamber Dance Project, Washington's premier contemporary ballet company, presents New Works 2020 (& beyond). Chamber Dance Project reaches beyond the stage-and the expected-to present virtual performance events that showcase our artists with exciting new dimensions of innovation and intimacy.
Gibney, the New York-based dance and social justice organization, announced the appointment of Alexandra Wells as Senior Director of Training and Company Advisor, effective July 1.
From Paris to Palestine, from dancing in the Ballet Russes to commissioning Ravel's Boléro, Ida Rubinstein's career as a dancer and impresario saw her working with artists such as Diaghilev, Nijinsky and Debussy. But despite her varied career and her fame in her own time, her name is all but forgotten whilst her contemporaries live on in memory. Now Naomi Sorkin, an actor and former ballerina recounts the Russian heiress' dramatic life: her scandalous Salomé that lead her embarrassed family to commit her to an asylum, her rise to the heights of fame in Paris, her bisexual love affairs, the assassination of her long-time lover Lord Moyne, and her work as a nurse in both World Wars. Ida Rubinstein: The Final Act combines text, movement, music, projections and film to evoke a long-gone era of theatrical extravagance.
Works & Process, the performing arts series at the Guggenheim, presents The Washington Ballet: Julie Kent with Dana Genshaft and Ethan Stiefel on Sunday, March 10 and Monday, March 11, 2019 at 7:30pm.
Internationally renowned Ballet Nacional de Cuba returns to the Opera House stage showcasing their extraordinary talent in two ballets, May 29-June 3. Artistic Director Alicia Alonso's definitive staging of the romantic classic Giselle anchors the engagement, May 31-June 3, and its acclaimed version of Don Quixote is performed May 29-30. The performances mark the 40th Anniversary of the company's landmark U.S. debut at the Kennedy Center. All performances will be accompanied by the Kennedy Center Opera House Orchestra.
Internationally renowned Ballet Nacional de Cuba returns to the Opera House stage showcasing their extraordinary talent in two ballets, May 29-June 3. Artistic Director Alicia Alonso's definitive staging of the romantic classic Giselle anchors the engagement, May 31-June 3, and its acclaimed version of Don Quixote is performed May 29-30. The performances mark the 40th Anniversary of the company's landmark U.S. debut at the Kennedy Center. All performances will be accompanied by the Kennedy Center Opera House Orchestra.
Memoirs of Blacks in Ballet (MoBB), curated and founded by Theresa Ruth Howard, is an online digital platform that looks to preserve the history and tell the stories and contributions of Blacks in ballet. It also serves as a call for advocacy for diversity in the training and careers in the field of ballet. Ms. Howard and MoBB are pleased to announce the launch of And Still They Rose: The Legacy of Black Philadelphians in Ballet- an online video series that tells the stories of three great trailblazers: Judith Jamison, Joan Myers Brown, and Delores Browne.
Celebrating innovation and diversity in American ballet, the Kennedy Center presents the return of its weeklong Ballet Across America series, April 17 and April 19-23, for seven performances in the Opera House. Last seen in 2013, and illustrating the most exciting, creative dance happening across America today, this season's engagement explores new directions in the art form through programs curated by two of the biggest superstars in the ballet world: dancer-choreographer Justin Peck and principal dancer Misty Copeland.
Instead of the usual gala fare -- bits of firecracker variations and pieces of ballet classics -- Sergei Danilian's 'Ardani 25 Dance Gala' at New York City Center, August 19 and 20, is classic Danilian. The intrepid impresario, who has never side-stepped risk, will celebrate Ardani Artists's quarter century of producing in the United States and abroad with a trio of U.S. premieres, two by young, unknown, but up-and-coming Russian choreographers, and one by American Ballet Theatre principal Marcelo Gomes.