Allie Huff News

Who'd have thought that a play written in 2000 and based upon a work by Aeschylus from 463 BC (give or take a year or two) would prove to be so timely in the 21st Century? Yet that is exactly what Big Love, a play by Charles Mee, directed by Amanda Card and produced by Tamara Todres, Kristin McCalley and Clayton Landiss, has proven in six performances at a former Methodist Church in Inglewood, delivering a production that challenges preconceived notions about a myriad of issues, ranging from sexism, racism and any number of other "isms" that punctuate our current conversation.

GOOD MORNING, THEATERATI! Down in the right-hand corner of my computer screen, it tells me that its Friday, May 19 - which means that Memorial Day Weekend is just a week away! - how in the world did we make it from New Year's Day to Memorial Day in what seems to me to be like 15 minutes? When you figure that out, please give me a heads-up so I can better prepare for Christmas shopping! And that, of course, has me wondering what shows we'll be seeing during the next holiday season which, in turn, prompts me to ask the musical question: What's your favorite Christmas or holiday-themed stage offering?

Spring is here! Why doesn't my heart go dancing? Well, Mr. Lorenz Hart, personally, we are too damn busy with creating the magic of live theater: We're directing a show (Daddy's Dyin'…Who's Got the Will? opens next week - April 20 - at The Larry Keeton Theatre in Donelson, thank you very much) and trying to make it out to see as much theater in Nashville as possible before old age takes its toll - it's tough out there for a theater critic!

Actors Bridge Ensemble - Nashville's most forward-thinking and cutting-edge professional theater company - teams up once again with Belmont University Department of Theatre and Dance to celebrate their tenth anniversary as artistic collaborators with Jessica Dickey's The Amish Project, a moving and provocative presentation that allows the two companies' strengths to be fully on display, giving audiences much to consider in the post-show haze of introspection and remembrance.

Have you decided on your Halloween costume yet? You better get to work since it's only four days until the big night is upon us and you won't want to caught with your pants down, so to speak. May we respectfully suggest a trip to your local, neighborhood theater? Not only will you be entertained, transformed and transported - we're willing to be on this happening - but you'll also probably get some great costume ideas in the process! And there is the added bonus that the theater company might be in the business of renting out costumes which would make your efforts even easier than you first thought…

Johnna Adams is a consummate storyteller: employing fantasy and fiction, conjecture and supposition, she weaves together a tale that is at once intensely intriguing and enormously off-putting, using her skill as a writer to transport her audience to an otherworldly place that exists only in her imagination and, perhaps, in the woods and hollows of north Georgia.

'Spring is here! Why doesn't my heart go dancing?' - or at least to the theater to be transported to a different world, another time and place where life is transformed and magic happens before your very eyes...

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

David Lee directs an ensemble of actors which includes 2015 First Night Honoree Wesley Paine, along with Allie Huff, Alexandra Chopson, Brooke Gronemeyer, Becky Wahlstrom and Taylor Chew. The understudy cast is made up of Fiona Soul, Tessa Bryant, Sadie Andros, Morgan Conder, Nettie Kraft and Amanda Bell.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

David Lee directs an ensemble of actors which includes 2015 First Night Honoree Wesley Paine, along with Allie Huff, Alexandra Chopson, Brooke Gronemeyer, Becky Wahlstrom and Taylor Chew. The understudy cast is made up of Fiona Soul, Tessa Bryant, Sadie Andros, Morgan Conder, Nettie Kraft and Amanda Bell.

Nate Eppler is, arguably, the best playwright now pursuing his art in Nashville - and with his latest work, Good Monsters, opening tomorrow night at TPAC's Andrew Johnson Theatre, he finds himself squarely back in the spotlight. It is, after all, the world premiere production of his newest, perhaps most controversial and provocative, play.

Nashville Shakespeare Festival kicked off its 23rd year of Shakespeare in the Park on Thursday, August 19, with the opening night of Love's Labor's Lost at Centennial Park. Photographer Rick Malkin, one of Nashville's busiest artists, captured some of the highlights of opening night with his camera, sharing them with Nashville.BroadwayWorld.com.