In the Shakespearean canon, ALL’S WELL THAT ENDS WELL defies categorization; it doesn’t neatly fit alongside Shakespeare’s comedies, tragedies, or history plays. Read our critic's review!
As literary events converge with National Poetry Month in April and World Book Day and William Shakespeare's Birthday on April 23, Chicago Shakespeare Theater is celebrating with productions and programs onstage, online, and in classrooms across the country.
Chicago Shakespeare Theater announces the cast and creative team for the upcoming production of William Shakespeare’s All’s Well That Ends Well, staged by acclaimed director Shana Cooper.
It was another beautiful day up The Hill. Today’s picnic menu included canned cocktails (they’re better than you’d think), fried chicken and cholate mousse tort from an area café. It did not, unfortunately, include any Cognac.
Tonight’s festivities are especially exciting, James DeVita’s “An Improbable Fiction”! Six improbable Shakespearean characters hang out at The Boar’s Head Tavern during the plague
Vassar & New York Stage and Film have announced additional casting for the highly anticipated 35th Powerhouse Season in Poughkeepsie, NY, which continues through Sunday, July 28.
American Repertory Theater (A.R.T) at Harvard University, under the leadership of Terrie and Bradley Bloom Artistic Director Diane Paulus and Executive Producer Diane Borger, has released additional production photos of the acclaimed Oregon Shakespeare Festival production of Othello directed by Bill Rauch, playing now through February 9 at the Loeb Drama Center in Cambridge, MA.
The Oregon Shakespeare Festival production of Othello began previews at A.R.T. on Sunday, January 13 at the Loeb Drama Center, 64 Brattle Street, Cambridge, MA. It opens tonight, January 18, and plays through February 9. Tickets on sale now: online at americanrepertorytheater.org, by phone at 617.547.8300, and in person at the Loeb Drama Center Ticket Services Offices (64 Brattle Street, Cambridge).
American Repertory Theater (A.R.T) at Harvard University, under the leadership of Terrie and Bradley Bloom Artistic Director Diane Paulus and Executive Producer Diane Borger, announces the cast and creative team for Othello by William Shakespeare. The first Shakespeare production from the Oregon Shakespeare Festival (OSF) to play the east coast, the acclaimed staging by award-winning director Bill Rauch begins previews Sunday, January 13; opens Friday, January 18; and closes Saturday, February 9, 2019 at the Loeb Drama Center in Cambridge, MA.
The Oregon Shakespeare Festival invites audiences to enjoy two plays by William Shakespeare-plus one about saving his words and securing his legacy-under the stars when its flagship outdoor theatre opens the weekend of June 15-17, 2018. The Allen Elizabethan Theatre will feature Romeo and Juliet, directed by Damaso Rodriguez; Lauren Gunderson's The Book of Will, directed by Christopher Liam Moore; and Love's Labor's Lost, directed by Amanda Dehnert. Previews begin June 5, and all three shows will run through the weekend of October 12-14.
From internationally-celebrated novel, to world-premiere stage adaptation, to groundbreaking online event. Late Chilean author/poet Roberto Bolaño's 2666, co-adapted and co-directed by Goodman Theatre Artistic Director Robert Falls and Chicago-based playwright Seth Bockley, is now streaming.
The Tony Award-winning Oregon Shakespeare Festival will launch its 83nd year with preview performances beginning on February 16. The 2018 season officially kicks off Friday night, February 23, in the Angus Bowmer Theatre with Shakespeare's Othello (director, Bill Rauch). On Saturday afternoon, Shakespeare's Henry V (director, Rosa Joshi) opens in the Thomas Theatre, and the West Coast premiere of Kate Hamill's adaptation of Jane Austen's novel Sense and Sensibility (director, Hana S. Sharif) opens that evening in the Angus Bowmer Theatre. On Sunday afternoon, Karen Zacarias's Destiny of Desire (director, Jose Luis Valenzuela) will be staged in the Angus Bowmer Theatre.
General ticket sales are underway for the Oregon Shakespeare Festival's (OSF) 83rd season, which begins with the first preview on Feb. 16 and continues through Oct. 28. The 2018 season features four plays by William Shakespeare, a re-imagined classic musical, two West Coast premieres, one U.S. premiere and two world premieres as well as a host of events and opportunities to further engage with the onstage works.
OSF's journey through Shakespeare's history tetralogy marches on with the second part of Henry IV joining the repertory, with previews beginning July 4. Once again, the Festival's intimate Thomas Theatre will play host to the political intrigue of early 15th-century England.
The Tony Award-winning Oregon Shakespeare Festival will launch its 82nd year with preview performances beginning on February 17, and the season officially kicks off Today night, February 24, in the Angus Bowmer Theatre with Shakespeare's Julius Caesar (director, Shana Cooper).
The Tony Award-winning Oregon Shakespeare Festival will launch its 82nd year with preview performances beginning on February 17, and the season officially kicks off Friday night, February 24, in the Angus Bowmer Theatre with Shakespeare's Julius Caesar (director, Shana Cooper).
This week, we go around our Broadway World to feature stories in Delaware, Cleveland, San Diego and more. Check out our top 10 stories around our Broadway World below, which include THE WAR OF THE ROSES in Delaware, ALL THE WAY at Cleveland Play House, and OCTOBER SKY at The Old Globe, just to name a few.
The Guthrie's well cast, wittily directed, beautifully costumed production of a new adaptation of one of Jane Austen's beloved novels is a delightful concoction, firmly set in period but updated to our time in terms of thematic emphasis. This upbeat show is well worth a visit, even if you are someone who finds the marriage plot kind of a yawner, usually.
Playing Dashwood sister Marianne, Alejandra Escalante gives a delightful, no nonsense interview in 6 Questions & a Plug -- just as you'd expect from SENSE & SENSIBILITY.