Alan Edwards News

'It's Only A Play,' is co-directed by Kevin Cahoon and Colin Hanlon and takes to the stage at George Street Playhouse on November 30, running through December 19, 2021.

George Street Playhouse announces 'No People Like Show People' ticket pricing for theater industry members for its latest production, It's Only A Play by award-winning playwright and Broadway legend Terrence McNally. 

George Street Playhouse will continue their return to in-person performances with “It’s Only A Play”, by award-winning playwright and Broadway legend Terrence McNally.  This hilarious work is co-directed by Kevin Cahoon and Colin Hanlon.

New City Music Theatre will welcome celebrated singer and Tony nominee Liz Callaway to the cast of their one-night only production of Songs for a New World. Callaway joins a host of Broadway and rising stars for the exclusive event at Radial Park at Halletts Point in Astoria, Queens on Thursday, August 26 at 7:30pm.

Last seen in the title role of Aladdin, Telly Leung (he/him) lends his talents to “The World Was Dancing” for the evening. Another Aladdin alum, Michael James Scott (he/him) will take on the soaring, penultimate number “Flying Home” before returning to the New Amsterdam this fall. Following her recent turn in the Broadway company of Wicked, Tony nominee Nancy Opel (she/her) will show off her comedic chops in “Just One Step,” while Bre Jackson (The Color Purple, The Book of Mormon; she/her) gives voice to “The Flagmaker, 1775.”

George Street Playhouse has announced casting for 'It's Only A Play', directed by Kevin Cahoon. This hilarious work by award-winning playwright Terrence McNally. Streaming will begin June 15 and will run through July 4, 2021.

George Street Playhouse has announced the production of “It’s Only A Play”, directed by Kevin Cahoon. Filled with sharp wit, ridiculous sight gags and a dash of Broadway magic, this is one play that is sure to keep you laughing until the end. Streaming will begin June 15 and will run through July 4, 2021.

It's Not That We Don't Exist the podcast is about to hit 100 episodes, but before that milestone, we are pleased to present a brand new mini-series entitled 'Changing the Landscape: Examining Race in Theatrical Design.'

YALE SCHOOL OF DRAMA introduces the 2020 Class of scenic, costume, lighting, sound, and projection designers, who matriculated this week. A showcase of these artists' work will be held in New York when conditions allow. More information will be shared online at drama.yale.edu/designshowcase2020 when possible.

In David Mamet's book On Directing Film, he breaks down the way a linear narrative can be conveyed by placing images in direct contrast to each other. a?oeThe dream and the film are the juxtaposition of images in order to answer a question.a?? Certainly, with a majority of the action taking place upstage of a scrim and the fusion of filmed and live material, ArtsEmerson's Detroit Red, an original play by Will Power about Malcolm X's early adult life in Roxbury, leaves one feeling more as though one has watched a movie or woken from a dream than sat through a performance. Recently, I also saw Gloria: A Life, which is playing at the American Repertory Theatre. While I admittedly found the show to be trite and pandering, it obtusely fused projection effects with live performance in a way that felt cheap, gimmicky, and more like a new SnapChat filter than anything else. Contrast that with Ari Herzig's film work for Detroit Red, which snaps the audience effectively between viewpoints in black and white and splays broad images across the haziness of Adam Rigg's nondescript set. The success of the production lies in the success of the filmed elements, which establish a framing device, pinpointing the action to an exact moment in time. Additionally, the projections act as effective abstractions, allowing the actors to waver between realism and poetry as photos of their faces appear as oversized watermarks in space. Lighting designer Alan Edwards equally contributes to the cinematic feel of the piece. Sharp shafts of light slice through open space and act, ingeniously, as the camera lens might in film, focusing our attention on specifics and the relevant details. Aside from a few extraneous hat changes for the three actors who take on all the roles in the piece, between the work of Herzig, Rigg, and Edwards, the performance seems to be a study in the logistics of jump-cuts or cross-fades in real time. Adding to the film-instead-of-theatre feeling in the space, the performance actively roused and engaged the audience, which had a huge swathe of Boston school groups present. The crowd felt comfortable verbalizing responses, in part, because of our physical separation from the action presented to us, and to be able to laugh, cheer, gasp, and grimace in solidarity with those around you is a rare treat.

Cincinnati Playhouse in the Park will begin the 2019-2020 season with the vibrant one-act musical, ONCE ON THIS ISLAND on Sept. 7 in the Marx Theatre. The production will run through Oct. 6, with opening night on Sept. 12.

The Acting Company presents Measure for Measure, playing through August 24, 2019 at the Duke on 42nd Street (229 W. 42nd Street), with opening night for both plays set for Sunday, July 28, 2019.

The Acting Company has announced the 2019 Summer Repertory Season, along with complete casting and creative teams. Native Son and Measure for Measure will play July 14 through August 24, 2019 at the Duke on 42nd Street (229 W. 42nd Street), with opening night for both plays set for Sunday, July 28, 2019. Single tickets and subscription packages are on sale now.

The Acting Company announces the cast and creative teams for its 2019 Summer Repertory Season. Native Son and Measure for Measure will play July 14 through August 24, 2019 at the Duke on 42nd Street (229 W. 42nd Street), with opening night for both plays set for Sunday, July 28, 2019. Single tickets and subscription packages are on sale now.

YALE SCHOOL OF DRAMA (James Bundy, Dean; Victoria Nolan, Deputy Dean) has announced the inaugural Yale Design Showcase, May 13-15 at 149 York Street, New Haven, Connecticut: an opportunity for theater professionals to visit the campus and meet the 2019 Class of scenic, costume, lighting, sound, and projection designers, and to see their work up close.

Judy Holliday, the iconic star of stage and screen, comes alive at 59E59 Theaters in show that will keep you enthralled from the first minute to the last. The New York premiere of 'Smart Blonde,' written by Willy Holtzman and directed by Peter Flynn, stars a fabulous cast of four.

59E59 Theaters presents the New York premiere of Smart Blonde written by Willy Holtzman and directed by Peter Flynn. Produced by MBL Productions and Mary J. Davis in association with Judith Manocherian LLC.

59E59Theaters presents the New York premiere of Smart Blonde written by Willy Holtzman and directed by Peter Flynn. Produced by MBL Productions and Mary J. Davis in association with Judith Manocherian LLC, Smart Blonde begins performances Saturday, March 16, 2019 for a limited engagement through Saturday, April 13, 2019 at 59E59 Theaters (59 East 59th Street, between Park and Madison Avenues).

59E59Theaters presents the New York premiere of Smart Blonde written by Willy Holtzman and directed by Peter Flynn. Produced by MBL Productions and Mary J. Davis in association with Judith Manocherian LLC, Smart Blonde begins performances Saturday, March 16, 2019 for a limited engagement through Sunday April 13, 2019 at 59E59 Theaters (59 East 59th Street, between Park and Madison Avenues).

Next up in Kansas City Repertory Theatre's 2018/2019 season is the multiple award-winning Off-Broadway hit SCHOOL GIRLS; OR, THE AFRICAN MEAN GIRLS PLAY, written by Jocelyn Bioh and directed by KCRep's Artistic Associate/Resident Director, Chip Miller. Bioh's hilarious reimagining of Tina Fey's Mean Girls story is a once joyful and heartbreaking, bitingly funny, and poignant. SCHOOL GIRLS, running February 22 through March 17, 2019, at Copaken Stage, is a loving exploration of the real lives of young African women trying to negotiate the confusion around Western ideas of beauty.