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Up On the Marquee: WHAT THE CONSTITUTION MEANS TO ME

Up On the Marquee: WHAT THE CONSTITUTION MEANS TO ME

by Walter McBride — February 20, 2019

The Clubbed Thumb, True Love, and New York Theatre Workshop production of What the Constitution Means to Me will come to Broadway this spring for a 12-week limited engagement, beginning performances at the Helen Hayes Theater (240 W 44th Street, New York, NY) on March 14, 2019, with opening night sc

Broadway's THE BOYS IN THE BAND Recoups

Broadway's THE BOYS IN THE BAND Recoups

by Julie Musbach — July 16, 2018

Producers David Stone, Scott Rudin, Patrick Catullo, Aaron Glick, and Ryan Murphy have announced that the hit Broadway production of Mart Crowley's groundbreaking play, THE BOYS IN THE BAND, has recouped its $3.

Musical Theatre Factory Announces 2017-2018 Season Lineup

Musical Theatre Factory Announces 2017-2018 Season Lineup

by A.A. Cristi — September 11, 2017

Now in its fourth year of operation, and its second season as a Resident Company of Playwrights Horizons, Musical Theatre Factory (MTF), announces its full season of programming for the 2017-2018 Season.

Musical Theatre Factory Presents THE DISAPPEARING MAN Folk Opera This Weekend

Musical Theatre Factory Presents THE DISAPPEARING MAN Folk Opera This Weekend

by BWW News Desk — January 19, 2017

Musical Theatre Factory, under the direction of Artistic Director, Shakina Nayfack, has announced that it will present four developmental presentations of THE DISAPPEARING MAN, a new folk opera with book, music and lyrics by Jahn Sood, direction by West Hyler and musical direction by Max Mamon, toda

MTF to Rock Out at Joe's Pub with Discount Ghost Stories' WELL WORN WORDS

MTF to Rock Out at Joe's Pub with Discount Ghost Stories' WELL WORN WORDS

by BWW News Desk — January 18, 2017

Musical Theatre Factory, under the direction of Artistic Director, Shakina Nayfack, has announced that it will present Discount Ghost Stories' WELL WORN WORDS, a new rock musical with book, music and additional lyrics by Alexander Sage Oyen and book, archival research, and adapted text by Jessica Ka


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