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TIME WARP WORLD Announces Houston Launch This Halloween

In a countdown to Halloween 2021, Time Warp World announces an exclusive one-night-only debut engagement at Silver Street Studios in Houston, TX on Saturday, October 30th. An extremely limited number of tickets are now available starting at $45.

BWW Review: NINA SIMONE: FOUR WOMEN at Berkshire Theatre Group Provides an Eye Opening, Powerful, Stirring, and Unique Theatrical Experience.

Director and Choreographer, Gerry McIntyre says, “At a time when people are feeling the need to do something in our hurting world but don’t know how to start, this production is an incredible reminder that you just need to take the first step. Or write the first note. Nina Simone: Four Women meditates on Nina Simone’s transition from a singer to an activist.'

The Tank Presents SMARTPHONE LOVE

After a long year and a half of theater venues being closed, The Tank is returning to in-person shows, 'Smartphone Love' being one of them. The play is so relevant to 2021, being a love story that is occurring during the peak of the Covid-19 pandemic.

Morristown Jazz & Blues Festival Returns On September 18

The annual Morristown Jazz & Blues Festival returns to the Green on Saturday, September 18, from noon until 10:00 p.m. Canceled because of the pandemic in 2020, this year's free concert pays tribute to one of its founders Linda Kiger Smith and Mike Fabrizio, a longtime member of the festival committee, both of whom passed away in June.

Collaboraction Announces New Ensemble, The Light

Collaboraction, an ethno-diverse social justice organization that uses theater and performance to incite social change in Chicago, announces The Light, a radical new program dedicated to recruiting, mentoring, introducing and inspiring exceptional Chicago youth artists and activists over the course of a full year.  

BWW Reviews: Santa Fe's Back with a MIDSUMMER Treat and a LORD-ly Mishap

There are a number of parallels between the two operas I saw in Santa Fe (NM) this past weekend: The Benjamin Britten/Peter Pears treatment of Shakespeare’s A MIDSUMMER NIGHT’S DREAM and the world premiere of the John Corigliano/Mark Adamo THE LORD OF CRIES. The first was, for me at least, an all-around, marvelous success, while the other was a disappointment.

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