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A beautifully asynchronous and turbulent super-organism, Impermanence opened its weekend at the Kennedy Center’s Eisenhower Theater on April 16th.

Bette Midler has released another parody song, this time focusing on Donald Trump's new cologne line. Watch here!

Taylor Louderman and husband Brooks Toth have announced via social media that they are expecting their second child.

In 2022 BARRACKING FOR THE UMPIRE graced the stage, presenting a new perspective on Aussie rules football. Returning in 2024, the world may not have changed much, but with two AFL premiership players forced into early retirement this year by concussion issues, the play puts forth a poignant voice of reason against the passion from the crowd.

En el marco del programa Música Inbal en los museos, dentro del ciclo Jazz y algo más…, organizado por la Secretaría de Cultura federal y el Instituto Nacional de Bellas Artes y Literatura (Inbal), se llevará a cabo el concierto Unforgettable, Recordando a Tony Bennett, el domingo 28 de abril, a las 13:30 h, en el Museo José Luis Cuevas.

There are some albums that immediately transcend time and space, regardless of genre, while simultaneously capturing the very moment out of which they were born. It’s an incredibly difficult balance to get right, but with their third full-length, Aberdeen’s Cold Years have done just that. Listen to the album here!

Culture Lab LIC has announced the slate of programming for their 2024 season which will include several visual arts exhibits, theatrical performances, late night drag and burlesque shows, and a free outdoor live music concert series.

Academy Award-winner Steve Carell makes his Broadway debut in Anton Chekhov’s UNCLE VANYA opening tonight at The Lincoln Center Theater. Read the reviews!

RIDE THE CYCLONE is more like an eccentric Tim Burton film than a John Hughes hug fest. However, the moments of genuine humanity and sentiment keeps the show from going off the rails.

The cast has been announced for Jimmy J's genre-bending adaptation of Ovid's 1st century poem coming to The Cockpit from 16th May - 1st June 2024, reclaiming the transgender narratives that underpin so much of Greco-Roman mythology.

Italian music phenomenon Giolì & Assia are thrilled to announce their genre-bending EP, RESURRECTION (ACT I). This electrifying collection, led by powerful new single ‘God Don't Leave Me Alone’, marks a significant new chapter for the acclaimed duo. Listen to the EP here!

Something Rotten! JR. tells the story of two brothers who set out to write the world’s first musical in this hilarious mash-up of sixteenth-century Shakespeare and twenty-first-century Broadway.

The American Theatre Guild will present the new production, MOMIX: ALICE. This production is part of the 23–24 BROADWAY IN TOLEDO Series and will take the Stranahan Theater stage Tuesday, May 14, 2024 at 7:30 p.m.

On Saturday, May 11, at 5PM at The Sanctuary of Brick Presbyterian Church, the Sebastians will present The 24 Violins Cross the Alps.

Tell Me Why U Do That,” the debut single from breakthrough guitarist, songwriter and bandleader Grace Bowers and her band The Hodge Podge is now available. Produced by GRAMMY Award-winner John Osborne (Brothers Osborne), the infectious single was written by Bowers, Osborne, Lucie Silvas, Meg Mcree and Ben Chapman. Watch the video here!

What I am about to share with you is an experience that I hope all theatre-goers in the Dayton area get to experience at some point in their lives. You hope that the next play or musical you attend will provide the entertainment or the emotional journey that all audiences crave.

Alice Childress' Trouble in Mind will run at The Baxter Theatre in May. Learn how to purchase tickets.

Every Brilliant Thing will run at Spring Theatre in May. Learn more about the Show and see how to purchase tickets.

I wouldn’t say that Andrew Ousley’s TIERGARTEN cabaret draws parallels between Weimar Germany—from World War I, leading up to the Nazification of the country and finally World War II—and the current political climate in the US. But you could. After all, who doesn’t love a little escapist fiddling while Rome (and other entities)—burns, here performed as part of the Carnegie Hall festival “Fall of the Weimar Republic: Dancing on the Precipice”?

Spring brings renewed energy into the year. There isn’t a better moment for the Royal Shakespeare Company’s recently appointed Co-Artistic Directors Daniel Evans and Tamara Harvey to launch their vision for the organisation. Led by a big name that will attract new audiences who are probably younger than your typical RSC crowd, we hope Love’s Labour’s Lost is setting the tone for what’s coming. If this opening is anything to go by, this upcoming era seems to be adopting Shakespeare for a contemporary audience while maintaining the reverence for the language and the pomp of tradition.