Review: ELECTRA/PERSONA, Starring Cate Blanchett and Nina Hoss
by Clementine Scott - Sep 1, 2026
In Ingmar Bergman’s 1966 Modernist classic Persona, an actress named Elisabeth breaks down mid-performance, becomes mute, and goes on to develop a strange codependent relationship with her nurse, Alma. Much ink has been spilled over the film and its varied psychological readings, but Australian writer-director Benedict Andrews takes a new tack – he poses the question of why, of all the plays, Elisabet’s breakdown should happen during Sophocles’ Electra.
Review: ROMANS, A NOVEL, Almeida Theatre
by Katie Kirkpatrick - Sep 18, 2025
Alice Birch’s Romans, a novel is an expansive portrait of literary masculinity through the ages. With an ever-shifting form, an array of subtle references, and an intricate, thought-provoking script, this is a play that many will find difficult and impenetrable. At its core, however, it’s a truly perceptive piece that understands masculinity like little else.
Review: GHOSTS, starring Victoria Smurfit and Callum Scott Howells
by Cindy Marcolina - Apr 17, 2025
Victoria Smurfit and Callum Scott Howells are the tragic mother-son duo in an exciting, tense, suspenseful adaptation. Owen shifts the script and makes this classic all about domestic abuse and the power of upper-class disdain. Rachel O’Riordan’s production is a masterclass in distilling tension and concentrating it without frills or games. It’s an emotionally challenging experience, pure theatre.
Review: KING LEAR, Almeida Theatre
by Alexander Cohen - Feb 16, 2024
Yaël Farber described King Lear as theatre’s Everest. If that’s true, then they might just have scaled the summit.