Megan Graves

It’s clear that a tremendous amount of talent, effort, and care has gone into this telling of The Tempest, and those affiliated certainly deserve high praise. Do yourself a favor and go see this production.

On Sunday evenings this November, Cincinnati Opera will partner with 90.9 WGUC, Cincinnati's classical public radio station, to broadcast select productions from its 2022 Summer Festival. Each broadcast will begin at 8 p.m. ET. You can listen on air at 90.9 FM and online at wguc.org.

Washington, DC is never lacking outstanding theatre, whether epic Broadway shows, engrossing dramas or bold fringe offerings. BroadwayWorld is rounding up our top recommended theatre every month. Coming up in September are The Color Purple, No Place To Go, Shear Madness and more!

Dance Nation, Olney Theatre's 22-23 Season opener, is a 2019 finalist for the Pulitzer Prize in Drama by playwright and performer Clare Barron and directed for Olney Theatre by Jenna Place. The play follows a 'tweenage dance team from Liverpool, Ohio, more is at stake than a first-place trophy.' Its about the battle between self doubt and self belief as well as the devotion required in order to be truly great at something.

Dance Nation by Clare Barron and directed by Jenna Place opened Olney Theatre Center's 84th season in the Mulitz-Gudelsky Theatre Lab. The production is scheduled to run through Sunday October 30, 2022. See the actors discuss their approach to the roles here!

Dance Nation by Clare Barron and directed by Jenna Place opens Olney Theatre Center's 84th season in the Mulitz-Gudelsky Theatre Lab. Preview performances begin Wednesday, September 28.

Washington, DC is never lacking outstanding theatre, whether epic Broadway shows, engrossing dramas or bold fringe offerings. BroadwayWorld is rounding up our top recommended theatre every month. Coming up in September are The Color Purple, No Place To Go, Shear Madness and more!

This July 6 through 10, Cincinnati Opera continues its 2022 Summer Festival with two uplifting productions: the world premiere of Fierce (July 6, 9, 10 at SCPA's Corbett Theater), with music by William Menefield and libretto by Sheila Williams, and Gilbert and Sullivan's hilarious The Pirates of Penzance (July 7, 8, 10 at Cincinnati Music Hall).

Mary Seacole (1805-1881) had more skills than José Andres; in addition to establishing catering in war zones (Seacole set up a rest stop for British soldiers near the front lines during the Crimean War.), she also provided health care services during Jamaica's 1850 cholera epidemic and Panama's the following year.

Cincinnati Opera today shared updated cast, production, and schedule details for its 2022 Summer Festival, which will take place June 18 through July 31, 2022. After two seasons away, the company returns this summer to its longtime performance venues, Cincinnati Music Hall and the School for Creative and Performing Arts (SCPA).

Palm Beach Opera presented an exclusive Season Opening Celebration and intimate outdoor performance of Purcell's Baroque gem “Dido and Aeneas” at the Norton Museum Sculpture Garden on Dec. 11.

This return to the stage is also a homecoming for the cast of The Thanksgiving Play, featuring a quartet of actors returning to Olney Theatre. 

In addition to its six-play membership season, the Montgomery County institution returns with an equally busy schedule of concerts, special productions, presentations, and even more curated programming to build off of the success of its summer series: Olney Outdoors.

Olney Theatre Center took to Facebook live to announced its 2020-21 season yesterday!

Folger Theatre's Love's Labor's Lost, directed by Vivienne Benesch, compliments the uniqueness of this comedy through a delightfully funny cast and production set during the 1930's.

Mind vs. Matter. Game on. Folger Theatre concludes its 2018/19 season of characters that "shake the world" with Love's Labor's Lost, Shakespeare's quick-witted comedy filled with oaths, trickery, and confessions of love. Vivienne Benesch, the 2017 winner of the annual Zelda Fichandler Award, makes her Folger directorial debut.

Let me start this review with a comment by Olney's Artistic Director, Jason Loewith's comment in the program. 'After all my years in this business, many of them championing playwrights and new plays, it takes a lot to knock my socks off. I can count on two hands the experiences that reshaped by understanding of live theater and its possibilities. The world premiere of Ella Hickson's OIL in London two years was one of them. It is a blazingly, ambitious, as intellectually thrilling, as emotionally resonant as most the great works I've seen this century.'

The American Premiere of Ella Hickson's Oil directed by Tracy Brigden begins its Olney Theatre Center run in the Mulitz-Gudelsky Theatre Lab on February 27 and runs through March 31.  Invited Press Night is Saturday, March 2 at 7:45pm.

Political legitimacy and enduring human connections are at the forefront of a gorgeous and spare King John at the Folger Theatre. In the assured hands of Helen Hayes Award-winning director Aaron Posner, and with a dynamic and gifted cast, the production makes a powerful case for bringing King John off the shelf and onto the stage far more often.

Secret deals. Threats of mass destruction. Shifting loyalties. Folger Theatre follows its sold-out run of Macbeth with King John, Shakespeare's rarely performed history play chronicling King John's turbulent reign from 1199 to 1216.