This evening, the 2023 Helen Hayes Awards took place at The Anthem on the District Wharf, with over 1,600 theatre-makers and theatre supporters in attendance. Esteemed Washington theatre artists Naomi Jacobson, Erika Rose, Holly Twyford, and Christopher Michael Richardson hosted an evening showcasing the vibrant and diverse community of professional theatre artists in the Washington region.
Nominations have been announced for the 37th Helen Hayes Awards, which will be presented on Monday, May 22. Nominees include productions from Arena Stage, Signature Theatre, GALA Hispanic Theatre and more.
Prologue Theatre is returning to the Atlas Performing Arts Center April 28 - May 22, 2022 with The Revolutionists, Lauren Gunderson's dive into the French Revolution and Reign of Terror telling the tale of four very real women. It is a true story that is also fiction, and also a play about a play.
The compelling story of Ada Lovelace is back at Avant Bard Theater after being postponed due to the pandemic for nearly two years. Ada and the Engine by Lauren Gunderson runs approximately two hours and is set in the midst of the British Industrial Revolution surrounding Ada (Dina Soltan), a young scientist/mathematician, and Charles Babbage (Matthew Pauli), her intellectual soul mate. Both Ada and Charles play a fundamental role in the creation of an “Analytical Engine”, the first resemblance of what a computer would be. While it was Charles who invented this powerful, calculating machine, it was Ada who gave it life and a soul by programming it.
This is the last chance to vote for the 2021 BroadwayWorld Washington, DC Awards! The 2021 Regional Awards honor productions which had their first performance between October 1, 2020 through September 30, 2021.
Time is running out to vote for for the 2021 BroadwayWorld Washington, DC Awards! The 2021 Regional Awards honor productions which had their first performance between October 1, 2020 through September 30, 2021.
The adaptation is a 90-minute version with a music score excerpted from the 1960's and 70's pop songbook. It is among the first professional live theatre productions in the DC area next month.
It doesn't get more site-specific than this, people: Solas Nua's doing a play called In the Middle of the Fields in the middle of a field! Starring as the field, P Street Beach; who knew she's been waiting for her close-up as a legit house all this time?
Tonight, at a celebration honoring theatre excellence on stages across the Washington area, theatre artists, administrators, patrons, and special guests gathered in the National Theatre's Helen Hayes Gallery for theatreWashington's announcement of nominees for the 36th Annual Helen Hayes Awards, which will be presented on Monday, May 18 at an event at the Anthem.
Avant Bard Theatre has announced the full cast for the launch of their 30th Anniversary Mainstage Season, the Avant Bard Spring Repertory. The Rep features Avant Bard's long-awaited return to Tennessee Williams with Suddenly Last Summer, directed by Artistic Director Emeritus Christopher Henley.
Arena Stage at the Mead Center for American Theater has announced the full company for the world premiere of Eduardo Machado's (Havana Is Waiting, The Cook) Celia and Fidel.
Kudos to We Happy Few artistic director Kerry McGee for researching 'obsessively' the works of female playwrights of the 17th and 18th century, and for finding one in particular that can speak to modern audiences with some verve and relevance.
We Happy Few entreats you to follow your heart in November 2019 with a scandalous play by 18th-century female playwright Elizabeth Inchbald, at Capitol Hill Arts Workshop.
Arena Stage at the Mead Center for American Theater announces select cast members for upcoming productions as part of the company's 2019/20 Season in advance of single tickets going on sale July 30, 2019.
Taffety Punk Theatre Company's Bootleg Shakespeare production HENRY VI, PART 3 is performance without a net - exciting, dangerous, riveting, and raw. Bootleg Shakespeare isn't designed to be polished or perfect, it's designed to be fresh and immediate. And it delivered. What's more amazing? The actors arrived at 10:00 am Monday with roles assigned and lines memorized. That's it. Working together under the direction of Taffety Punk Artistic Director Marcus Kyd, over the next few hours the 32 actors DIY'ed the production and were on stage in front of an audience at 7:30 pm. There were minimal props, lights, and costumes-but the red and white paper lapel flowers told us exactly what we needed to know when every epic battle scene and every word of Shakespeare's text was performed.
Swimming with Whales is joyful, funny, and surprising in all the ways that life everyday can be.
This world premiere production invites audiences into a world of healing, compassion, and renewal. While visiting his family's secluded cottage on the shores of the Atlantic ocean, Owen, a typically urban fifteen-year-old boy, and his fisherman father clash until an unlikely and healing communion with an injured whale awakens in Owen a forgotten boyhood and connection with the sea.
Olney Theatre Center brings Arthur Miller's The Crucible directed by Eleanor Holdridge (Fickle: A Fancy French Farce, Hay Fever, I and You) to the Mainstage April 18 - May 20, 2018.
Brave Spirits Theatre again provides a fresh, immediate take on a Shakespearean classic, this time with a hard-hitting production of CORIOLANUS, directed by Charlene V. Smith. Underappreciated compared to many of Shakespeare's other plays, it's particularly timely in 2018 as it explores a power struggle among great men and the masses they're supposed to serve.
BST's 2018 repertory explores war and winning from opposite perspectives. As civil unrest threatens political upheaval, the war hero Coriolanus is driven to defend and then destroy his own country. Shakespeare's last tragedy takes a piercing look at men who cannot leave war behind. Performed as part of the Women's Voices Theater Festival, The Trojan Women Project explores the timeless story of The Trojan Women to illuminate modern women's relationships to sexuality, politics, and violence. This intersectional look at American women asks why our gender isn't enough to unite us and whether we are the losers in the American Dream.
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