Eva Smith

Kentwood Players will present J.B. Priestley’s suspenseful drama An Inspector Calls directed by James Rice and produced by Lyndsay Palmer and Marty Feldman for Kentwood Players with rights secured from Dramatists Play Service. Performances take place Friday, September 15 through Saturday, October 7 on Fridays and Saturdays at 8pm, and Sundays at 2pm. Check out photos here!

'Freaky Friday' opens Theatre in the Park's 2023 OUTDOOR season on Friday, June 2 through Sunday, June 4. 'Freaky Friday' has four additional performances Wednesday, June 7 through Saturday, June 10.

30 years on from Stephen Daldry’s National Theatre debut, an inspector has called in Glasgow. Thankfully, we are delighted he is here to present this timeless theatrical masterpiece.

Remember SpongeBob Square Pants, the joyful, fun-loving, childish, and accident-prone sea sponge who starred in the Nickelodeon television series? While Kansas City is far from his ocean home, SpongeBob and his beloved friends have found their way to Theatre in the Park in “The SpongeBob Musical,” the final OUTDOOR production of the 2022 summer season!

A blockbuster season is in store for Theatre in the Park's 53rd outdoor season with five premiere musicals this summer! Never in TIP's history has the entire outdoor season featured all new productions on its stage in Shawnee Mission Park.

This was Priestley's indictment of the British class system and it is still relevant.

Theatre in the Park opens the second outdoor production of its 50th season on Friday, June 21. Performances of CHITTY CHITTY BANG BANG continue Saturday and Sunday, June 22 and 23, and Wednesday, June 26th through Saturday, June 29th.

The U.S. tour of the National Theatre's multiple award-winning production of J.B. Priestley's classic thriller, AN INSPECTOR CALLS, presented by ArtsEmerson at Emerson Cutler Majestic Theatre, features masterful direction by Stephen Daldry (who also directed the 1992 West End revival), Ian MacNeil's grand-scale set, spectacular design elements (lighting, sound, and music), as well as a sterling cast of British actors in the principal roles, making you feel as if you have crossed the pond and are in attendance at the venerable National Theatre. Written in 1945 at the end of World War II, Priestley set the action in the fictional town of Brumley, England, in 1912, when the winds of the Great War were in the offing, and these bookends provide a sociopolitical arc to the plot. Pitting the attitudes of the wealthy proponents of industrial capitalism against the socialist view of the needs of the working class, the play strikingly resonates with the current climate of privilege, income inequality, and #MeToo.

AN INSPECTOR CALLS is a gripping theatrical experience from start-to-finish. Director Stephen Daldry's breathtaking revival of J.B. Priestley's 1946 thriller had its origins in 1992 and comes to Chicago Shakespeare Theater now as part of an international tour from the National Theatre of Great Britain. Though Daldry originally conceived of this staging decades ago and Priestly has set his play in 1912, this production possesses both a timeliness and a timelessness that make it deeply impactful now.

AN INSPECTOR CALLS has been described in the Washington Post as, 'an episode of 'The Twilight Zone' wrapped in an Agatha Christie mystery,' and after seeing the show at the Wallis Annenberg Center for the Performing Arts in Beverly Hills, I must say that about sums up the play for me. Running at almost two hours without an intermission, at first it seemed to be just a bunch of talking heads yelling loudly with strong British accents – that is until the end when a Rod Serling-like phone call delivers a twist that sets the whole thing into the realm of “what just really happened?”

Dolphin Theatre's An Inspector Calls is beautifully presented, illuminating the message of exploitation by those wrapped up within the walls of social status and money in an engaging and relevant piece.

OCTA is ready to sail into its new season on the wings of the musical spoof, Ruthless! Audiences can catch all the absurd fun of the stage mother of all musicals September 15 October 1. This production comes with a bonus: two of the roles are double cast, so audiences will have the opportunity to see two sets of talented young actresses approach the same roles during the run.

OCTA is ready to sail into its new season on the wings of the musical spoof, Ruthless! Audiences can catch all the absurd fun of 'the stage mother of all musicals' September 15-October 1.

OCTA is ready to sail into its new season on the wings of the musical spoof, Ruthless! Audiences can catch all the absurd fun of 'the stage mother of all musicals' September 15-October 1.

Director Stephen Daldry's production of J B Priestly's An Inspector Calls, was first seen 24 years ago at the National Theatre in 1992 and has finally returned to London's West End after a long UK tour.

Joseph and his band of 11 brothers will rock the stage at Theatre in the Park with the energetic musical 'JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT' opening Today night, July 15.

Joseph and his band of 11 brothers will rock the stage at Theatre in the Park with the energetic musical 'JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT' opening Friday night, July 15.

Stephen Daldry's multi award-winning production of JB Priestley's An Inspector Calls makes its much-anticipated return to the West End this winter. This will mark the 70th anniversary of the first UK staging of the play and the 25th anniversary of its first appearance at the National Theatre

An evening of theater you will long remember.

Inspector Goole (Chris Genebach), already knows the answers to all his questions, yet his method, bullying confirmatory confessions out of the family members, is great theater. Until the advent of the Cockney-accented Goole, the King's English-speaking Birlings mostly fancy themselves honorable, kind, and praiseworthy. In reality, they are the beneficiaries of a caste system which, as Priestley depicts it, is a citadel against the poor, whose poverty is an inevitable outcome of the rules that the caste in the citadel impose. Goole exposes the unsavory truths of this arrangement, destroying all the Birlings' illusions of innocence in the process - perhaps, though the play also makes clear how evergreen and hard-to-eradicate such illusions are.