Emma Amos

In the early 1980s, visionary artist and Rutgers University Distinguished Professor Emerita Judith K. Brodsky set out to rectify the gender and racial inequities in the art world by establishing a print- and papermaking studio that provided visiting artists residencies primarily for women artists and artists of color.

This fall, the Zimmerli Art Museum at Rutgers University­-New Brunswick debuts a major addition to its permanent collection that offers a variety of perspectives on American art and life through a regional lens.

In the right hands, Ronald Harwood’s Olivier award-nominated tragicomedy The Dresser is poignant, hilarious and also heart-breaking. Terry Johnson’s new touring version captures the undercurrent of deep sorrow of the play in a this rather meta production about a touring theatre company.

Theatre Royal Bath is the ideal venue for Olivier Award-winning Sir Ronald Harwood’s play about a touring rep company set in “a theatre in the English provinces”, according to the programme notes. You can’t get more English than Bath, with its honey-tinged Georgian terraces and nods to Jane Austen’s bonneted Regency times.

Theatre Royal Bath Productions and Everyman Theatre Productions have announced the full tour dates for Ronald Harwood's highly acclaimed drama The Dresser starring the much loved UK entertainer Julian Clary as 'Norman' and Olivier Award winner Matthew Kelly as 'Sir'. 

Directed by Olivier Award-winning Terry Johnson, The Dresser will run at Theatre Royal Bath from 9 September 2021, before dates at Cheltenham Everyman Theatre, Theatre Royal Brighton, Norwich Theatre Royal, Cambridge Arts Theatre, Theatre Royal Plymouth, Richmond Theatre, Malvern Festival Theatre, Oxford Playhouse, Marlowe Theatre in Canterbury and newly announced– the Alhambra Theatre in Bradford and the King's Theatre in Edinburgh where the tour finishes in February 2022.

On view June 11 through October 3, For the Record features work by Emma Amos, Teresita Fernández, Helen Frankenthaler, Gertrude Käsebier, Käthe Kollwitz, Maria Martinez, Mariko Mori, Alison Saar, Mary Sibande, and Carrie Mae Weems, among others.

After the broad success of his year-long Oscar Wilde Season, Classic Spring's Dominic Dromgoole has brought the first play in that series, A Woman Of No Importance, on a national tour that kicks off Richmond Theatre's new season this week.

Classic Spring presents A Woman of No Importance which embarks on a UK tour this Autumn, following its success in London's West End.

Following the success in London's West End, Classic Spring's A Woman of No Importance will embark on a major UK tour this Autumn. The show heads to Theatre Royal Brighton from Monday 23 a?" Saturday 28 September.

An earnest young American woman, a louche English lord and an innocent young chap join a house party of fin de siècle fools and grotesques. Nearby a woman lives, cradling a long-buried secret. In A Woman of No Importance, Oscar Wilde's marriage of glittering wit and Ibsenite drama created a vivid new theatrical voice.

An earnest young American woman, a louche English lord and an innocent young chap join a house party of fin de siecle fools and grotesques. Nearby a woman lives, cradling a long-buried secret. In A Woman of No Importance, Oscar Wilde's marriage of glittering wit and Ibsenite drama created a vivid new theatrical voice.

Productions photos have been released today for Theatre Royal Bath's new adaptation of Alan Bennett's The Lady in the Van, directed byJonathan Church.

Theatre Royal Bath Productions presents Alan Bennett's The Lady in the Van, directed by Jonathan Church, beginning tonight 17 August for a run through Saturday 2 September.

Theatre Royal Bath Productions announces full casting for Alan Bennett's The Lady in the Van, directed by Jonathan Church, which today began rehearsals ahead of its run at Theatre Royal Bath from Thursday 17 August to Saturday 2 September.

Two of America's leading stage and screen actors come to Chichester this summer for Tennessee Williams' SWEET BIRD OF YOUTH, directed by Jonathan Kent. Celebrated Oscar and Tony Award-winning actor Marcia Gay Harden makes her UK theatre debut as Alexandra, and Brian J. Smith plays Chance. The production runs at Chichester Festival Theatre now through 24 June, with a press night on Friday 9 June. BroadwayWorld has a first look at the stars onstage below!

Full casting has been announced for Tennessee Williams' SWEET BIRD OF YOUTH, directed by Jonathan Kent, running at Chichester Festival Theatre from 2 - 24 June, with a press night on Friday 9 June.

March Madness is the second of two exhibitions that focus on the cultural of sport as represented in the visual arts. Curated by the duo, Hank Willis Thomas and Adam Shopkorn, this year's exhibition centers on the realm of athleticism from the perspective of women. The show features a roster of 30 artists, all women, whose artwork subvert masculine archetypes, and challenge more docile notions of femininity by highlighting the qualities of strength, fitness and agility that are characteristic of physical skill and capability. These aesthetic observations of the physical form become metaphors by which to consider broader issues about empowerment, gender roles, beauty, politics, labor, popular-culture - as well as ethnic and racial histories.

Final performances of the Young Chekhov trilogy begin this autumn in the Olivier Theatre, and The Plough and the Stars is wrapping up at the Lyttelton. In addition, previews begin in the Lyttelton for The Red Barn on 6 October (press night on 17 October), and Amadeus starts previewing in the Olivier from 19 October, (press night on 26 October).

'Thinking Pictures': Moscow Conceptual Art in the Dodge Collection September 6 to December 31, 2016 / Voorhees Special Exhibition Gallery 'Thinking Pictures' draws on one of the great strengths of the Norton and Nancy Dodge Collection of Nonconformist Art from the Soviet Union. It presents the visually provocative objects that distinguish Moscow Conceptualism from the forms associated with its namesake, the canonical oeuvres of American and British conceptual artists, in particular. This exhibition focuses on more than 40 individual artists and several collectives who lived and worked in Soviet Moscow from the 1960s to the 1990s. They were concerned with the essential task of creating an audience in an environment that lacked galleries, critics, and a viable art market but had its own institutional framework-one that privileged painting (Socialist Realism).