THE BARBED WIRE WALTZ to Debut at Salon Stolz
by Stephi Wild - Jun 7, 2026
Daniel Neer will present a concert of songs from his operetta-in-development THE BARBED WIRE WALTZ, featuring music by Robert Stolz, at Salon Stolz in Graz, Austria, the museum dedicated to the composer.
Target Margin Theater Announces 2018 Company Artists And Programs In Brooklyn
by Stephi Wild - Jan 9, 2018
Following the opening of the Company's first permanent home, Target Margin Theater has announced that 13 diverse artists, via three distinct programs, will be supported in 2018. The Company's new home, located in the Sunset Park section of Brooklyn, enables Target Margin Theater to deepen their support of the next generation of theater makers through its annual incubator LAB festival, it's five-year-old fellowship program, and its new artist-in-residency program.
Cellist Peri Mauer to Play Solo Set at Zinc Bar
by BWW News Desk - Mar 21, 2017
Cellist and composer Peri Mauer will be revisiting her composition 'Dutchess Starlight Revisited' in a solo set on cello at Zinc Bar on Wednesday, March 22nd at 7PM.
Peri Mauer To Premiere SHADOW LAKE String Quartet
by Molly Tracy - Feb 21, 2017
On Tuesday, February 21, 2017 at 7PM, composer Peri Mauer will present the world premiere of her newly composed string quartet, Shadow Lake, at St. Peter's Church, located at 619 Lexington Ave. at 54th St. in NYC.
Peri Mauer to Premiere SHADOW LAKE String Quartet Today
by BWW News Desk - Feb 20, 2017
On Tuesday, February 21, 2017 at 7PM, composer Peri Mauer will present the world premiere of her newly composed string quartet, Shadow Lake, at St. Peter's Church, located at 619 Lexington Ave.at 54th St. in NYC.
BWW Review: I Spy Prototype Festival's Chamber Opera, MATA HARI
by Richard Sasanow - Jan 16, 2017
The life and times of the spy-as-femme-fatale, Mata Hari, has always attracted the interest of film and stage artists. Now we have the Matt Marks-Paul Peers opera MATA HARI—which opened New York's fifth Prototype Festival last week and continues through Saturday the 14th—though I think of it as more of a dance than an opera. Not literally, of course, but dramatically, as a dance of death for the title character and the men (and one woman) who surround her in this compelling, though somewhat messy, work.