Brad Fryman

Outta Bounds Productions will present the World Premiere of A GROUNDBREAKING ACHIEVEMENT OF OUTRAGEOUS IMPORTANCE THAT PEOPLE SCROLL BY.

Experience the World Premiere of A Groundbreaking Achievement of Outrageous Importance That People Scroll By, Barely Impacted at Theaterlab. Learn more about the show and see how to purchase tickets.

From March 14 to 31, Theater for the New City (TNC), in association with Oberon Theatre Ensemble and Strindberg Rep, will present the 25th Anniversary presentation of 'Orson's Shadow' by Austin Pendleton, directed by the author.

HIROSHI-ME-ME-ME, written by Natalie Menna, is coming to Theater for the New City this month. Learn how to purchase tickets!

From April 27 to May 14, Theater for the New City will present an innovative August Strindberg Rep production of Strindberg's 'Creditors.' The 1888 drama will be updated to modern Long Island in this adaptation, which is newly translated and directed by Robert Greer. 

The world premiere of The Memory Exam, written by Steven Fechter and directed by Terrence O'Brien s now in previews at 59E59 Theaters in Theater C. Set to open on September 10, The Memory Exam will run through September 25, 2022. Read BroadwayWorld's interview with Fechter and O'Brien here!

It was inevitable, perhaps, that post-truth politics would seep into 21st century absurdist theater.  One sunny example is 'Occasionally Nothing' by Natalie Menna, which takes us to an upsetting time-to-come when something can become a profound, obvious nothing. 

An audience participation panel discussion show that tours one-nighters around the country debates how to get dating right.

From February 25 to March 13, Theater for the New City (TNC) will present the August Strindberg Rep production of August Strindberg's 'Dance of Death, Parts One and Two,' newly translated and directed by Robert Greer.

From February 25 to March 13, Theater for the New City (TNC) will present the August Strindberg Rep production of August Strindberg's 'Dance of Death, Parts One and Two,' newly translated and directed by Robert Greer.

It was inevitable, perhaps, that post-truth politics would seep into 21st century absurdist theater. One sunny example is 'Occasionally Nothing' by Natalie Menna, which takes us to an upsetting time-to-come when something can become a profound, obvious nothing. Life becomes the time in between the sometimes which sometimes happen.

LanDan Consulting has announced Oberon Theatre Ensemble's 'Smartphone Shorts' (Brad Fryman, Artistic Director). An evening featuring short films created during Oberon's Smartphone Workshops. The films were shot exclusively on smartphones as the ensemble negotiated its way through the pandemic.

Sweden's greatest modernist playwright, August Strindberg, returned from the Continent to Stockholm in 1906, where he lived out his last seven years. There he wrote 'The Pelican' for his Intimate Theater in 1907 and 'Isle of the Dead' (Toten-Insel) immediately after as its prologue. The latter was unpublished until 1918 and rediscovered in the early 60s, when it was found and promptly dismissed as an incomplete fragment. The two plays were finally reunited by Ingmar Bergman in a radio version in 2003. It was his last dramatic production. From February 6 to 22 August Strindberg Rep, a resident company of Theater for the New City (TNC), will bring the two plays to the stage together for the first time in history. It will also be the world premiere of new English translations of both plays by Robert Greer, Artistic Director of Strindberg Rep, who helms the production.

From August 25 to September 2, Theater for the New City's Dream Up Festival will present the world premiere of a new translation by Robert Greer of August Strindberg's 'The Father,' directed by Mr. Greer and performed by an ensemble of actors from August Strindberg Rep, who developed the piece in a workshop production last November at Gene Frankel Theatre. 

Since classical times, artists have always had to reconcile the demands of their patrons with their own artistic integrity.  In the 21st century, the patrons' demands can come from both the left and right. 'Zen A.M.,' a new comedy by Natalie Menna, illustrates the conundrum, nesting it in present-day issues of class identification, compassion, cultural identity and creative resistance.  Theater for the New City will present the world premiere of the piece May 31 to June 16, directed by Andrew Block.

Art is more than imitating life - as the expression goes - it facilities; it communicates, it combats it. Articulate Theatre Company explores the role of the artist's role in activism with the Art of Protest.

LanDan Consulting announces that Brad Fryman is taking on the title role in Robert Greer's new translation of August Strindberg's 'The Father' at Strindberg Rep.

August Strindberg Rep will present Strindberg's 'The Father,' newly translated and directed by Robert Greer, in rotation with '#MeThree,' an evening of three original short one-acts by resident playwright Natalie Menna, in rotating rep from November 9 to December 1. The two evenings are designed to enable audiences of the #MeToo era to examine the war between the sexes from both a classical and a modern perspective. Performances are at Gene Frankel Theatre, 24 Bond Street (between Bowery and Lafayette, East Village).

August Strindberg Rep will present Strindberg's 'The Father,' newly translated and directed by Robert Greer, in rotation with '#MeThree,' an evening of three original short one-acts by resident playwright Natalie Menna, in rotating rep from November 9 to December 1. The two evenings are designed to enable audiences of the #MeToo era to examine the war between the sexes from both a classical and a modern perspective. Performances are at Gene Frankel Theatre, 24 Bond Street (between Bowery and Lafayette, East Village).

It was inevitable, perhaps, that our post-truth politics would seep into 21st century absurdist theater. One sunny example is 'Occasionally Nothing' by Natalie Menna, which takes us to a dismal time-to-come when something can become a profound, obvious nothing. Life becomes the time in between the sometimes which sometimes happen. The piece won awards in Planet Connections Festivity for developmental staging's, with critics cheering the playwright for her mastery of Theater of the Absurd. Theater for the New City's Dream Up festival will present the work September 8 to 16. Ivette Dumeng directs.