by Benoit Teves - May 17, 2026
What did our critic think of INTIMI(DATING), SINGLE RIDER SONGBOOK, AND MORE at The Orlando Fringe Festival?...
by Benoit Teves - May 18, 2026
Day two of the festival brings us a not-so-high-school-musical, a magician's beef with American Airlines, and a ghost of parties past....
by Benoit Teves - May 15, 2026
Fugly dogs and an AI of a queer aunt kick off BroadwayWorld's coverage of the 35th annual fringe festival....
by Albert Gutierrez - May 14, 2026
The stage production does make a lot of strides that strengthens the endurance and popularity of this love story. It repeats iconic moments from the popular 2004 film, but isn’t aping the original screenplay in any way. A new libretto offers a fresh take that borrows the basic structure of the nov...
by Albert Gutierrez - May 03, 2026
There’s a strange dichotomy that exists in live theater. I may not like the material, but will still find reason to love its execution. And at Theater West End, they’ve culled together a company of players who help elevate the material of POTUS into a comedy that now exists thanks to their appro...
by Julie Gardieff - April 24, 2026
The Marriage of Bette and Boo is a play written by Christopher Durang, a playwright who rose to prominence in the 1980s and is best known for his absurdist comedies. His most famous work is Vanya and Sonia and Masha and Spike. ...
by Julie Gardieff - April 23, 2026
Ride the Cyclone is one of those cult musicals - shows that didn’t have much financial success in their original runs but were later adopted by theatre kids everywhere, eventually gaining viral popularity via TikTok. ...
by Benoit Teves - April 21, 2026
Paris Clayton III’s world premiere production is a compelling, historically-grounded drama that unfortunately finds itself hindered by the 'unintended insularity' of its writer-director. While the staging often feels as stuck as the characters it depicts, a standout second act offers flashes of br...
by Albert Gutierrez - April 16, 2026
We learn that the suburban fantasy is not sustainable, primarily because such a fantasy can only ever be a dream. The reality of suburban living, as told by Kimberly Akimbo, shows there is much more nuance to everyday life than the nuclear family with a white picket fence and a wholesome dinner at e...
by Benoit Teves - April 11, 2026
Orlando Shakes’ 'Bare Bard' production of Henry VI Part III is a high-stakes, dangerous, and riveting 'palette cleanser' for the theatre purist. Its scrappy, sophisticated storytelling proves all you need is a script and some 'Bare Bard' brilliance....
Past Shows
Step into the enchanting world of Florence, Italy, with Central Florida Vocal Arts’ The Light in the Piazza.
Central Florida Vocal Arts opens their twelfth season with the swashbuckling adventure Gilbert and Sullivan’s The Pirates of Penzance. This comedic classic follows a young...
This spring, Central Florida Vocal Arts brings to the stage at the Dr. Phillips Center The Secret Garden, directed by Eric Pinder. This enchanting classic...
Videos
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Serving C*nt with Sarah Hester Ross The Goldman Theatre (5/15-5/24) |
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Orlando International Fringe Theatre Festival Loch Haven Park (5/12-5/25) |
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SIX (Boleyn Tour) Dr. Phillips Center for the Performing Arts (6/02-6/07) |
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Gothic Attitude Gothic Attitude (4/16-1/16) |
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BEETLEJUICE King Center (5/24-5/24) |
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The Wizard of Oz Athens Theatre (4/16-5/09) |
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The Best Christmas Pageant Ever: The Musical Athens Theatre (11/20-12/13) |
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Marky Ramone with Who Are You (a tribute to The Who) The Plaza Live (9/03-9/03) |
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Ted Swindley’s Honky Tonk Angels Athens Theatre (2/26-3/21) |
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PeeVira's SCAREavan SingAlong: Quinceanera Fugitive The Orlando International Fringe Theater Festival (5/20-5/24) |
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