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CURRENT STANDINGS | |||
| Will Friel | A CHRISTMAS STORY (Little Theatre of New Smyrna Beach) | ||
| Roberta Emerson | FOR COLORED GIRLS... (Theatre West End) | ||
| Jess Borteleky | ROMEO & JULIET (Out and Proud Productions) | ||
| Blake Croft | PUFFS (Theatre South Playhouse) | ||
| Sarah-Lee Dobbs | GHOSTS OF GLENCOLUMBKILLE (Playwright's Round Table) | ||
| Alexis Medina | THE GLASS MENAGERIE (Ocala Civic Theatre) | ||
| Brianna Wunder | ALICE IN WONDERLAND (Breakthrough Theatre) | ||
| Wilson Maddox | CRASH CART (Little Theatre of New Smyrna Beach) | ||
| Amy Armistead | LEND ME A SOPRANO (Little Theatre of New Smyrna Beach) | ||
| Bert Rodriguez | ANNA IN THE TROPICS (Orlando Shakes) | ||
| Avery Higgins | THE LAST TEN MINUTES (Breakthrough Theatre) | ||
| Alexander Mrazek | THE FABULOUS KING JAMES BIBLE (New Gen - Orlando Fringe) | ||
| John Anderson Jr. | MURDER ON THE ORIENT EXPRESS (Ocala Civic Theatre) | ||
| John Walker | THE CRUCIBLE (Little Theatre of New Smyrna Beach) | ||
| Alex Mrazec | KING JAMES BIBLE (Ten10 (Orlando Fringe)) | ||
| Hadley Reyes | MUCH ADO ABOUT NOTHING (Baystreet Players) | ||
| Mark Burdette | THE GLASS MENAGERIE (Ocala Civic Theatre) | ||
| Kat Legan | THE LAST 10 MINUTES (Breakthrough Theatre) | ||
| Jessica Hamilton | FROZEN (The Ensemble Company) | ||
| Gloria Coslow | THE CRUCIBLE (Little Theatre of New Smyrna Beach) | ||
| Jeremy Wood | FROZEN (The Ensemble Company) | ||
| Paul Vogt | WHAT THE CONSTITUTION MEANS TO ME (Orlando Shakes) | ||
| Alexander Mrazek | THE IMPORTANCE OF BEING EARNEST (New Generation Theatrical) | ||
| Tom Baldwin | QUEENS (Breakthrough Theatre) | ||
| Jeff Ryan | MUCH ADO ABOUT NOTHING (Baystreet Players) | ||
| Jessie Ehrenberg | ALICE IN WONDERLAND (Breakthrough Theatre) | ||
| CJ Sikorski | CASH ON DELIVERY! (Icehouse Theatre) | ||
| Thomas Muniz | RED (Ensemble Theatre Co.) | ||
| David Lowe | LONG DAY'S JOURNEY INTO NIGHT (The Ensemble Company) | ||
| Alix Miller | TIME STANDS STILL (Shoestring Theatre) | ||
| Felicia Melcer | SHE WROTE, DIED, THEN WROTE SOME MORE (Breakthrough Theatre) | ||
| Leo Polanco | QUEENS (Breakthrough Theatre) | ||
| Michael Knight | THE IMPORTANCE OF BEING EARNEST (New Generation Theatrical) | ||
| Gretchen Pettigrew | RIPCORD (Shoestring Theatre) | ||
| Sally Daykin | RIPCORD (Shoestring Theatre) | ||
| Paula Tedrow | SANDY TOES AND SALTY KISSES (Shoestring Theatre) | ||
| Brendon Rogers | GHOSTS OF GLENCOLUMBKILLE (Playwright's Round Table) | ||
| Kyle Kleckner | QUEENS (Breakthrough Theatre) | ||
| Ben Mainville | PERFORMANCE REVIEW (Playwrights’ Round Table) | ||
| Bruce Costella | BLEEDING HEARTS CLUB 1985 (Fringe ArtSpace) | ||
| Jessie Ehrenberg | CRAZY LITTLE THING CALLED MURDER 2 (Breakthrough Theatre) | ||
| Hillary Shurtleff | BLEEDING HEARTS CLUB 1985 (Fringe ArtSpace) | ||
| Megan Markham | BLEEDING HEARTS CLUB 1985 (Fringe ArtSpace) | ||
| Leo Polanco | SHE WROTE, DIED THEN WROTE SOME MORE (Breakthrough Theatre) | ||
| Robert Laurita | CASH ON DELIVERY! (Icehouse Theatre) | ||
| Karl Anthony Ockstadt | THE FABULOUS KING JAMES BIBLE (New Gen - Orlando Fringe) | ||
| Morgan Howland-Cook | CASH ON DELIVERY! (Icehouse Theatre) | ||
| Scott Browning | GHOSTS OF GLENCOLUMBKILLE (Playwright's Round Table) | ||
| Marcie Schwalm | GHOSTS OF GLENCOLUMBKILLE (Playwright's Round Table) | ||
| Kevin Mercier | THE LAST 10 MINUTES (Breakthrough Theatre) | ||
