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The Living Theatre continues its 65th year with the world premiere of Judith Malina's THE HISTORY OF THE WORLD –– with performances to conclude at The Living Theatre (21 Clinton Street) on Saturday, February 25. Judith Malina directs.
In THE HISTORY OF THE WORLD, which began performances December 31, The Living Theatre uses the audience as participants in the action. The theme of the play becomes the personal involvement of each spectator/participant in history, contemplating the questions: Who are you in history? In the execution of Socrates? In the crucifixion of Jesus? And finally: Who are you in the Beautiful Non-Violent Anarchist Revolution yet to come? The play co-stars an international ensemble of 25 actors, singers, dancers and musicians, who are working with The Living and with Malina, some for the first time, some for generations of theatrical experimentation and revolutionary art: Judith Malina, Tom Walker, Sheila Dabney, Monica Hunken, Soraya Broukhim, Brad Burgess, Homa Hynes, Jay Dobkin, Kennedy Yanko, Kyle Ryan, Brent Barker, Antwan Ward, Mary Round, Miranda Rovetto, Rose Lovell, Jen Emma Hertel, Anna Agostino, Ana Holly, John Gasper, Erin Downhour, Adele Thurston, and Martin Lutz.
THE HISTORY OF THE WORLD features projection (film and live video), music, dance and sound effects and will be broadcast live on the internet on Ustream each performance. The creative team includes original music and musical direction by Shelia Dabney; choreography by Albert Lamont, Monica Hunken, Judith Malina, and the ensemble. THE HISTORY OF THE WORLD opened January 12. In his New York Times review, Andy Webster wrote: Under Judith Malina's guidance and experience, The Living Theatre vigorously continues its ongoing research of innovative theatre forms involving audience participation and new methods of communication and social/political organization. Ms. Malina was born in 1926 in Kiel, Germany, and is the daughter of Rabbi Max Malina, one of the founders of the German Jewish Congregation in New York City. In 1947, after studying acting and directing at the Dramatic Workshop at the New School with Erwin Piscator, she and Julian Beck co-founded The Living Theatre as an artistic challenge to the commercial theater, producing nearly 100 production including THE CONNECTION, THE BRIG, FRANKENSTEIN, ANTIGONE, PARADISE NOW, SEVEN MEDITATIONS ON POLITICAL SADO-MASOCHISM, I AND I, RESISTENZA and last year's KORACH. Her literary output includes the plays PARADISE NOW, MYSTERIES AND SMALLER PIECES and THE LEGACY OF CAIN; collections of her diaries including "The Diaries of Judith Malina 1947-1957" and "The Enormous Despair"; and two books of poetry, "Poems of a Wandering Jewess" and "Love and Politics." As an actress, she has appeared in films including "Dog Day Afternoon," "China Girl," "The Addams Family," "Household Saints," "Enemies: A Love Story," "The Deli," and "Nothing Ever Happens"; and television series including "ER," "Miami Vice," "The Street" and "The Sopranos."
In his New York Times review of the company's 2009 revival of THE CONNECTION, Charles Isherwood called The Living Theatre "a fierce fighter on the forward front of experimental theatre." The Living Theatre's most recent work include Judith Malina and Hanon Reznikov's EUREKA!, Judith Malina's MAUDIE AND JANE, and a revival of 1963 Obie Award-winner THE BRIG which christened the company's present home at 21 Clinton Street in 2007. The Living Theatre was co-founded in 1947 by current artistic director Judith Malina and Julian Beck, who served as the company's executive director until his death in 1985. For more than six decades, the company has presented a unique body of work that has influenced theatre the world over, staging nearly a hundred productions, performed in nine languages in twenty-nine countries on five continents. In the 1950s, The Living Theatre was among the first theater companies in the U.S. to produce the work of influential European playwrights such as Brecht and Cocteau, as well as modernist poets as T.S. Eliot and Gertrude Stein. Based in a variety of small NY locations that were frequently closed due to financial problems or conflicts with city authorities, they helped originate Off-Broadway as a significant force in U.S. theatre. Their work during this period shared some aspects of style and content with beat generation writers. Also during this time, the American composer Alan Hovhaness and John Cage worked closely with The Living Theatre, composing music for its productions. In 1959, THE CONNECTION attracted national attention for its harsh portrayal of drug addiction and its equally harsh language.
The Living Theatre has toured extensively throughout the world, often in non-traditional venues, such as streets and prisons. It has greatly influenced other theatre companies, notably The Open Theatre (founded by Living Theatre member Joseph Chaikin) and Bread & Puppet Theatre. Its productions have won 3 Obie Awards: THE CONNECTION (1959); THE BRIG (1963) and FRANKENSTEIN (1968). Performances of Judith Malina's HISTORY OF THE WORLD run through February 25, 2012 at The Living Theatre (21 Clinton Street, just below Houston Street at Avenue B). Performances are Wednesday-Saturday at 8pm). Wednesday and Thursday tickets are "Pay What You Can"; Friday and Saturday tickets are $20. For reservations call 212-352-0255 or visit www.livingtheatre.org. A free, encore performance is set for Monday, February 27 at 7pm to launch the newly established Independent Theater Fund.