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OFF-BROADWAY THEATER REVIEWS

The latest reviews and critic recommendations from Off-Broadway
BWW Review:  In GRAND HOTEL, Berlin's Celebration of Decadent Luxury Fails To See The

BWW Review: In GRAND HOTEL, Berlin's Celebration of Decadent Luxury Fails To See The Horrors Ahead

by Michael Dale — March 25, 2018
Though the songwriting team of Robert Wright and George Forrest is best remembered by Broadway enthusiasts for adapting the music of Edvard Grieg into SONG OF NORWAY and similarly using the melodies of Alexander Borodin to create their score for KISMET, their greatest success came when director/chor...
BWW Review: OLD STOCK: A REFUGEE LOVE STORY-An Emotive Show for Our Times, Wonderfull

BWW Review: OLD STOCK: A REFUGEE LOVE STORY-An Emotive Show for Our Times, Wonderfully Performed

by Marina Kennedy — March 21, 2018
59E59 Theaters is now presenting the US premiere of Old Stock: A Refugee Love Story. There's no other show like it. Compelling storytelling and outstanding music bring a stirring story of two people struggling against the odds to life....
BWW Review:  Company XIV's CINDERELLA, An Enchanted Evening of Erotic Fun by Austin M

BWW Review: Company XIV's CINDERELLA, An Enchanted Evening of Erotic Fun by Austin McCormick

by Michael Dale — March 19, 2018
Typically, the immediate attraction between Cinderella and the handsome prince is presented as simply a matter of physical chemistry, but in Company XIV's newest variation of Charles Perrault's classic, the true bonding between the two occurs because they're both captivating aerialists....
BWW Review: HAL & BEE at 59E59 Theaters-A Clever Blend of Reality and Dark Comedy

BWW Review: HAL & BEE at 59E59 Theaters-A Clever Blend of Reality and Dark Comedy

by Marina Kennedy — March 16, 2018
59E59 Theaters is currently presenting the NYC premiere of Hal & Bee written by Max Baker and directed by Sarah Norris. The play portrays the trials of a long-time married couple and reveals their conflicts. With a stellar cast and excellent staging, this entertaining dark comedy is very thought pro...
BWW Review:  White Liberals Preach Diversity But Practice Privilege in Joshua Harmon'

BWW Review: White Liberals Preach Diversity But Practice Privilege in Joshua Harmon's Hilarious ADMISSIONS

by Michael Dale — March 15, 2018
Innovative genius Norman Lear will forever be remembered for expanding the limits of what television comedy could do by bringing Archie Bunker, and his everyday brand of casual and not-so-casual bigotry, into American homes every week and hold him up to public ridicule....
BWW Review:  Bruce Norris' Economic Commentary THE LOW ROAD is a Rollicking Anti-Cand

BWW Review: Bruce Norris' Economic Commentary THE LOW ROAD is a Rollicking Anti-Candide

by Michael Dale — March 13, 2018
Teaser:  There is a knockout of a surprise moment, cleverly devised and wonderfully played, contained within Pulitzer-winner Bruce Norris' mini-epic THE LOW ROAD, now getting a rollicking production at The Public, with a terrific ensemble of players guided by the talented hand of director Michael G...
BWW Review:  Martyna Majok's queens Provides an Intriguing Profile of Contemporary Im

BWW Review: Martyna Majok's queens Provides an Intriguing Profile of Contemporary Immigrant Women

by Michael Dale — March 12, 2018
'We take care homes,' a Polish immigrant living in New York's Borough of Queens bluntly explains to a young newcomer from Ukraine who has yet to get settled. 'Us kinds people, we take care house. Men, they build them and women, they clean them. Take care children. Rest this country handles rest t...
BWW Review:  Jayne Houdyshell and Pascale Armand Confront Generational and Racial Fem

BWW Review: Jayne Houdyshell and Pascale Armand Confront Generational and Racial Feminist Divides in RELEVANCE

by Michael Dale — March 7, 2018
Historically, it hasn't been unusual for writers like Amantine Lucile Dupin (better known as George Sand) and Nelle Harper Lee (published as Harper Lee) to take on traditionally male or androgynous names to help advance their careers in a patriarchal world by allowing publishers and readers to make ...
BWW Review:  The York Brings Back Styne, Comden and Green's Enjoyable Oddball, SUBWAY

BWW Review: The York Brings Back Styne, Comden and Green's Enjoyable Oddball, SUBWAYS ARE FOR SLEEPING

by Michael Dale — March 4, 2018
'One of the few great musical comedies of the last thirty years.' - Howard Taubman' 'What a show! What a hit! What a solid hit!' - Walter Kerr' 'The best musical of the century.' - John Chapman'...
BWW Review: Terrence Mann and Will Swenson Star in Outrageous, Endearing and Percepti

BWW Review: Terrence Mann and Will Swenson Star in Outrageous, Endearing and Perceptive JERRY SPRINGER - THE OPERA

by Michael Dale — February 28, 2018
'Dip me in chocolate and throw me to the lesbians,' sings a young lady feeling the bright television lights on her face as cameras capture her every move for a national audience in Richard Thomas and Stewart Lee's outrageous, endearing and perceptive social commentary, JERRY SPRINGER -- THE OPERA....
BWW Review:  Jomama Jones' BLACK LIGHT Offers Spiritual Healing in Turbulent Times

BWW Review: Jomama Jones' BLACK LIGHT Offers Spiritual Healing in Turbulent Times

by Michael Dale — February 27, 2018
'I have a friend - She's a liberal. I don't know if there are any liberals here...'...
BWW Review: Sarah Burgess' KINGS Explores The Volatile Relationship Between Elected O

BWW Review: Sarah Burgess' KINGS Explores The Volatile Relationship Between Elected Officials and Lobbyists

by Michael Dale — February 22, 2018
It was nearly two years ago when The Public Theater opened the first major New York production penned by the relatively unknown Sarah Burgess. Her tersely scripted and aridly humored DRY POWER delved into the cutthroat world of corporate takeovers, and director Thomas Kail's bracing production match...
BWW Review: FLIGHT at McKittrick Hotel is More Art Installation Than Theatre

BWW Review: FLIGHT at McKittrick Hotel is More Art Installation Than Theatre

by Michael Dale — February 20, 2018
There are no live actors involved in with the Scottish theatre company Vox Motus' new storytelling attraction, FLIGHT, and though New York's theatre critics were invited to sample showings at the McKittrick Hotel, their creation can be more accurately described as an art installation....
BWW Review:  PETE REX at 59E59 Theaters Captivates with Modern and Prehistoric Themes

BWW Review: PETE REX at 59E59 Theaters Captivates with Modern and Prehistoric Themes

by Marina Kennedy — February 16, 2018
The Dreamscape Theatre is currently presenting the NYC premiere of Pete Rex at 59E59 Theaters through March 3. Written by Alexander V. Thompson and directed by Brad Raimondo, it ingeniously melds modern and prehistoric themes. It is an affecting, yet entertaining show that features creative staging ...
BWW Review:  Peyton Lusk is a Charmer as Jule Styne's BAR MITZVAH BOY

BWW Review: Peyton Lusk is a Charmer as Jule Styne's BAR MITZVAH BOY

by Michael Dale — February 17, 2018
With a name like BAR MITZVAH BOY, it should be no surprise that the current musical at the York is a coming of age story. What is surprising is that the composer of this intimate piece is Jule Styne, better known for brassy star vehicles like GYPSY and FUNNY GIRL....
BWW Review: In IN THE BODY OF THE WORLD, What Doesn't Kill Eve Ensler Only Becomes Th

BWW Review: In IN THE BODY OF THE WORLD, What Doesn't Kill Eve Ensler Only Becomes The Subject of Her New Solo Play

by Michael Dale — February 14, 2018
"Do you have any idea who I am?," Eve Ensler asks the doctor who suggests radiation treatment of her vagina to prevent the resurgence of her cancer. "Do you have any fucking sense of irony?"...
BWW Review:  Martin McDonagh's Darkly Comic HANGMEN is Enjoyably Discomforting

BWW Review: Martin McDonagh's Darkly Comic HANGMEN is Enjoyably Discomforting

by Michael Dale — February 12, 2018
It might be easier to pity the hardworking gentleman at the core of Martin McDonagh's new darkly comic drama, who loses his job when his employer eliminates his position, if it weren't for the fact that the function of his profession was to kill people....
BWW Review: HEY, LOOK ME OVER! from Encores!, a Fun Sampler of Musical Scenes and Son

BWW Review: HEY, LOOK ME OVER! from Encores!, a Fun Sampler of Musical Scenes and Songs

by Michael Dale — February 11, 2018
When the subject of New York City Center Encores! comes up among musical theatre enthusiasts, the conversation almost invariably steers to what shows they should be presenting in their series of concerts. Although several of their productions, like the mega-hit revival of CHICAGO, have transferred, ...
BWW Review:  #NijinskyToo Would Be The Hashtag For Terrence McNally's FIRE AND AIR

BWW Review: #NijinskyToo Would Be The Hashtag For Terrence McNally's FIRE AND AIR

by Michael Dale — February 7, 2018
In the second act of Terrence McNally's fact-based drama, Fire and Air, the legendary dance impresario Sergei Diaghilev privately examines the technique of a young dancer he may consider as a successor to his protegee-turned-international star, Vaslav Nijinsky....
BWW Review:  Anna Chlumsky Paints The Town Red in Greg Pierce's CARDINAL

BWW Review: Anna Chlumsky Paints The Town Red in Greg Pierce's CARDINAL

by Michael Dale — February 6, 2018
In last season's GROUNDHOG DAY, the exceedingly charismatic Andy Karl was given the unenviable task of playing out a romantic comedy as a thoroughly despicable character. Now, in Greg Pierce's Cardinal at Second Stage, Anna Chlumsky's perfectly fine performance is similarly weighed down....
BWW Review:  Ngozi Anyanwu's THE HOMECOMING QUEEN Considers The Boundaries of Self-Re

BWW Review: Ngozi Anyanwu's THE HOMECOMING QUEEN Considers The Boundaries of Self-Reinvention

by Michael Dale — February 4, 2018
Sentimental stories of adults returning to their childhood homes to face the demons of the past after achieving success far, far away are a staple of popular entertainment, and though Ngozi Anyanwu's engaging contribution to the genre, The Homecoming Queen, adds nothing surprising, the elegant story...
BWW Review: Stephanie Umoh is Thrilling In York Theatre's HALLELUJAH, BABY!

BWW Review: Stephanie Umoh is Thrilling In York Theatre's HALLELUJAH, BABY!

by Michael Dale — February 3, 2018
Audiences and critics alike swooned over relatively unknown Leslie Uggams when she made her Broadway debut starring in Betty Comden, Adolph Green, Arthur Laurents and Jule Styne's progressively-minded 1967 Broadway musical HALLELUJAH, BABY!...
BWW Review: THE THING WITH FEATHERS at The Barrow Group

BWW Review: THE THING WITH FEATHERS at The Barrow Group

by Sarah Fitts — February 6, 2018
The famous Emily Dickinson poem reads, 'Hope is the thing with feathers--that perches on the soul--and sings the tune without words--and never stops--at all.' The idea of hope continuing on after tragedy is the very notion that resonates with the audiences after THE THING WITH FEATHERS by Scott Orga...
BWW Review: FRANKENSTEIN Is Alive at St. Luke's Theatre

BWW Review: FRANKENSTEIN Is Alive at St. Luke's Theatre

by Kristen Morale — February 1, 2018
Directed by Clint Hromsco and produced by John Lant and Tamra Pica (in association with Write Act Repertory), Frankenstein boasts a book, music and lyrics by Eric B. Sirota, major contributions from Julia Sirota and also the help of Sharon Sudol and Cara London. Now in performances at the St. Luke...
BWW Review:  The Mad Ones' MILES FOR MARY Salutes The Understated Heroism of Public S

BWW Review: The Mad Ones' MILES FOR MARY Salutes The Understated Heroism of Public School Teachers

by Michael Dale — February 1, 2018
With the past year bringing in a new administration with a new Secretary of Education, the national awareness of how overworked, undercompensated and financially burdened America's public school teachers are has fueled debate within discussions of federal budget restructuring and tax reform....
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