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OFF-BROADWAY THEATER REVIEWS

The latest reviews and critic recommendations from Off-Broadway
BWW Review:  #NijinskyToo Would Be The Hashtag For Terrence McNally's FIRE AND AIR

BWW Review: #NijinskyToo Would Be The Hashtag For Terrence McNally's FIRE AND AIR

by Michael Dale — February 7, 2018
In the second act of Terrence McNally's fact-based drama, Fire and Air, the legendary dance impresario Sergei Diaghilev privately examines the technique of a young dancer he may consider as a successor to his protegee-turned-international star, Vaslav Nijinsky....
BWW Review:  Anna Chlumsky Paints The Town Red in Greg Pierce's CARDINAL

BWW Review: Anna Chlumsky Paints The Town Red in Greg Pierce's CARDINAL

by Michael Dale — February 6, 2018
In last season's GROUNDHOG DAY, the exceedingly charismatic Andy Karl was given the unenviable task of playing out a romantic comedy as a thoroughly despicable character. Now, in Greg Pierce's Cardinal at Second Stage, Anna Chlumsky's perfectly fine performance is similarly weighed down....
BWW Review:  Ngozi Anyanwu's THE HOMECOMING QUEEN Considers The Boundaries of Self-Re

BWW Review: Ngozi Anyanwu's THE HOMECOMING QUEEN Considers The Boundaries of Self-Reinvention

by Michael Dale — February 4, 2018
Sentimental stories of adults returning to their childhood homes to face the demons of the past after achieving success far, far away are a staple of popular entertainment, and though Ngozi Anyanwu's engaging contribution to the genre, The Homecoming Queen, adds nothing surprising, the elegant story...
BWW Review: Stephanie Umoh is Thrilling In York Theatre's HALLELUJAH, BABY!

BWW Review: Stephanie Umoh is Thrilling In York Theatre's HALLELUJAH, BABY!

by Michael Dale — February 3, 2018
Audiences and critics alike swooned over relatively unknown Leslie Uggams when she made her Broadway debut starring in Betty Comden, Adolph Green, Arthur Laurents and Jule Styne's progressively-minded 1967 Broadway musical HALLELUJAH, BABY!...
BWW Review: THE THING WITH FEATHERS at The Barrow Group

BWW Review: THE THING WITH FEATHERS at The Barrow Group

by Sarah Fitts — February 6, 2018
The famous Emily Dickinson poem reads, 'Hope is the thing with feathers--that perches on the soul--and sings the tune without words--and never stops--at all.' The idea of hope continuing on after tragedy is the very notion that resonates with the audiences after THE THING WITH FEATHERS by Scott Orga...
BWW Review: FRANKENSTEIN Is Alive at St. Luke's Theatre

BWW Review: FRANKENSTEIN Is Alive at St. Luke's Theatre

by Kristen Morale — February 1, 2018
Directed by Clint Hromsco and produced by John Lant and Tamra Pica (in association with Write Act Repertory), Frankenstein boasts a book, music and lyrics by Eric B. Sirota, major contributions from Julia Sirota and also the help of Sharon Sudol and Cara London. Now in performances at the St. Luke...
BWW Review:  The Mad Ones' MILES FOR MARY Salutes The Understated Heroism of Public S

BWW Review: The Mad Ones' MILES FOR MARY Salutes The Understated Heroism of Public School Teachers

by Michael Dale — February 1, 2018
With the past year bringing in a new administration with a new Secretary of Education, the national awareness of how overworked, undercompensated and financially burdened America's public school teachers are has fueled debate within discussions of federal budget restructuring and tax reform....
BWW Review:  BALLS at 59E59 Theaters is a Must-See Production

BWW Review: BALLS at 59E59 Theaters is a Must-See Production

by Marina Kennedy — January 26, 2018
Balls, an exciting and inventive production, is now being performed at 59E59 Theaters through February 25. Written by Kevin Armento and Bryony Lavery, it is directed by Ianthe Demos and Nick Flint with movement direction by Natalie Lomonet. This is a stunning show that creatively portrays the infamo...
BWW Review:  Casual Sex Meets Edwardian Morals in Stanley Houghton's HINDLE WAKES

BWW Review: Casual Sex Meets Edwardian Morals in Stanley Houghton's HINDLE WAKES

by Michael Dale — January 25, 2018
All too often, the word dated is misguidedly used to diminish the impact a play of a bygone era can have on contemporary audiences. Take, for example, the puritanical attitude towards pre-marital sex expressed by many of the characters in English playwright Stanley Houghton's social commentary, H...
BWW Review:  Split Britches Invites Audience Members To Join Their Council of Elders

BWW Review: Split Britches Invites Audience Members To Join Their Council of Elders in UNEXPLODED ORDNANCES (UXO)

by Michael Dale — January 21, 2018
As the ground-breaking theatre troupe Split Britches - which they founded with former member Deb Margolin in 1980 - Peggy Shaw and Lois Weaver have been challenging both gender norms and theatrical norms for nearly four decades, ranking them among the respected elders of America's performance art mo...
BWW Review: THE UNDERTAKING at 59E59 is an Inventive Take on Mortality

BWW Review: THE UNDERTAKING at 59E59 is an Inventive Take on Mortality

by Marina Kennedy — January 19, 2018
'The Undertaking' is now being performed at 59E59 Theaters through February 4. Presented by The Civilians, the show is written and directed by Steve Cosson with creative collaboration and psychopomp guidance by Jessica Mitrani. The two-hander explores mortality in a totally inventive way....
BWW Review: LA BUTE NEW THEATER FESTIVAL at 59E59 is Engaging

BWW Review: LA BUTE NEW THEATER FESTIVAL at 59E59 is Engaging

by Marina Kennedy — January 17, 2018
It's back! The 'La Bute New Theater Festival' at 59E59 Theaters features the NYC premieres of three short plays, 'Hate Crime' by Neil LaBute, 'Winter Break' by James Haigney, and 'Percentage America' by Carter W. Lewis all of which are superbly directed by John Pierson. Each of the three pieces pres...
BWW Review:  Enda Walsh's Breakout Edge-Fest DISCO PIGS Reveals an Unsettling Friends

BWW Review: Enda Walsh's Breakout Edge-Fest DISCO PIGS Reveals an Unsettling Friendship

by Michael Dale — January 16, 2018
Fear not, all you American playgoers whose comprehension skills usually require a few minutes of ear adjustment whenever a production from Britain or Ireland crosses over with its native cast....
BWW Review:  Lip Sync Artist Dickie Beau's RE-MEMBER ME Honors a Hamlet That Was Near

BWW Review: Lip Sync Artist Dickie Beau's RE-MEMBER ME Honors a Hamlet That Was Nearly Not To Be

by Michael Dale — January 10, 2018
Savvy playgoers attending British lip-sync artist Dickie Beau's RE-MEMBER ME at this year's Under The Radar Festival will notice that when a recording of Michael Douglas, playing Broadway director Zach in the film adaptation of A CHORUS LINE, instructs the solo performer to step forward, tell me yo...
BWW Review:  Men Worship Extinct Women in Robert O'Hara's Audacious Satire MANKIND

BWW Review: Men Worship Extinct Women in Robert O'Hara's Audacious Satire MANKIND

by Michael Dale — January 9, 2018
That old adage that if men got pregnant, abortion and reproductive health would be fully funded by the federal government gets quite a workout in playwright/director Robert O'Hara's wild gender politics satire MANKIND....
BWW Review:  Legendary Music Journalist Lester Bangs Revisited in HOW TO BE A ROCK CR

BWW Review: Legendary Music Journalist Lester Bangs Revisited in HOW TO BE A ROCK CRITIC

by Michael Dale — January 8, 2018
Be careful about expressing your admiration for certain artists during Jessica Blank and Erik Jensen's hard-edged solo play, HOW TO BE A ROCK CRITIC. Though the audience is encouraged to engage in some give and take with Jensen as he impersonates the legendary writer Lester Bangs, fans of Jethro Tul...
BWW Review:  NYGASP Delights Aboard Gilbert & Sullivan's Love Boat, H.M.S. PINAFORE

BWW Review: NYGASP Delights Aboard Gilbert & Sullivan's Love Boat, H.M.S. PINAFORE

by Michael Dale — January 2, 2018
Ninety-nine years before television producer Aaron Spelling first invited viewers aboard 'The Love Boat,' Gilbert and Sullivan made good on their promise of shipboard romance with their enduring hit, H.M.S. PINAFORE....
BWW Review: Robert Fairchild Brings Captivating Dramatic Beauty To MARY SHELLEY'S FRA

BWW Review: Robert Fairchild Brings Captivating Dramatic Beauty To MARY SHELLEY'S FRANKENSTEIN

by Michael Dale — December 28, 2017
Boris Karloff... Peter Boyle... Shuler Hensley... and Robert Fairchild. One of these things is not like the others....
BWW Review:  Fiasco Brings A Rousing TWELFTH NIGHT To CSC

BWW Review: Fiasco Brings A Rousing TWELFTH NIGHT To CSC

by Michael Dale — December 21, 2017
Sure, HAMLET may be William Shakespeare's dramatic masterpiece, but when pining for some romantic comedy, it's hard to beat Twelfth Night....
BWW Review: A REGULAR LITTLE HOUDINI is a Captivating One-Man Show

BWW Review: A REGULAR LITTLE HOUDINI is a Captivating One-Man Show

by Marina Kennedy — December 18, 2017
A unique and captivating one-man show is now onstage at 59E59 Theaters. 'A Regular Little Houdini' is written and performed by Daniel Llewelyn-Williams, directed by Joshua Richards, with composition by Meg Cox. It combines splendid storytelling and illusion with real historical events....
BWW Review:   John Kevin Jones Recreates Charles Dickens' Readings Of A CHRISTMAS CAR

BWW Review: John Kevin Jones Recreates Charles Dickens' Readings Of A CHRISTMAS CAROL at Landmark Merchant's House Museum

by Michael Dale — December 15, 2017
It may not be as well-known a holiday tradition as seeing the Rockettes at Radio City Music Hall, but for the fifth straight year, the Summoners Ensemble Theatre's delightful presentation of John Kevin Jones' thoroughly engaging solo performance of A CHRISTMAS CAROL at the Merchant's House Museum is...
BWW Review: Exquisite Seduction Takes the Stage at CRUEL INTENTIONS: THE MUSICAL

BWW Review: Exquisite Seduction Takes the Stage at CRUEL INTENTIONS: THE MUSICAL

by Kristen Morale — December 13, 2017
Just let your senses roam free for a moment and imagine what this feels like: the comfort of a dark room filled with friends and strangers alike, the euphoria of a few drinks clouding the mind, the electricity of trouble brewing in the air as the band takes the stage. Gear your thoughts towards your...
BWW Review:  CROSS THAT RIVER at 59E59 Theaters is Enthralling Storytelling with Supe

BWW Review: CROSS THAT RIVER at 59E59 Theaters is Enthralling Storytelling with Superb Music

by Marina Kennedy — December 9, 2017
An exhilarating production, Cross That River, is now onstage at 59E59 Theaters through December 31st. The show has a riveting story along with a fabulous score and the finest musical accompaniment. It features direction by Regge Life, composition by Allan Harris, with a book by Allan and Pat Harris....
BWW Review: Mia Oh My! SO LONG BOULDER CITY Dazzles at Subculture Theatre

BWW Review: Mia Oh My! SO LONG BOULDER CITY Dazzles at Subculture Theatre

by Kristen Morale — December 8, 2017
When we think of a person bound for success, dedicated to personal fulfillment and happiness gained through their craft, one such person who comes to mind is an actor. It is a profession that changes people, to say the least. An actor's drive and dedication towards a unique means of self expression ...
BWW Review:  Lesli Margherita's a Riot in Matthew Lombardo's Grinch Spoof WHO'S HOLID

BWW Review: Lesli Margherita's a Riot in Matthew Lombardo's Grinch Spoof WHO'S HOLIDAY

by Michael Dale — December 3, 2017
Don't be fooled. That familiar-sounding melody played at the top of Matthew Lombardo's hilariously subversive WHO'S HOLIDAY is not Welcome Christmas, the joyous chorale from the beloved television adaptation of Dr. Seuss' equally beloved How The Grinch Stole Christmas....
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