The latest reviews and critic recommendations from Los Angeles.
Initially billed as a show that was 'lovingly ripped off' from the 1975 cult classic film Monty Python and the Holy Grail, the Tony Award–winning 2005 Broadway musical comedy MONTY PYTHON'S SPAMALOT™ gleefully gallops back onto the stage in a brand new production with its signature coconut-clack
Musical Theatre Guild, the Los Angeles-based company that produces staged readings of long-forgotten, rarely seen musicals, has done it again with a stellar and highly entertaining production of the 1970 musical Applause.
I really enjoyed the story, acting and staging, along with recognizing the Yiddish comments, behavior and attitudes from my own life being raised by a close-knit Jewish family.
Directed by James Vásquez with musical direction by Ryan O'Connell and choreography by Shani Talmor, this remarkably solid new production of the 1965 Tony Award winner boasts haunting visuals and superb performances from its assembled ensemble, led by a trio of excellent leads that offer three dist
Director Darko Tresnjak has crafted a visually-appealing world that unfortunately reduces the action of the play to broad strokes enacted in a toy theatre.
SYLVIA SYLVIA SYLVIA is trying to be perhaps too many things at once and not really succeeding at any of them.
These are words that both sing and challenge.
Wildly surprising and deliciously savage, Yasmina Reza's machete-edged 2006 dark comedy GOD OF CARNAGE—here directed by Marco Barricelli and continues performances at OC's South Coast Repertory through March 21, 2026—has to be one of the most ferocious dissections of modern-day performative civi
South Coast Repertory’s production of Edward Albee’s dark psychological comedy 100% embodies all the epic frustration and athletic dysfunction which begins and ends with Martha.
In what is clearly proving to be the must-see stage production of the new year so far here in Southern California, McCoy Rigby Entertainment's stunning new production of the 1979 Tony Award-winning classic SWEENEY TODD: THE DEMON BARBER OF FLEET STREET—now playing a limited engagement at the La Mi
Bitterman’s script encompasses so many universal truths about the battle of the sexes in working out relationships that everyone will identify with the ups and downs that challenge even the closest couple to survive and stay together.
Once feels like a revelation, with all the delicate tenderness of a romantic ballad and the foot-stomping joy of a rustic Irish pub on music night.
The playwright’s story structure is engaging and West’s cast is rich with charisma, with the action fitting comfortably into Munroe’s smartly realized stage at the Atwater Village Theatre complex.
Brandon Maggart helped close out The Gardenia's 45 years in West Hollywood with stories, songs, and tales of a life well lived.
Adapted from Nicholas Sparks' ubiquitous 1996 novel (and its popular 2004 film iteration featuring Rachel McAdams and Ryan Gosling), THE NOTEBOOK - THE MUSICAL re-stages a generational love story into a quietly sweeping, memory-fractured stage romance that subtly promotes emotional accumulation over
The writing is sharp and smart and in the end Robert Axelrod gives us, if not hope, a sense that, for as bad as things can get, we can power through.
AVENUE Q is back at North Hollywood's Wisteria Theater with a superb cast and standout vocals that bring fresh life—and plenty of laughs—to the beloved, boundary-pushing musical.
The almost bare bones solo turn – at the Ricardo Montalban Theatre for a quickie six-performance run - is Izzard’s homage to the original performance practices of William Shakespeare, and also to her early years as a street performer.
What Opa Did is masterful and brutally honest storytelling at its best, with each actor dedicated to showing each person as a human being, not just either good or bad, while trying to cope with the reality of their lives in Germany in World War II.
This world premiere musical comedy is fast-paced, hilarious, and sneakily poignant, skewering the utter depravity of reality TV and how it can corrupt even the most wholesome element of humanity – children!
If the longevity of a Broadway classic is judged by its ability to reflect both its historical significance and its present existence in popular culture, this new revival of THE WIZ is somehow caught somewhere between reverence and reinvention.
Over a convivial 85 minutes directed by Simon Godwin, the shape-shifting Broadway vet Page holds us captive as he demonstrates why he is perpetually in demand as a classical actor, as an interpreter of Shakespeare, and certainly as an enactor of villains.
AN INSPECTOR CALLS is a bit of a soap opera by way of a particularly existential “Twilight Zone” episode while tackling class, entitlement, and status, making it as relevant as it was 60 years ago.
Between Ingrid Michelson’s heart-swelling score, a safe and steady book by Bekah Brunstetter and the co-direction of Michael Greif and Schele Williams, this entertaining but hardly remarkable tale kicks off the 2026 season at the Hollywood Pantages on an appropriately tear-streaked note.
Drag legends Jinkx Monsoon and BenDeLaCreme have crafted an extravaganza that combines all the stupidity and raunchiness of a campy nightclub act with all the sparkle and polish of the lighter fare being doled out at Radio City this time of year.
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After the Blast The Broadwater Second Stage (8/05-8/13) |
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E=MC² Einstein The Musical Kiki & David Gindler Performing Arts Center (7/03-7/26) |
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Fool for Love Santa Monica Playhouse (7/23-7/26) |
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Gershwin and the Golden Age Younes and Soraya Nazarian Center for the Performing Arts (The Soraya) (10/11-10/11) |
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Unplugged at Etude Music Series on the Plaza Etude Wines (8/02-8/30) |
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Hit a grand slam with baseball hero “MATTY: an evening with Christy Mathewson” – bring the kids! Santa Monica Playhouse (8/15-8/16) |
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Green Day's American Idiot The Broadwater Theater Main Stage (7/10-7/19) |
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Cynthia Erivo: Let Me Sing To You Hollywood Bowl (10/15-10/15) |
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Dracula the Musical The Nocturne Theatre (8/06-8/23) |
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Fiddler on the Roof Ahmanson Theatre (2/13-3/14) |
