Review: UNDERNEATH THE LINTEL Examines a Biblical Myth via Evidence Collected About Long-Overdue Library Book
When a reclusive librarian (brilliantly portrayed by Arye Gross in a 90-minute tour-de-force performance) discovers a 113-year overdue book in the night slot, curiosity compels him to pursue the borrower. After all, why would anyone who discovers such a long-overdue book just deposit it in the night slot and not bring it inside to the front desk? Surely the original person who checked the book out is no longer alive, so how did the small travel guide manage to make its way back to the library from which it was taken so long ago?
The plot unfolds during a public presentation during which The Librarian recounts an impressive amount of Lovely Evidences he accumulated during his worldwide search for answers about the person who had the book, truly a most whirlwind journey that occupied his every waking minute. His obsessive search causes the loss of his long-held and beloved employment as he researches for what he considers to be one of the great mysteries of humanity. Director Steven Robman perfectly paces the show to keep you on the edge of your seat as you ponder just what the gathered evidence seems to prove.
Called "powerfully human and ultimately sublime," Glen Berger's UNDERNEATH THE LINTEL reminds us that the joy is in the journey itself. Obviously, Berger worked long hours to compile an intriguing story taking place over much of history, making the possibility of its truth believable. Its star Arye Gross is an enthusiastic story-teller, using his ability to truthfully reveal the Librarian's deep-felt emotions from within his soul, as well as his ever-present need to examine, plan, and celebrate his many joyful discoveries during his journey.
The first question you might ask is "What is a Lintel?" According to several internet dictionary sites, a lintel is "A horizontal supporting member, installed above an opening such as a window or a door, that serves to carry the weight of the wall above it." It refers to the incident during his journey when he realizes the man who MAY have had the book all this time could be the "wandering Jew" of Biblical myth, a shopkeeper who insisted "a man carrying a cross" who stopped at his front door "move on." The myth began with the shopkeeper being cursed to always wander the Earth until the "man with the cross" returns again.
Much of the evidence the Librarian collects supports his claim that the old and unkempt wanderer, as so many interviewed describe the man to him, is told not only with words but also with very informative projections (designed by Jason H. Thompson) of places visited and clues revealed along the way. Like the long-overdue book, the story unfolds as a real page-turner you can't put down, one which challenges you to follow along as the tale unfolds. And thanks to Gross, you will be totally pulled into this lonely man's obsession with discovering the truth, no matter what.
More and more, his belief in who the wanderer was seems to be true. But if it is, does it prove the Bible story/myth is a true, and if so, does it also prove God exists? As you listen and formulate your opinion on whether or not his evidences make sense, be prepared that in the end there is no real definite answer, leaving the audience to decide for themselves whether his evidence collected proves his theory.
The Geffen's production of UNDERNEATH THE LINTEL marks the first major staging of the play in Los Angeles since its debut in 2001 by The Actors' Gang. The Off-Broadway production at New York's Soho Playhouse that same year ran for more than 450 performances and garnered a Drama Desk nomination for its star. The play has been produced more than 350 times across the U.S. and abroad and has been translated into eight languages. And given the intensity of its story, no doubt this play will continue to wander the Earth for many years to come.
UNDERNEATH THE LINTEL: An Impressive Presentation of Lovely Evidences continues through Sunday, November 19, 2017, on Tuesday - Friday at 8:00 p.m., Saturday at 3:00 and 8:00 p.m., and Sunday at 2:00 and 7:00 p.m. in the Audrey Skirball Theater at the Geffen Playhouse, 10886 Le Conte Avenue, Los Angeles, CA 90024. Tickets priced at $25 - $90, available in person at the Geffen Playhouse box office, by phone at 310.208.5454 or online at www.geffenplayhouse.org. Rush tickets for each day's performance ($35 General / $10 Student) are made available to the general public 30 minutes before show time at the box office.
The run will feature the Geffen's popular Talk Back Tuesdays, which give theater lovers a chance for a deeper conversation to discuss plot, character themes and other questions directly with the artists in a post-show Q&A from the stage. I encourage you to take advantage of that opportunity!
Photos by Chris Whitaker
From This Author - Shari Barrett
Shari Barrett, a Los Angeles native, has been active in the theater world since the age of six - acting, singing, and dancing her way across the boards all over town. After teaching in secondary sc... (read more about this author)

March 21, 2023
John Farmanesh-Bocca is a multi-award-winning physical theatre director, the Founding Artistic Director of both Not Man Apart - Physical Theatre Ensemble (2005-2015) and Shakespeare Santa Monica (2003-2014). Now he has shifted gears to go on a search for America by directing the sensual, passionate, and delightfully funny Pulitzer Prize winning play Picnic by William Inge, with his version featuring an entirely Black American cast. I decided to speak with him about his vision for presenting the quintessentially American play and the unique challenges faced while shifting gears from physical movement to character development.

March 17, 2023
As a fan of Shakespeare and immersive theatre productions, I was intrigued when I heard that The Shakespeare Center LA and After Hours Theatre Company were set to present the premiere of The Tempest: An Immersive Experience, a fully reimagined audience-participation performance based on William Shakespeare's tale of family members caught up in a storm and shipwrecked on an isolated Mediterranean island. So I decided to speak with the production's director Ben Donenberg, Shakespeare Center LA Artistic Director, Graham Wetterhahn, the Producing Artistic Director at After Hours Theatre Company, and Sara Beil one of the producers for After Hours who created the immersive design, about their vision for an immersive way to include audience members in the experience of Shakespeare's tempestuous play.

March 17, 2023
For seventeen years, the teaching artists of the Actors’ Gang Prison Project have been creating transformational opportunities for incarcerated men and women. Their latest workshop production, (Im)migrants of the State, is performed by an ensemble of their alumni with over 240 years of combined incarceration who have found their way to freedom and now want to share their stories with audiences. I decided to speak with its co-directors, Jeremie Loncka, who also serves as the Director of Programs for the Actors’ Gang’s Prison Project, and ensemble member Rich Loya, about their vision for the project and how it came into being with the two of them at the helm.

March 13, 2023
The soon-to-open production of the Neil Simon musical Little Me at Manhattan Beach Community Church Theater (MBCC), the longest running theater in the South Bay since 1956, is directed by Paula Kelley with choreography by Angela Asch. Originally scheduled to open in the Spring of 2020, I decided to speak with the director about the production’s three-year delay and how she envisions presenting a musical full of comic vignettes featuring such a large cast, especially since it was written specifically for Sid Caesar to play multiple roles as all the heroine’s husbands and lovers.

February 26, 2023
Back in 2015, I caught a solo performance play Mutant Olive, created and performed by Mitch Hara. I decided to speak with him about his revamped play, Mutant Olive 2.0, soon to begin performance at the Hudson Theatre in Hollywood, to ask about the new show, it’s title, and what’s been going on during the 8 years since Mutant Olive in its original form premiered.