The latest reviews and critic recommendations from Germany.
After his studio concert Mark Seibert decided to do a live streaming concert at the Ebertbad (Oberhausen) on Valentine’s Day, which was produced by SOUND OF MUSIC and for which he invited Marle Martens and Thomas Holer.
Carolin Fortenbacher cannot be stereotyped.
I had been vividly envisioning my return to live theatre for seven months before attending Staatsballett Berlin’s performance of Giselle.
Mark Seibert is currently one of the most asked musical actors with a fan base mainly in Germany and Austria.
Mark Seibert is currently one of the most asked musical actors with a fan base mainly in Germany and Austria.
Mark Seibert is currently one of the most asked musical actors with a fan base mainly in Germany and Austria.
Natalya Pavlova as Violetta, together with her Alfredo and Giorgio Germont (Ivan Magri, and Giuseppe Altomare, respectively) battle mightily against the inanity of Nicola Raab's direction, unfortunately, to no avail.
The hype surrounding French lyric tenor, Benjamin Bernheim is becoming hard to ignore.
A film adaptation on stage is always be trapped between different expectations: It can be too close to the movie or new settings or/and new songs may leave the audience unsatisfied.
Die perfekte Verschmelzung von Hollywood Flair und dem Zauber des Cirque du Soleil!
Carrie a?" The Musical was the final production of this year's graduating class of the Stage School in Hamburg.
Last night in Berlin, Roy Halock as Bianca del Rio tore the roof off of the Admiralspalast.
The musical Mary Poppins is currently playing at the Elbe Stage-Theatre in Hamburg.
If you can tune out the songs and simply want to see some good dancing, go and see FAME: THE MUSICAL.
Last weekend, Stuttgart's Theater der Altstadt welcomed the play The Woman in Black, a production directed by Gerhard Weber and brought to life by Bernhard Linke, Jorg Pauly and Tatjana Milicevic.
Whenever one of my US friends asks me about a successful German musical, it is for sure "Dance of the Vampires" that comes immediately to my mind.
Tina The Musical has arrived in Germany.
One is seldom confronted with a performance like last nights DIE TODE STADT at Berlin's Komische Oper, and I don't mean that in a good way --a miscast, misjudged, major disappointment
LENYA STORY at Berlin's Renaissance Theater is a savagely misguided, heavy-handed slog through a poorly-written Wikipedia entry.
l am seldom at a loss for words, VIVID GRAND SHOW left me speechless -- again and again and again.
Some performers walk on stage.
From the masters Shakespeare and Feydeau, to John Cleese and Monty Python's Flying Circus, to the more recent works of Ken Ludwig and Michael Frayn, farce is a comic gift that keeps on giving.
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Björn von Morgenstern - Kreisverkehrfest Boulevardtheater Bremen (5/28-5/28) |
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Augustfehner Comedy-Night (Fest der 1000 Laternen) Eisenhüttengelände Augustfehn (7/23-7/23) |
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OSAN YARAN - Wollen wir beginnen? Theater am Marientor (10/16-10/16) |
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LORIOT - Die Ente bleibt draußen Theater am Marientor (1/30-1/30) |
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CAVALLUNA - Die Farben des Lebens ÖVB-Arena (12/27-12/28) |
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Dittsche live & solo 2027 Stadthalle OHZ (2/03-2/03) |
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Sebastian Fitzeks Die Einladung Metropol Theater Bremen (6/18-6/20) |
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Magischer Samstag Dinner for (n)one - Schmatztheater Puppentheater Zwickau (12/05-12/05) |
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DER HERZOG & ICH - Das Theatermacher-Musical von Titus Hoffmann & Christoph Zirngibl Staatstheater Meiningen (12/05-6/22) |
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Der Fall Gesche Gottfried Packhaustheater (2/12-2/28) |
